Yutaka Ikejima — Actor (25)
Lolita: Vibrator Torture (1987) [Movie] Douban IMDb TMDB WikiData
ロリータ・バイブ責め
director: 佐藤寿保 actor: 木村さやか / 伊藤猛
other title: 洛丽塔:振动器酷刑 / ロリータ・バイブ責め
High school student Kozue spreads flyers in search of her missing classmate. A psychopath lures her to his place, where he imprisons her. The psychopath gets his kicks by raping his victims with a chrome vibrator, poisoning them then photographing them as they die. However, when Kozue doesn’t act like his typical victims they start up a strange and twisted relationship.
Lustmord (1987) [Movie] Douban TMDB IMDb
暴行本番
4.8 (6 ratings) director: Hisayasu Satô actor: Nanako Fujitani / Yui Hoshikawa
other title: 暴行本番 / Pleasure Kill
城南大学心理学实验室的女医师正在进行一项新型镇静剂的药物临床实验,田钿妙子、中岛知子、三上莉香等三名学生充当志愿者。女医师的丈夫生前是个极其出色的科学家,却因自己的实验过于挑战极限而遭到排斥,最终自杀身亡。他们的儿子英治(石川成俊 饰)还是一个高中生,但他显然继承了父亲的优秀基因,独立研制出一种可以影响大脑从而减轻痛楚的药物。英治趁母亲不备,偷偷将其注入到实验药剂中,并注射给三名志愿者。在此之后,他偷偷观察着三个女孩的日常反应,期间更与美丽的莉香发生感情。然而,英治的药剂产生副作用,妙子和知子先后发狂,死于非命。备受打击的英治也接近了崩溃的边缘……
  本片为导演在《女虐》之前的试水之作
青春摇滚火花 (2003) [Movie] Douban
アイデン & ティティ
director: 田口智朗 actor: 峯田和伸 Kazunobu Mineta / 麻生久美子
other title: アイデン & ティティ / Iden & Tity
四人青年摇滚乐队“快速车道(Speed Way)”经过多年的辛苦打拼,终于迎来出道的关键时刻。他们的单曲大卖,现场演出火爆,歌迷和知名度与日俱增。然而就在此时,快速车道面临着两难的抉择。唱片公司老板(岸部四郎 饰)毫不关心音乐的本质,一心追逐最大商业利润;乐队其他成员则希望再写出一首畅销单曲,以吸引更多拥趸;而主音吉他手中岛(峯田和伸 饰)痛惜乐队对商业的屈从,立志追求摇滚乐的极义。乐队成员分歧不断,中岛渐渐感到孤立,这一过程中,只有女友(麻生久美子 饰)始终支持着他。某天,中岛在公寓中见到了心中的音乐之神——鲍勃•迪伦。他帮助中岛找到前进的方向……
本片根据みうらじゅんの的同名漫画改编,宫藤官九郎操刀剧本。
正午切裂魔 (1984) [Movie] Douban
真昼の切り裂き魔
director: 泷田洋二郎 actor: 織本かおる / 池島ゆたか
other title: 真昼の切り裂き魔 / Mahiru no kirisakima
A journalist. Two photographers. One infamous serial killer on the loose. DARKROOM FANTASIES is directed by 77mi.cc Academy Award Winning Director Yojiro Takita.
粉红丝带 (2004) [Movie] Douban
ピンクリボン
director: 藤井謙二郎 actor: 若松孝二 / 高橋伴明
other title: ピンクリボン / Pinku ribon
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.