Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

Darien, a left-wing police informant, is forced to lure his old friend Sadiel to Paris, allegedly to film a television special about the Third World. Sadiel, the exiled leader of a North African state, is being hunted by the ruthless Colonel Kassar, who will stop at nothing to capture his political rival. Once Sadiel arrives in Paris, Darien realizes he has been manipulated. He tries to turn back the clock, not realizing what or who he’s truly dealing with.