This story is all about a ambitious boy named Seenu (Ravi Teja) who dreams of becoming a don. He always likes to be called as ‘Don’ Seenu since childhood due to the strong influence of the Amitabh Bachchan starrer ‘Don’. He grows up with just one passion - that of becoming the World's No: 1 Don. Thanks to his enterprising nature, he gains access to the cream of the city's dons, and uses his cleverness to play off the top two - Machiraju (Sayaji Shinde) and Narsing (Sri Hari), fierce rivals - against each other.

Gopala Rao, an atheist, finds himself in the midst of crises. When Govinda Hari enters his home, Rao's life changes in miraculous ways.

From Wikipedia, the free encyclopedia Chandra is a 2013 and 2014 Indian fantasy film, simultaneously made in Kannada and Tamil languages. Directed by Roopa Iyer, it features Shriya Saran and Prem Kumar in the lead roles. The film deals with the life of a last generation princess and her love story. Chandra is a joint production of India Classic Arts and Narasimha Arts. The film was released on 27 June 2013 to positive reviews and emerged as a commercial success, also becoming one of the highest grossing kannada films at its time. Description above from the Wikipedia article Dan Duryea, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Follows the Salgaonkar family as they try to cover up a murder.

A loyal henchman is ordered by his boss to keep an eye on his mistress, and trouble begins when he refuses to kill her.

Impressed by his carefree attitude, quadriplegic multi-billionaire Vikram hires a convict out on parole as his caretaker. What follows is a string of life lessons they learn from each other.

Missing are a flight consisting of 300 VIPs, a house along with the couple that inhabit it and an orphaned girl child. Embroiled in midst of all three cases are two young boys and a man calling himself Veera Bhoga Vasantha Rayalu. What is the mystery behind either of these cases?

A young man risks his life to guarantee his twin sister's happiness and protect her from murderous in-laws.

A wealthy engineer arrives in India with the mission of serving the nation and investing in the country's welfare but is met with strong opposition from corrupt officials and politicians. After being faced with insurmountable hardships, he decides to take drastic measures.

Arjun, an unemployed youngster and Deva a powerful don both fall in love with Sailaja, a middle-class beauty, at the same time on a rainy day at a railway station. Arjun keeps bumping into Sailaja coincidentally every time it rains. This makes them both feel that it is perhaps the rain that keeps bringing them together, and they start to fall in love. Deva, on the other hand, takes the back-door route to get the girl, with the help of her good-for-nothing father.

Raised by a criminal father, Paarivel Kannan leaves behind his adoptive family to build a quiet life with his love, Rukmini. But his violent past won't let him go.

◆人物关系
片中的3位男主角，正好也是现实生活中一家人——泰卢固语电影业影视世家【Akkineni家族】一家祖孙三代：
1923年出生的爷爷【Akkineni Nageswara Rao】（泰卢固老牌影星）,爸爸【Akkineni Nagarjuna】(龙树大哥，泰卢固著名影星和制片人) 和1986年出生的刚步入影坛数年的孙子【Akkineni Naga Chaitanya】（据传他即将和小老虎（jr.NTR）一起主演翻拍的马利雅拉姆语电影《班加罗尔的日子》）。
但有趣的是，在电影《我们》（manam）中，由于轮回转世的原因，祖孙3人在电影情节中的身份正好和现实中的身份颠倒了过来——
真实世界中的爷爷【Nageswara Rao】成了他儿子【Nagarjuna】(龙树大哥)的【在电影中的】儿子。
真实世界中的孙子【Naga Chaitanya】成了他老爸【Nagarjuna】(龙树大哥)的【在电影中的】老爸。
◆剧情：
上半场：1980年代一对【感情不合的夫妇】在开车离婚的途中车祸遇难，留下6岁儿子。30年后，儿子长大后成了一名中年富翁，他认识了1名年轻的小伙和1个女孩，并相信他们就是自己转世的父母——但后者对前世的记忆并不知情。尽管如此，已经人到中年的儿子决心要把【今世】比他年轻许多的“老爸和老妈”撮合在一起。
下半场：1920年代一对【感情极好的夫妇】在开车回家的途中车祸遇难，留下6岁儿子。80年后，儿子已经成了一名90岁的老汉，他认识了1名中年的男子（就是第一个故事里的亿万富翁）和1个女护士，并相信他们就是自己转世的父母——但后者对前世的记忆并不知情。尽管如此，已经90岁高龄的的儿子决心要把【今世】比他年轻许多的“老爸和老妈”撮合在一起。
儿子【超越时空】为父母撮合做媒的桥段，让人不禁联想起1985年的经典科幻片《回到未来》。
事实上，在《我们》尚未上演之前，的确就已经有报道透露说，这部电影的确是从《回到未来》中获得了灵感。
（小提示：注意片中那个每次出现在车祸地点的钟楼，也是《回到未来》中至关重要的标志性场景。）
不过我觉得很巧妙的是，在片长近3个小时的《我们》中，泰卢固编剧相当于是讲了2个【儿子【超越时空】为父母撮合做媒的】这样的转世故事，而且天衣无缝地把2个故事融合到一起。
这两个【前世故事】有着微妙的对应关系：
第一个故事发生在80年代，这对夫妻是【包办婚姻】，婚后终日争吵。第二个故事里的夫妻相反，是【自由恋爱】，深爱着彼此。
但无论是第一个故事里的不爱，或是第二个故事里的深爱，两个故事里的他们都是死于一场宿命的车祸意外。
事故发生时间都是2月14日（即他们儿子6岁生日的第二天）。
事故地点都是在一个巨大的钟楼下面。
时间正巧都是早上10点20分（注意钟楼上大钟的时间）。
两个故事的车祸之前，被留在家中儿子都看到了一些不详征兆——
第一个故事的车祸前，儿子看到的是鱼缸里的金鱼死了、家门口马路上有汽车漏油的痕迹（导致父母的汽车刹车失灵）
第二个故事的车祸前，儿子不慎踩到了母亲失手掉在地上的破碎温度计。然后墙上的一块日历牌被风吹掉在地上，显示日期是2月14日。
这些征兆细节，让人想起惊悚片《死神来了》中的经典桥段。
而在影片最后，所有上述象征不详征兆的小细节都在【今世】发生的第三次车祸中，再次重复（包括车祸的时间和地点），让人不由佩服编剧的巧妙构思。
但不同的是，第三次车祸化险为夷。最后祖孙三代大团圆收场。
（注意，最后祖孙三代躲过车祸站在马路中间欢喜拥抱的时候，一辆失控大卡车正朝他们飞驰而来——
（这个结尾真的很象《死神来了》的那种黑色结尾，如果编剧更狠一点的话，就让影片在此嘎然结束会更好。但估计泰卢固观众不会接受这样的结尾。）
值得一提的是，2014年5月上映的《我们》（manam）这部以亲情、转世、轮回、爱以及永恒为主题的泰卢固语电影，在众多“英雄主义”类型的泰卢固语电影中独树一帜，
不仅口碑极好，而且出人意料的成为票房大赢家。在全球1500块银幕上映，最终票房总计5亿卢比（50 crores），被评为超级大片（blockbuster）之列。
但遗憾的是，片中爷爷【Akkineni Nageswara Rao】在今年2月——也就是影片5月上映前的3个月，不幸因重病去世了。
而在影片的最后阶段，生命垂危的他甚至不得不躺在病床上，让工作人员把录音器材搬到病房里，在病床上完成影片的最后配音工作。
正如电影里的情节那样，生命是如此反复无常，有时你甚至不知道它会在何时突然结束。
而我们有时甚至没有机会，和自己深爱的人说一声再见。
而我们也都很清楚，和电影里的奇幻情节不同，这辈子无论爱或者恨，下辈子都不可能再遇见。
只是如果真的有电影《我们》里这样的机会，只希望来生还是一家人。（daddycool）
一段印象森克的台词：就是那名富翁前世的父亲（今世的年轻小伙）终于认出他前世的妻子（今世的年轻女孩）之后说的：
“我爱你，克里西娜。
如果我曾有过一次前世，这会是我临死前最后对你所说的话。
在今生我第一次看见你的时候，这本该也是我对你所说的第一句话……但是我没有。”
另外，《我们》（manam）的几首歌曲都好听死了。其中我最喜欢的是【Shreya Ghoshal】唱的【Chinni Chinni Aasalu】，这首歌出现在下半场开始不久。（daddycool）

