1997 film by Xavier Durringer

Aram, a young man from Marseille of Armenian origin, blows up the Turkish ambassador's car in Paris. Gilles, a young cyclist who was passing at that precise moment, is seriously injured. Aram's mother feels guilty and feels the need to visit Gilles at the hospital and beg for his forgiveness, something that Gilles does not understand. Against the advice of his comrades in Beirut, Aram decides to go meet his victim.

When a romantic getaway to Paris takes a dark turn with the sudden disappearance of her boyfriend Tom aboard a train to the south of France, Alice is plunged into a web of intrigue and danger, uncovering shocking secrets about the man she thought she knew.

Lebanon, 1982. To keep a promise made to an old friend, Georges, an idealistic theater director, travels to Beirut for a project as utopian as it is risky: to stage the play Antigone on the front line, in order to steal a moment of peace from the raging civil war. The characters will be played by actors from different political and religious camps. Lost in a city and a conflict he knows nothing about, Georges is guided by Marwan. As fighting resumes, everything is soon called into question, and Georges, who falls in love with Imane, has to face up to the reality of war.

Exactly 100 years after the Armenian Genocide, a theatre director stages a play to bring the ghosts of the past back to life.

Biopic en deux parties sur Charles De Gaulle. Les deux films suivront la vie et l'engagement politique de De Gaulle entre 1940 et 1945, et retraceront son évolution vers une carrière politique.
D'après De Gaulle: Une certaine idée de la France de Julian Jackson.

Sandra, a young woman forced to leave the south of France to flee a violent husband. Without attachment, she returned to Boulogne-sur-Mer, the city of her childhood which she left almost 15 years ago. She finds her mother there and a world she left behind. Without money, she is hired in a fish cannery where she befriends two workers. But one day, one of her colleagues tackles her insistently, she defends herself and kills him accidentally.

Un roman graphique en trois parties (Éditions Delcourt, 2017-2019)
et un film d’animation (1h27, ARTE France - Cinétévé, 2021).
Les Damnés de la Commune nous plongent dans la révolution parisienne de 1871, avec les mots et les images de l’époque. Cent cinquante ans après leur publication, les gravures prennent vie. Elles sont l’unique matière de ce film d’animation qui donne à voir l’époque telle qu’elle se voyait elle-même.
On découvre la Commune à hauteur femme, à travers le témoignage de Victorine, qui s’engage à cœur perdu dans la révolution. On tremble avec elle, face aux soldats qui s’apprêtent à tirer sur la foule de Montmartre, le 18 mars 1871. On vibre, à ses côtés au milieu de ce peuple qui proclame la Commune sur le parvis de l’Hôtel de Ville, le 28 mars. On s’indigne de ce gouvernement réfugié à Versailles qui refuse de reconnaître les élections et bombarde Paris. On s’enthousiasme avec ces femmes qui se réunissent le soir dans les églises occupées et appellent à défendre la ville et la révolution. On est sidéré par les massacres méthodiques commis par les versaillais durant la Semaine sanglante. On est bouleversé par ces femmes et ces hommes qui ont résisté jusqu’au bout au nom d’un idéal qu’ils pensaient plus grand que leurs propres vies.
Ils ont eu soixante-douze jours pour renverser l’histoire. L’histoire les a emportés. Ce film raconte l’épopée des communards, celle des damnés de la Commune.
At the end of the 1860s, Paris was rumbling. In the liberal Second Empire, Napoleon III commissioned Prefect Haussmann to modernize the capital and turn it into a paradise for the upper middle class. While poverty and rents increased, popular protest grew. To assert his authority, the emperor tried to divert the social anger against an external enemy and declared war on Prussia. But the conflict turned into a fiasco. On September 3, 1870, Napoleon III was taken prisoner. The empire collapsed, the Republic was proclaimed and the provisional government, installed in Bordeaux, decided to negotiate peace with the Prussians. In the besieged capital, the inhabitants refused to surrender.

Follows Sara, head of the Toulouse police narcotics squad, who is forced to collaborate with Richard, the head of the local criminal police, to stop a go-fast between Spain and France and find the murderer linked to the case.

