Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club

A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term. Preserved by the Academy Film Archive in 2007.

A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.

As our country continues to embroil itself in foreign wars and pins its hopes on a new leader's promise for change, Phil Ochs: There But For Fortune is a timely and relevant tribute to an unlikely American hero. Over the course of a meteoric music career that spanned two turbulent decades, Phil Ochs sought the bright lights of fame and social justice in equal measure - a contradiction that eventually tore him apart. From youthful idealism to rage to pessimism, the arch of Ochs' life paralleled that of the times, and the anger, satire and righteous indignation that drove his music also drove him to dark despair. In this brilliantly constructed film, interview and performance footage of Ochs is illuminated by the ruminations of Joan Baez, Tom Hayden, Pete Seeger, Sean Penn, Peter Yarrow, Christopher Hitchens, Ed Sanders, and others.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

Governor George Wallace will not let two black students into an Alabama school, against the wishes of President Kennedy. Loud shouts come from both sides of the issue as JFK stands by his decisions.

1963年，古巴的导弹危机甚嚣尘上，美国新任总统约翰•肯尼迪则正处在大展身手的好时机。13岁的华盛顿男孩亚当•斯达福德（Cameron Bright 饰）便生活在这个特殊的时代里，他如每个同龄人一样，经历着属于自己的青春躁动。对面公寓新搬来的女人引起了亚当的注意。这个名叫凯瑟琳•卡斯维尔（Gretchen Mol 饰）成熟性感，她的绰约风姿令亚当深深着迷。
亚当以打工的名义接近凯瑟琳，只为一亲芳泽。随着交往的加深，亚当却发现眼前这名性感的女子竟有着鲜为人知的一面，她甚至和总统肯尼迪有着千丝万缕的关系……

本片由奥斯卡最佳纪录片《伴唱人生：聚光灯外20呎》导演摩根内维尔及监製凯群罗杰斯，结合这些精彩绝伦的演奏影像，各成员的访谈，纪录了超过五十位音乐演奏者于世界各角落共同创作、打造崭新音乐艺术的动人过程。这也是被誉为当代最有影响力的华人艺术家：马友友，在六十岁时推出最具意义的作品。
一群来自世界各地的杰出音乐家，在知名大提琴手马友友的号召之下展开了「丝路计画」，组成了丝路合奏团，融合东、西方不同的乐器、音乐以及各种文化元素，在世界各地进行表演，他们的音乐模煳了国界疆线、消弭了文化差距，不仅带给观众不同以往的音乐飨宴、演奏者透过中西融合及互相切磋，对音乐的造诣更上一层楼。

In 2001: A Space Odyssey, Stanley Kubrick showed us what the future might look like. How true was his vision? This documentary employs interviews with filmmakers, screenwriters and authors - including Arthur C. Clarke - to delve deep into the heart of the film's imagined future and determine the extent to which Kubrick and Clarke's vision predicted a world of fantasy - or today's reality.

由汤姆·汉克斯（Tom Hanks）担任执行制作的系列纪录片。该片共十集，带领大家共同回顾一些有关时代变迁的记忆。该剧的第一集标题为“电视的时代”，该集讲述了小型屏幕的起源，其中包括从黑白电视到彩色电视的过渡，大家将通过一些明星的视角来回顾历史，其中包括迪克·卡维特（Dick Cavett）, 戴安·卡罗尔(Diahann Carroll), The Smothers Brothers，卡罗尔·伯内特（Carol Burnett）等明星。
与此同时，《The Sixties》还邀请了现今的杰出人物来讨论“时代进步为他们的生活带来怎样的影响，又是怎样改变了整个世界”。

Television Documentary (Germany, 1998)

A testament to NASA's Apollo program of the 1960s and '70s. Composed of actual NASA footage of the missions and astronaut interviews, the documentary offers the viewpoint of the individuals who braved the remarkable journey to the moon and back.

2000 film directed by Roger Donaldson

Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte's attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.

2019 film directed by Todd Douglas Miller

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.