话剧《安魂曲》由《洛希尔的提琴》、《苦恼》、《在峡谷里》这三部契诃夫小说片断改编。
一个马车夫死了儿子，想和什么人诉说胀满心头的悲痛，但是任马车载着南来北往的人们，却怎么也没有人肯听他说，最后只有和自己的马去倾诉，一个老工匠和妻子生活了五十多年，却从来不曾给过她一丁点的关心和注视。一天老太婆感到难受，她的眼神不再温顺怯懦，而是变得古怪。老头知道她不行了，送她去看了乡村医生之后，老太婆还是死了，他才知道自己是那么哀伤，一桶开水被人生生的浇到一个婴儿身上，那年轻的妈妈不过是个十几岁的小姑娘，她抱着自己的孩子去找乡村医生，可孩子还是死了，小妈妈抱着死去的婴儿在漆黑的旷野上走了整整一夜……伤心的亲人们只能在回忆和幻想中寻找到温暖，周而复始的去寻找幸福的生活。似乎在兜圈子，但人们仍然在不停的寻找。

Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well.
In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.

A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).
Actors are doing a great job under Kosashvili's direction, and one can find similarities between him and Kusturica.

一名退休的顶尖以色列特务重操旧业，追缉一位早就死在自己手下的巴勒斯坦激进份子，引发一连串的混乱事件