Young and attractive company executive Hanna von Stezewitz (Amira Casar) has everything, and
just takes whatever she doesn’t. She’s an arrogant and unscrupulous manipulator who has politicians
and banks in her pocket – she’s a perfect example of predatory capitalism whose preferred sartorial
look is patent leather and leather. To avoid boredom she seeks ever more extreme kicks and sees
her abuse of a young girl with hopes of a career merely as collateral damage, nothing money can’t
fix. The only person who stands in her way is her bedridden grandfather, the family patriarch, and his
reactionary worldview. Desperate to be rid of him, she hires a killer. When Hanna unexpectedly finds
a lover who is her equal in the shape of Sarah, the nun who is her grandfather’s nurse, her happiness
seems complete. But does she really have everything under control? Peter Kern has succeeded
in creating an angry, opulent portrait of manners in which everyone – rich or poor – is corruptible
or at least susceptible to seduction, and criminality and capital go hand in glove. A merry dance of
corruption in which anyone who steps out of time is simply brushed aside.

Jobless loner Eddie Vuibert gets a lucky break when a rich Jewish entrepreneur mistakes him for a Jew and gives him a sweet job in the Parisian fashion district.

该系列影片主要讲述一伙年轻的犹太人在法国做生意的故事，到了第三集，故事背景转入中国温州与上海，故事的主人公转干起卖鞋生意，并有一些中国的生意合作伙伴。

故事聚焦在世代经营家族企业的乌利希大家族，原本打算卖掉持股的老太太在签字时突然暴毙。当大家手忙脚乱，为合约是否有效而争执不休，打电话报警时，她又复活过来了！就在今夜，不只有她，列祖列宗全都重返人间，阴阳两界三代同堂，以为灰飞烟灭的往事再度在大宅中上演。让众人疑惑的是，二战期间过世的爷爷始终没有上演复活秀，菲利普怀疑爷爷当年的死没有那么单纯，决心要揪出杀死爷爷的凶手，但他在侦办过程中不知不觉与爷爷早逝的前妻，年轻依旧的雷娜特擦出了爱欲火花。被隐藏的家族秘密，陈年往事中的阴谋诡计开始浮出水面，一切都来得令人措手不及。

《罪恶》
Coupable
导演：莱蒂莉亚·麦森
主演：海伦娜·菲利亚热、杰里米·雷诺阿、阿米拉·凯泽
国别：法国
卢西·安兰伯特是个律师，一天他接下一个案子，为一个叫布兰奇的女子辩护，布兰奇被怀疑杀害了自己的丈夫。卢西安花了一个晚上的时间探访布兰奇，她住的地方非常荒凉。卢西安发现，布兰奇与他所有其他的客户都不一样，甚至于他见过的所有其他女人都不一样，他一直不能确定，她到底是真的杀害了丈夫，还是无辜者。房子外面，一个人一直在监视他们，这便是警探路易斯伯格，他希望找出事实真相。随着对案情的深入了解，所有人都陷入到沉思之中，到底什么是爱，什么是罪恶？香蕉/文

2022 film directed by Tarik Saleh

Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?

Kenza and Yaël are two young French women who go to Syria to fight alongside the Kurdish forces. There they meet Zara, a Yezidi survivor. Born in different cultures but deeply united, the women-fighters heal their past wounds and discover their present strength, especially the fear they inspire in their opponents. The three young women soon bound together and become true sisters-in-arms.

