1993 film

Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.

1992 film

1997 film by Indra Kumar

2010 film by Milan Luthria

2009 Bollywood musical drama film directed by Vipul Shah

Four runaway cons take shelter in a bungalow owned by an old blind couple.

2005 film by Prakash Jha

DCP Anant and his team get tasked with escorting an alleged terrorist to Mumbai. However, a rogue ex-police officer makes their task difficult as he tries to stop them from reaching their destination.

Vaidehi (Manisha Koirala) gets married to Raghuvir (Jackie Shroff), an NRI. Suffering the agony of an unhappy marriage, she decides to run away from him when she learns that she is pregnant and he wants to take the child away from her. In her pursuit for freedom, she meets Mythili (Mahima Chaudhury) a bride-to-be, Janaki (Madhuri Dixit) a theatre artist and Ramdulari (Rekha) a village midwife - all of whom are victims of male chauvinism. They however refuse to be put down and fight for their rights.

1998 film by Mahesh Bhatt

An in-depth look at the making of S.S. Rajamouli's magnum opus, RRR, with behind-the-scenes footage and exclusive interviews. Explores the vision, challenges, and dedication involved in creating this cinematic phenomenon.

延续《袭击1》的模式，正直税务官通过自爆受贿，拟查处深受爱戴的穷民党部长。部长外表公益乐于助人，私下却利用少女身份大量购买土地，用各种手段逼奸少女，煽动群众阻挡查处。税务官暗度陈仓，让手下伪装贪腐接近部长，最终发现犯罪证据。当大量群众被煽动时，税务官利用抛洒卢布和让部长母亲及被害女孩出面，揭露部长真面目。

A biopic of Maratha warrior Chhatrapati Sambhaji Maharaj.

Author: Abhishek (moviebuff81) from Sydney Australia
Ram Gopal Varma's latest offering 'Company' is probably one of the best Indian gangster films ever made (after Nayakan and Satya). This film is so well done that the viewers feel like they are watching real-life events. And people living in India will know that some of the events are actually inspired by real-life incidents, although the film does not admit it.
Company is the story of two friends - Malik (Ajay Devgan) and Chandu (Vivek Oberoi) - how they build up the 'Company' - Bombay underworld on a global scale and thus establish their supremacy. A small misunderstanding between them turns into a large scale mafia war. The cast in this film is great, a special mention must be made of Vivek Oberoi. The son of Suresh Oberoi (former Bollywood star) is talented and seems to have put in a lot of effort for his first film. I only hope he doesn't get type-casted in the future after such a hard-hitting role on debut. Ajay Devgan fits very well into the role of Malik, a cold blooded don who always means business. Manisha Koirala enacts the role of Malik's girlfriend pretty well and is refreshing. However, the biggest surprise of this film was Antara Mali. She has done a great job as Chandu's wife, and it only goes to show that there is no dearth of talent in the country.
The narrative is well paced, and the viewer never gets bored. Some people might find the absence of songs in the film annoying, but their presence would only hamper the pace of the film. The script is well written, and some of the dialogues are really memorable - for example, when Malik says "To forgive a friend's mistake is an even bigger mistake in the 'Company'". The background music by Sandeep Chowta really complements the plot and he certainly deserves some credit. But more than anything, it is Ram Gopal Varma's direction that needs to be appreciated. He has proved once again that with a good story, an excellent cast and a lot of determination, one can make a memorable film and defy some of Bollywood's age old norms. A special mention must also be made of Mohanlal. He is certainly one of the best Indian actors of all time and although his Hindi dialogue-delivery in Company is quite sloppy, he deserves a lot of praise for making a good effort. His portrayal of an honest, determined cop trying to eradicate crime in Bombay (loosely based on Sivanandan, Joint Commissioner of Police, Mumbai) is very well executed.
The film gives us an in-depth view into the dark world of Bombay Mafia, where only the fittest survive, and how their operations have spread on a global scale. One thing I found intriguing about this film was the role that mobile phones play, how everything can be controlled efficiently by just making one phone call, and how business deals and murders can be executed with, quite literally, just one push of a button.
Bottomline: This film is a must-watch. A landmark in Indian film-making, all thanks to Ram Gopal Varma. An easy 9 out of 10.

Youtuber CarryMinati 的第一部宝莱坞电影。CarryMinati 的真名是 Ajey Nagar。这并不完全是首次亮相，因为他只是同意扮演这个角色，因为他可以在大银幕上扮演自己和他的另一个自我 CarryMinati。他证实他得到了许多角色，但没有接受。

An honest, small town cop is transferred to a big city that is controlled by a crime boss that he had once humiliated.

The cop universe expands with newer additions while the old ones return led by Bajirao Singham. Singham Again interweaves the mythological epic Ramayana's good vs evil narrative when his wife Avni Kamath gets abducted by Danger Lanka setting Bajirao and his gang of Sangram Bhalerao and Veer Sooryavanshi along with Satya and Shakti Shetty on a mission to rescue her.

Ahead of a major constitutional decision which rendered the Article 370 of the Indian state ineffective, special agent Zooni Haksar is tasked with a secret mission to quell violence in a conflict-ridden region.

Owing to the wrongdoings affiliated with evils similar to black money, an honest but ferocious police officer returns as the Deputy Commissioner of Police with the prospect of wiping out injustice.