1972 film by Luis Lucia Mingarro

The mummy of long dormant, but powerful Caribbean voodoo priest Gatanebo gets revived on a luxury South Seas ocean liner as a big buff bald guy and proceeds to terrorize the passengers. Gatanebo beheads several folks, occasionally reverts back to his prune-faced mummified state, and falls for the ravishing Sylvia, who reminds him of his old flame Kenya.

Los protagonistas son dos amigos aficionados al mundo taurino. Juntos sueñan con alcanzar el mayor éxito y gloria. La abismal diferencia de sus caracteres, uno calculador y egoísta, otro sentimental y generoso, hace que su propósito les haga seguir sendas diferentes.

1982 film by Pilar Mercedes Miró Romero

South of France, XIX century. Alfredo de Quiroga, a Spanish gentleman in exile, is reluctant to admit that Vera, his wife, has died. Very concerned, begins to rebuild its surroundings as if she were still alive. The objects, dialogues, gestures ... again everything is back to make sense to him. Even his faithful butler rests on this fiction. But one day, by accident, he meets the daughter of the notary and his world begins to crumble.

Narra las peripecias de Cristóbal Colón para conseguir que el Rey de Portugal y más tarde la Reina Isabel la Católica financie su viaje rumbo a Occidente para encontrar las Indias. La película hace constantes alusiones a la realidad política y social de la España del momento (post-transición).

television series

1951 film by Ramón Torrado

Whatever his reasons or intent, when the young man carrying a cello begins working at the old-folks home, he strikes up an acquaintance with the man known as "the Maestro" (Fernando Fernan Gomez), who is full of plans to produce a play based on a Caribbean love affair and adventure in his youth. As he listens to the old man's reminiscences of love, he thinks of his own girlfriend (both are played by Angela Molina). Eventually, the beloved eccentric's play is produced, accompanied by the boy's cello music.

After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.

Enrique Tolosa is a boss administrator of a small company which employs 50 workers. There never has gotten into politics, has made ​​himself stood professionally and created a family and no one has asked opinion on how would be the destiny of their country. The story begins whenheI first asked to give their vote at the polls for the election of political parties. With the decision to vote is faced with doubt and decides to investigate on their own to know which political trends that are managed as possible, is the one he goes to his temperament.

1942 film by José Luis Sáenz de Heredia