2021 film directed by Éric Fraticelli

该剧受《切尔诺贝利》的启发，由法国消防员的真实叙述改编，探究2019年巴黎圣母院大火对一群背景各异的巴黎人带来哪些冲击。
以消防员、新闻人、民众等不同身份的多个角色的不同视角，来回顾这次事故，将“重建时间线、再现大火前后，他们（事件相关的人）将必须互相去斗争、热爱、遇见、仇恨、帮助和对彼此展现笑容，这样，到头来，他们才有重新开始的机会”。

In 1983, in France experiencing intolerance and racial violence , three young teens and the priest Minguettes launching a largely peaceful march for equality and against racism, over 1,000 km between Marseille and Paris . Despite the difficulties and resistance encountered, their movement will bring about a real boost of hope in the way of Gandhi and Martin Luther King. They unite with their arrival more than 100 000 people from all walks of life and give France its new face.

这是根据真实故事改编而成的电影，围绕着土耳其人、亚美尼亚人喝库尔德人在法国由于民族矛盾而发生的一系列仇恨，阿兰姆为了保护弟弟，参加了暗杀活动，在多年后被组织再次派到法国接收秘密武器，哪知道这却是个陷阱。他深陷法国，他将如何面对自己家人喝解决仇人呢？

文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。
某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？

Master car thieves square off against French gangsters in the South of France with money, women and lives all on the line.

The unemployed Duval is contacted by a mysterious organization to transcribe intercepted calls. He accepts the job with no suspicions, since it restores stability to his life, but it will soon result in political shenanigans of all kinds.

After going to extremes to cover up an accident, a corrupt cop's life spirals out of control when he starts receiving threats from a mysterious witness.

一位美丽而叛逆的年轻女孩，在她对乔弗莱·德·佩拉克的爱情中，在一个对权利、不平等及压迫对抗的纷争世纪里，找到了反抗不公及暴政力量…

【简介】
玛莉·吉兰扮演女摄像师，然而被一伙阿拉伯黑帮雇佣拍录像。她爱上了黑帮头子和这种刺激的生活，越陷越深，然后被这种生活改变，渐渐爱钱胜过一切。高潮是她出卖色相，帮助这伙黑帮抢劫国家银行金库，然后杀掉和出卖了同伴们，自己带着巨款远走高飞……
本来以为是喜剧片，结果却是部不折不扣的黑色电影。
经典黑色电影有个重要元素，就是害死或者几乎害死男主角的蛇蝎美人(Femme Fatale)。不过，在《马耳他之鹰》和《不堪回首》(Out of the past)的年代，蛇蝎美人总是一出场就已经心狠手辣。当红年轻导演塞德里克·克拉皮奇(Cedric Klapisch)另辟蹊径，讲述一个蛇蝎美人的成长故事。
美女玛丽·吉莲扮演女摄像师，偶然被一伙阿拉伯黑帮雇佣拍录像。她爱上了黑帮头子和这种刺激生活，越陷越深，然后被这种生活改变，渐渐爱钱胜过一切。高潮是她出卖色相，帮助这伙黑帮抢劫国家银行金库，然后杀掉和出卖了同伴们，自己带着巨款远走高飞。
玛丽·吉莲已不再是《诱饵》时的小女孩模样，但那种无辜纯洁的气质还在。塞德里克·克拉皮奇利用她这种气质，演绎“每个人心中都有黑暗面”的主题，她第一次独立抢劫，第一次同意利用肉体犯罪，第一次杀人，效果都非常有力量。
塞德里克·克拉皮奇意在复活黑色电影，但绝不循规蹈矩，片中——特别是前半段——有许多喜剧元素，最搞笑的一段是这样的：小团伙中某中年男子的初中生儿子整天逃学“出来混”，中年强盗就邀请大哥一起教训儿子，中年强盗和强盗头子苦口婆心现身说法地说了半天，小流氓不为所动。两个强盗没辙，叫人结帐，两人抢着付账，推来挡去。那个还没长胡子的小屁孩站了起来，从兜里掏出一大叠欧元，数了几张放在桌上，跟强盗头子握手，说：“见到你很荣幸。我先走了。”说完扬长而去。剩下两个大强盗面面相觑，表情绝望。