Acclaimed director Hao Zhou journeys into one of China’s vast factories around the time of the pandemic to detail the impact of global supply chains and coercive business practices on workers’ lives.

A record of the life of an old couple in winter in rural Sichuan

TONG Meimei, a psychotherapist, her father committed suicide when she was 3 years old, and lost her husband in a car accident when she was 40. Sunteck Yao, a mime actor, was raped by a strange elder after he went to school in the wrong bus when he was 12. As time goes by, how do they bring their pasts to live peacefully in the present? With the deepening of their relationships with the film crew, the influence of past experience began to emerge in the interaction, and the director was forced to show up from behind the camera and get involved in this unavoidable conversation.

Zhou Hao's documentary about a boy and his dog.

The township of Houjie, near Guangzhou, has been transformed from a rural village into an industrialized township following the massive influx of Taiwanese and Hong Kong capital during the 1980’s. This film relates the precarious position of the migrant workers who built Houjie, but who were also the first victims of the post-September 11th economic slowdown, forever at risk of being laid-off.

In a vast expanse of desert sands two men exchange health tips: “Wild boar meat is good for your lungs,” says one. “Wild boars and groundhogs,” replies the other. They press bunches of straw into the sand to combat the desertification and sandstorms here in the Tengger Desert of northwest China. A little later we see other people, men and women, doing the same work. In this immense swathe of sand—the Tengger is about the size of the Netherlands— their labor looks like a Sisyphean task. Perhaps it is due to the resulting sense of pointlessness that the conversations start to take on a more serious tone. One of the two men tells of how his wife left him, and how he had to raise his child alone. He once envisioned a different kind of life, but things go as they go. “Our fate is like an unbreakable wall,” he observes, with a resigned tone.

The film crew spent ten months in the emergency room of a hospital in Guangzhou, the largest city in southern China, where they followed the 120 emergency vehicles around the city day and night, encountering a wide range of emergency stories on camera.

中国的西北部腾格里沙漠南缘，62岁的老年、57岁的老朱在这里打工。他们在沙漠里种树！撒草、压草、挖沙、种苗……这种中国人自己发明的办法，在有的区域，树苗存活率竟然可达85%。几十年不懈的努力，中国北方沙尘暴的天数明显减少了。每天起早贪黑，老朱说“他们为了大自然，我们不过是为了挣两个钱”。2023年春季的植树季，我们和他们朝夕相处了十多天。从早到晚，听他们聊天，看他们扯皮……

留守儿童三部曲其中一部，这一部主要是讲关于留守儿童父母的。

《小凤》是周浩导演的留守儿童三部曲的其中一部，是记录留守儿童小凤从小学到辍学打工的一部耗时很长的纪录片，目前仅出了三分钟预告。

《棉花村的孩子们》主要记录的是三个女孩——小凤、守业和罗晶的生活。她们的父母都在外打工，她们跟随爷爷奶奶及弟妹生活。
孩子们说话间，那种成熟与宿命感脱口而出。影片的最后，罗晶含着热泪说道，她和守业她们约好了，以后要留在棉花村当老师，即使教的不好，也可以让大家少走点路。这个十二岁的女孩，在还没有明白婚姻是怎么一回事的时候，就说她要永不嫁，要永远地留在棉花村。守护这个村庄的使命感深深地种在了棉花村的孩子们心里。

我们主角是一个留守老人。这个故事讲述了这个乡村老人一年的喜怒哀乐，以及他所在的农村尚且保留的最传统的农耕生活，这样的生活方式在这高速发展的社会里几乎绝迹。

两届金马奖最佳纪录片导演周浩在2015年拍摄了纪录短片《小彪和狗》。15岁的贵州初二学生小彪在片中向他的同学们谈到自己的狗。

在中国西南深山里，一个布依族村寨，三个姑娘从12岁到18岁期间发生的故事。影片涉及成长、女性、少数族裔、城乡的差异……
三位山村里的姑娘，儿时，每个人都有自己的梦想。随着时间的推移，她们面临的问题将越来越现实，有人15岁辍学在外打工，有人继续求学……数以千万计的，来自中国农村的年轻人们，他们的世界，也许是第一次被这里长时间完整地记录。

一部记录了腾讯“绝艺”诞生和夺冠全程的记录片10月12日在香港恒生管理学院首次试映，绝艺幕后团队在片中悉数亮相。一群技艺超群的IT工程师如何用电脑打败了其它机器人对手和超一流围棋选手？由曾蝉联第51届、52届金马奖最佳纪录片奖导演周浩执导的这部影片以贴身采访和翔实记录揭开其中的秘密。

这是导演有关中国社会公共空间系列纪录片的继续……
在中国南方的最大城市-广州一所医院的急诊室，摄制组在这前后呆十个月的时间。这是导演有关中国社会公共空间系列纪录片的继续……
在中国南方的最大城市--广州的一所医院的急诊室，摄制组在这前后呆了十个月的时间，他们跟随着日夜在市区内奔走的120急救车，用镜头去遭遇各种各样的急诊故事。
中国早已经是世界第二大经济体，但政府还是不得不承认自己是一个人口众多的发展中国家。随着城市化和工业化进程的加快，中国社会保障体系的建设远远落后于经济发展速度的矛盾日益呈现。
在急诊室，表面上离奇、荒诞的故事一一在镜头前“上演”。一方面，我们看到很多不懂得爱惜自己生命的人，另一方面，我们也表现出对一个健全有效的医疗保障体系渴望。
两千多年前，中国的哲人孟子已经提出，理想的“大同”社会应该是“老吾老以及人之老，幼吾幼以及人之幼”。近年，中国政府大张其鼓倡导的“和谐”社会似乎就是来源于此。社会理想的状况应该是让每个人都能有尊严活着，然后有尊严地死去。
最后，我们要特别感谢那些允许我们拍摄普通的中国人，成片时我们没法一一再联系到他们，并征求得他们的同意。是他们的故事让我们更加了解我们生存的社会，本片也将承诺不进行任何商业运作。

片长51分钟，只是记录了冬天四川达州农村，一对老夫妻家长里短的生活。 村里的年轻人都外出打工，这个村的人大都是到广东鲘门去打渔…… 2011年制作，法国剪辑。

DATONG follows the life and work of a controversial Chinese Communist Mayor GENG YANBO to tell the story about how he takes a radical reform to demolish 140,000 households and relocate half a million people to give way to restoration of Ancient relic walls in order to adopt a clean economic growth from tourism and culture, which he believes will do good to DA TONG citizen in the long term. With two years in the footsteps of GENG, along with the changing ideology and confrontations from the public, the film is trying to draw a looming shape of future of China.

厚街又名后街，是珠江口的一个小镇，距离省会广州 45公里，香港80公里。20世纪80年代初至今，来自台湾、香港的资本和中国内地的大量廉价劳动力使它从农业小镇迅速发展为一个劳动密集型的工业城镇。工厂里的工人是进城打工的农民，他们从中国内地最贫困地区来到广东的厚街镇。工厂附近的出租屋是农民们进入城市的第一个落脚点，也是他们远离故乡后在千里之处建起的另一个家。本片真实记录了这些在厚街打工农民鲜为人知的生活状况，它们成为中国城市化进程中不可忽视的重要组成部分。