Sivaji and his family are uprooted from their community in Sri Lanka and wind up as bonded labourers in Vishakhapatnam. Like his legendary namesake, he rises up to become the saviour of the oppressed.

The film's plot revolves around Kanthasamy (played by Vikram), who is a Income Tax officer in the CBI, and his friends, granting the wishes of the needy who write letters to a local Lord Muruga temple by disguising himself as an anthropomorphic chicken. During a CBI income tax raid, he discovers a stash of black money owned by Ponnusamy (played by Ashish Vidyarthi), a rich and corrupted entrepreneur. Ponnusamy pretends to be paralysed to escape the questioning. Angered by the news that her father is paralysed, Ponnusamy's daughter, Subbulakshmi (played by Shriya Saran) goes after Kanthasamy to seek revenge by pretending to be in love with him. Kanthasamy, knowing Subbulakshmi's real intentions plays along in the game. This forms a cat and mouse chase between the two. In a comical role, Thengakadai (played by Vadivelu) is also sought after by a local police inspector who tries to solve the mystery of "Lord Muruga saving the people". The fate of Kanthasamy's disguise leads into the climax of the story. The local police inspector was able to bring out the truth that a CBI is involved in the role behind the secret work of helping the needy people although he was not able to confirm it. Kanthasamy finds the password of Subbulakshmi's family bank account, in which the black money is illegally saved. He tricks Subbulakshmi into revealing the password and answers for the security questions indirectly. Kanthasamy finally transfers the money to his account which would be used for helping the poor and needy people. Ironically, in the end, Subbulakshmi's father was paralysed at the end knowing that the password which was used by him to access his black money was changed. After that Subbulakshmi and Kanthasamy were married and were living in northern India. Kanthasamy saw some letters tied to a tree, just like the ones at the Lord Muruga temple. He read one and he put a letter into his pocket with a secret smile, which meant he is the anthromorphic chicken again.

7 years after the case related to Vijay Salgaonkar and his family was closed, a series of unexpected events bring truth to light that threatens to change everything for the Salgaonkars. Can Vijay save his family this time?

A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.

An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.

Binya是一个11岁的小女孩，生活在一个平静的乡村小镇里。
一天Binya得到了一把蓝色的日本式洋伞，这把伞是她用她外祖母一条被认为能带来好运的项链交换来的，Binya对这伞很是喜欢。
Binya在得到了这个伞之后开心得在空地上唱歌跳舞，这既是为了庆祝自己实现愿望也是一种对物神崇拜的仪式。小镇上的人都
很想得到这把漂亮的伞，很自然的对伞的主人有了不同的待遇。
本片加入了诸多的多彩和华丽的画面，融入了宝莱坞式的歌舞场面，揭示了一个古训：物质崇拜必将得到惩罚。

A simple, street-smart man tries to protect his family from a cop looking for her missing son.