第二年（2011）春运，我们一如既往回到这个派出所……
除了那几位老“差人”，上一部片中的“新疆人”、“来广州混的少年”、“忏悔的青年”……没有一位再次出现。
派出所，普通人一生也难得进去一次，可也有人一个春运要进去好几次。故事就从一些总要在这进进出出的人说起……
影片似乎仍然是没有重点，结构松散，主题混沌。
其实，人本身就是一矛盾体，由人组成的社会注定也是如此。

As Chinese Communist Party secretary, Guo Yongchang was the most powerful man in his county, located in the rural inland province of Henan. Guo invited acclaimed documentary filmmaker Zhou Hao to record his final months in office. Through Zhou’s lens, we see Guo work tirelessly to achieve his greatest desire: for Henan to match the affluence of booming coastal areas. Zhou also captures the sordid details of local-level politics in pursuit of growth: lavish parties with foreign investors, threats to local workers protesting unpaid wages, and offers of bribes and kickbacks. (dGenerate Films)

An in-depth portrayal of the university exam preparation that Chinese students undergo during their senior year of high school. For many students this exam is a ticket to a better life, so the stakes are high.

导演认识了两位“朋友”。他与他们之间的交往构成了这部片子。开始，他并没有一个明确的计划要制作一部纪录片，但随着时间的推移，他开始有目的和他们交“朋友”。“朋友”们奇迹般地允许导演进入他们的生活，他们吸毒也贩毒的生活。
纪录片的制作者和被拍者之间到底应该是一种什么样的关系，这部影片给出了它的解释。
The director himself (who’s also a journalist) encountered in an interview a small group of people who, despite all odds, willingly invite him into their world of drug use and peddling. That’s how “Using” was born.
What exactly is the relationship between a filmmaker and those being portrayed, “Using” has the answer.

A movie about the cotton’s workers in Xinjiang Province, North-West of China.

佟梅梅，3岁时，父亲跳楼自杀。40岁，丈夫遭遇车祸不幸过世。姚尚德，12岁，放学坐错车，遭遇一陌生老者性侵，从此疏远家庭和人群。对他们来说，看似平静的当下是伤痛期的无限延长。
从业二十年的心理咨询师佟梅梅，与化创伤为创作的哑剧表演者姚尚德，都认为他们自己应该为承受着相似痛苦的人们发声。他们接受了导演的拍摄请求，然而故事却朝着另一个方向发展。
每次摄制组离开之后，佟痛哭不止；姚被迫停止工作，寻求心理医生的帮助。纪录片的拍摄成为了触发二人创伤回闪的诱因。
摄影机的介入是否道德？不再打扰就能走出创伤？导演被迫从摄影机背后现身，卷入这场这场无法逃避的对话。

广州火车站站前派出所，一个万象生的地方，在这里你能看到社会的各个折射面。