Between the Devil and the Wide Blue Sea ist eine Reise ins Universum der elektronischen Musik Europas: Vor der Kamera von Romuald Karmakar produzieren sich Bands wie Alter Ego, Fixmer/McCarthy, Cobra Killer oder Xlover.

Between the Devil and the Wide Blue Sea ist eine Reise ins Universum der elektronischen Musik Europas: Vor der Kamera von Romuald Karmakar produzieren sich Bands wie Alter Ego, Fixmer/McCarthy, Cobra Killer oder Xlover.

Over sixty years after the end of the Second World War, forty years after the student revolts of 1968, thirty years after the “German Autumn” of 1977, twenty years after the fall of the Berlin Wall and, in the midst of the social upheaval caused by the reforms of “Agenda 2010” as the country moves into the globalised world of the 21st century, a group of German film directors have come together to create a panoramic impression – each from their own individual point of view – of the social and political climate in today’s Federal Republic. Each of the directors involved in this episodic film has created their personal cinematic take on present-day Germany.
招蘇珊桑塔格和《赤色風暴》女恐怖分子的魂；通街都是塔利班，窮小子必然是小偷。這邊拆舊樓是忘記「德國童年」，那邊放棄歌德字體，編輯要死。《黑金殺機》湯泰華扯頭纜，13導演響應，有《快樂的謊言》的胡夫根貝嘉、《玩謝希特拉》的丹尼李維、去年焦點導演《收視大騎劫》的漢斯雲格拿，和《天堂邊緣》的法堤艾金等，劇情片外也有論文和抒情詩紀錄片另類觀察。精彩對白摘錄：每個人都可以成為恐怖分子／德國已沒有人挨餓／德國需要一記腦震盪／德國已矣，他們相信不已。角度縱橫勁抽有深度有態度，絕非只有浪漫溫馨，模仿《我愛巴黎》。