The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

“Will be at the cinema Sunday night. Sorry”, this is what Manon, 18 years old, writes to her father after a year of absence. Pierre, the father and Ariane, his girlfriend, wait for her at the cinema. Ariane plays the different possible arrival of his daughter, but nothing calms the anxiety of Pierre. He asks his young team of actresses to play the role of Manon for him. When finally Manon comes out of the shadow ...
A tense dramatization of the reconciliation between father and daughter in an empty theatre, full of psychic hurts and perverse angers.

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship.

在影片《母狗》中费雷里描绘了一个女人如何接近一位连环画画家。画家生活在一个孤岛上，正在画无产阶级的第一个英雄斯巴达克思的连环画。这个女人由于能在这个男人面前扮演一个俯首贴耳的角色而得到满足。她给自己套上了一个狗项圈，跪在他面前，舔他的手。费雷里不是以此来美化大男子主义，而更多的是为了谴责资本主义社会男女之间的病态关系；但这里也应责备费雷里的两重性、他的玩世不恭和过多的滑稽效果。也许那个生活在孤岛上无所作为的画家正是费雷里自己的写照，因为费雷里不满他的生活和工作：“我试图在这个制度里拍摄影片，而且是拍摄我想拍的影片。我本应该是幸福的；但我并不幸福，因为我相信我的影片是没有用的。我从来不抱幻想，我知道只有少数人看我的影片，而且即使看了，又会起什么作用？这些影片只会使人不安。但这是不够的，而且也没有什么意思。"

Raoul是波尔多诊所的著名主任医师，爱上了年轻的发廊女孩Juliette。然而，命运将Juliette推入了Raoul最得意的学生Clément的怀抱。Raoul威胁Clément要将他的事业扼杀在萌芽状态。Clément最初接受了，但后来意识到她是自己的真爱，于是驱车到女孩所在地上班的超市等她，请求她的宽恕。此后两人和平相处，生活在乡村，Clément在那里从事医生职业。然而，Juliette担心Clément可能会后悔自己的决定，并害怕他想要一个孩子，便离开他回到Raoul的身边。但她不一样了，后来，她发现自己患有一种无法治愈的疾病。尽管Raoul对她进行积极治疗，但最终他意识到Juliette已经放弃治疗。于是他去找自己曾经的学生，说服Clément去找她。此时Clément已经结婚，并且是一名成功的医生。他最初拒绝了，但后来意识到自己仍然深爱Juliette，便回到了和她曾经共同生活过的乡间别墅。两人一言不发，互相拥抱，承诺永远不会再离开对方。

一个流浪巴黎的街头歌手、他的好友以及一个两人都心仪的姑娘，三人的恋爱关系支撑了整部电影，故事性十分贫乏。导演莱恩·克莱尔的旷世激情与浪漫洋溢在巴黎的狭小出租屋中。本片描写了一个街头歌手竞争一个美丽姑娘的故事。通过歌曲对爱情和人性弱点的诙谐探索，世故的眼光和破天荒的新影音技术的使用捕获了巴黎浮华的气氛。

A deadpan, picaresque buddy comedy about two old friends through a series of urban adventures, loosely connected by the skull of an executed French aristocrat. Winter Song is a typically irreverent Iosselianian jaunt through a classy Paris apartment block contemplating the past, present and future.

Comédie en quatre actes d'Anton Tchekhov, créée en 1904, mise en scène par Peter Brook et enregistrée au théâtre des Bouffes du Nord.

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.

根据艾利瑞·克恩同名小说改编。性格孤僻的富豪戴尔和他的年轻的妻子爱兰娜生活在一起。养子夏拉是个雕刻家，总是产生自己谋杀过别人的幻想。爱兰娜和夏拉有一段私情，这使得他们陷入了一场可怕的阴谋。他们的朋友保尔非常理智，但是也卷入这一串神秘的事件中。最后，一切终于真相大白。导演精心安排呈现给观众一部处处充满悬疑、扣人心弦的影片。

四个中产阶级男子每周末在城市碰头，主要为了讨论他们各自的生活。
Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming Vincent, everyone's favorite, faces bankruptcy, his mistress leaves him, and his wife, from whom he's separated, wants a divorce. The strains on the men begin to show particularly in François and Paul's friendship and in Vincent's health. A younger man, Jack, becomes attractive to Lucie, François's wife. Another young friend, the boxer Jean, who's like a son to Vincent and whose girlfriend is pregnant, has taken a bout with a merciless slugger. Has happiness eluded this circle of friends?

The story is set during a workers' strike in Nantes in 1955. Steel worker François Guilbaud is one of the strikers, and he rents a room from Margot Langlois, a widow who sympathizes with the strikers although she is herself upper-class. He has a pregnant girlfriend named Violette Pelletier, to whom he becomes less and less attracted, and abandons. When he tries to defend his behaviour, she feels she is treated even more unjustly. He meets Edith Leroyer, a beautiful working-class girl who is unhappily married to a rich but impotent and neurotic merchant, and a part-time prostitute. Unbeknownst to him she is the daughter of the widow. He first meets her in the street and one night she shows up in his room, wearing only her fur coat. They fall instantly in love, but their great passion lasts only one night, for during the demonstration he is shot by the police and dies in Edith's arms.