A documentary short directed by Brian De Palma, The Responsive Eye documents the 1965 exhibition of optical art at the Museum of Modern Art in New York. Curated by William C. Seitz, the exhibition was the first major museum show dedicated to Op Art. The film captures both the artworks and the reactions of attendees, offering a snapshot of a pivotal moment in the relationship between contemporary art and public perception.

In conversation with Roy Lichtenstein, critic Lawrence Alloway places Pop Art on a continuum of twentieth-century art that includes collage, Dada, and Purism in referring to signs and objects of contemporary society; Lichtenstein argues for distinctions between himself, Warhol, Oldenburg, and others. In his Long Island studio, Lichtenstein works on an elaborate composition; one of his 4 major paintings on the theme "The Artist's Studio."