Dagmar Lassander is the stunning new teacher that every male student yearns for. Her sultry looks virtually guarantee that every boy makes it to class. School attendance is way up and no longer is staying after school considered a punishment!

Maurizio Merli stars as a hatchet-wielding bounty hunter with a dark past and an even more desperate future. But when he disrupts the balance of power in a corrupt mining town, he unleashes a firestorm of brutality, betrayal and cold-blooded murder. Now, one man stalks a savage land where justice walks a razor and no bullets slice deeper than vengeance. He is A MAN CALLED BLADE.

June 1942. As Rommel swept toward the Nile, the fall of Egypt and the capture of the Suez Canal seemed inevitable. Italian and German advance units raced toward Alexandria. Mussolini had given explicit orders: The Italians must arrive first!

It is the story of the brilliant football player Cotechiño, hired by the Napoli team as a centre-forward. Too bad that his professional career will be strongly influenced by the frequent absence of his fiancée, for which he feels an inexplicable, almost obsessive jealousy. That's why he hires a plumber very similar to him to keep an eye on his beloved, but that won't be enough when Cotechiño is kidnapped.

A story about a singer/showgirl who poses as a nurse to recover some stolen paintings, which for some reason are hidden in a military insane asylum.

Angela is torn between two lovers - one, who tries to romance her in a straightforward manner, and the other who pretends to be severely injured in a car accident.

Tourists on a tropical island anger an island god, who turns himself into a giant alligator and stalks them.

Rich girl Angela returns to school and falls for the local hunk. But when he refuses her advances, she pretends to be in love with the principal instead.

1983 film by Sergio Martino

2008 film by Sergio Martino

A lusty young woman decides to use her sexual powers to "tame" the evil and murderous Dr. Jekyll.

A tale that takes place at the dawn of history. The movie tells the story of a tribe that discovers how to fashion weapons out of iron and use them for their own survival. However, the creation of iron also causes the tribe to battle for possession of the new weapons.

A comedy styled as a documentary about the rise of Adolf Hitler as well as the story of two brothers, one a magician and Nazi, the other an anarchist anti Nazi...

A Man Called Magnum aka Napoli Si Ribella/Naples Turns On Itself is far from a forgotten classic. In fact, despite bland good cop Meranda's interesting relationship with his sidekick, an intriguing but underused twist involving the identity of a police informer and one good car stunt where he stops a train carrying two hit men by crashing his car on the tracks, it's pretty average in every department. The hero has little to do for the first hour as the various gangsters double-cross and kill each other over a hijacked drugs shipment and, a couple of chase sequences aside, there's not much action and even less imagination. Not objectionable and certainly watchable, but even in 1977 you'd seen it all before.

A dentist invites a elderly patient to stay at his home to recover, unaware that he is a jewel thief. He plans to steal a valuable diamond but then runs into a beautiful nurse who, aside from constantly stripping nude, has plans of her own.

A number of unexplained military deaths hit Italy and are ruled to be accidental or suicides, but police inspector Giorgio Solmi suspects otherwise. When a mysterious wealthy electrician is seemingly murdered by a female escort, a sinister plot slowly begins to unravel.

This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .

Maurizio Merli and Tomas Milian star in probably the most typical, yet completely enjoyable Italian crime movie by Umberto Lenzi. With a blazing soundtrack by Franco Micalizzi and some exciting camerawork by Federico Zanni, this film is fast-paced and furious although the narrative makes relatively little sense. This reminds me of THE RAIDERS OF ATLANTIS, a film Dardano Sacchetti also penned, which was completely fun and enjoyable although it didn't make any sense whatsoever.
The best scenes in this movie have to be the extended car chases. Milian hijacks an ambulence and kills all the people on board for no reason. When it crashes in a crowded flea market, Milian jumps out of the ambulence and just starts randomly firing his sub-machine gun into the crowd to create enough confusion to get away. Another great scene has a gang of upper-class teenagers led by the baby-faced Stefano Patrizi who get bored of nightclubbing and proceed to rape a girl and beat up her boyfriend in a vacant lot. Patrizi is wholely unsympathetic as he punches the boyfriend in the gut repeatedly and knees him in the face, then making weird gestures with a nearby piece of wood. Merli later pops by their nightclub and smashes Patrizi's face right through a pinball machine and then simultaneously beats the tar out of the six or so members of the gang!
This film comes fast and furious. Good performances all around by a veteran cast (with Arthur Kennedy, Ivan Rassimov, and Luciano Pigozzi along for the ride). It's not the most coherent of Lenzi's works, but it's definitely a genre classic.
imdb comment

Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad?

In London, A man who has amnesia attempts to uncover the truth about his identity. A menacing individual accuses him of betrayal, and soon more pieces of his puzzling past begin to fall in place.