奥斯卡（阿米尔·本·阿卜杜勒穆门 Amir Ben Abdelmoumen 饰）是一个单纯善良的十岁小男孩，可惜身体一直都不是太好。一次偶然中，他听见父亲（杰罗姆·基歇尔 Jérôme Kircher 饰）和母亲（康丝坦斯·朵莉 Constance Dollé 饰）私底下偷偷讨论自己的病情，才知道原来自己的生命只剩下短短几个星期了。又伤心又愤怒的奥斯卡觉得父母一直对自己隐瞒病情这件事十分的过分，于是决定再也不开口说话了。
一天，在医院的楼梯间里，奥斯卡遇见了一个古怪的穿粉红色衣服的女儿你，她的名字叫做罗斯夫人（米歇尔·拉罗克 Michèle Laroque 饰），本来再也不愿意向任何人敞开心扉的奥斯卡渐渐的被这个女人所吸引。

黑暗的童话故事，关于一位恶魔医生诱拐了漂亮的歌剧演唱家，想把她变成机械的夜莺。
奎伊兄弟最新获奖颇丰的作品，2005年多伦多电影节参展影片！这对出生於美国费城的怪异双胞胎（1947年6月17日诞生的他们还恰巧是双子座），自1978年搬到伦敦定居后就不想回去。事实上他们的作品也的确一点都不美国，那种灰暗阴沉、近乎潜意识与梦魇、且非传统故事性的影片叙说方式，除了适合伦敦多雨多雾的阴湿天气外，也明显承袭自卡夫卡式的狂乱。这对闭塞隐晦的怪兄弟并且特喜欢捷克偶动画大师斯凡克梅耶，影片之中同样充斥着破败的玩偶、金属与冰冷的材质，他们甚至还拍了部《斯凡克梅耶的橱柜》（The Cabinet of Jan Svankmajer）向其致意。不过奎伊兄弟不像斯凡克梅耶那么外放与大剌剌，他们构筑的是一个封闭、内缩、沉寂，且异常精细复杂的世界，在那里头日常生活中所不断重复的支微末节被特写放大，成为想像力的来源与影片叙说的主线。他们最着名的作品是1986年改编自波兰小说的《鳄鱼街》（Street of Crocodiles）。另外值得一提的是，英国名导格林那威的《一加一的故事》便是以这对兄弟为蓝本。

第72届戛纳国际电影节将于2019年5月14日至25日在法国南部城市戛纳举行。
电影节期间，竞赛和展映活动同时进行。电影节分为六个单元：“正式竞赛”，“导演双周”，“一种注视”，“影评人周”，“法国电影新貌”和“会外市场展” 。

Seances presents a new way of experiencing film narrative, framed through the lens of loss. In a technical feat of data-driven cinematic storytelling, films are dynamically assembled in never-to-be-repeated configurations. Each exists only in the moment, with no pausing, scrubbing or sharing permitted, offering the audience one chance to see this film before it disappears.
The project was born from the mind of one of the world’s foremost outré directors, Guy Maddin, who has long been haunted by the idea that 80% of films from the silent era are lost. Driven by the desire to reincarnate this vanished history, an abundance of these films have been reimagined by Maddin and brothers Evan and Galen Johnson, with the express goal of combining and recombining them to create infinite narrative permutations.

An affluent, middle-aged couple's uneventful lives are forever changed when they move into an isolated house in the country and befriend an odd, younger couple.

剧情简介：
Zingarina是个叛逆的年轻女子。她与朋友Marie一起前往特兰西瓦尼亚，寻找她爱的那个男人。Marie寸步不离Zingarina，因为她知道Zingarina什么都会。任何你想做的事情，Zingarina都已经做过了。
在庆祝Hérode节的异教庆典上，Zingarina找到了她所爱的人。在节日的狂欢、喧嚣、音乐和迷醉中，她知道自己在这世上终归是孤孤单单一个人，她又一次失去了爱情，而更糟的是这次连目的和爱慕的对象都失去了。(晓微/文)

2015 film by Guy Maddin

Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.

2016 film by Rebecca Zlotowski

A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She'll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He's reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day "contract", these two total strangers will have had a profound impact on each other.

Young journalist Sebastian Zöllner is writing an article on artist Manuel Kaminski. Zöllner hopes that Kaminski dies soon, so that he can cash in on his article.

Selma, 17, who lives in a bourgeois and secular Berber family. When she meets Julien in college, she realizes for the first time the impact of patriarchal rules on her intimacy.