An original project by Konstantin Khabenskiy, People's Artist of Russia, artistic director of the Moscow Art Theatre named after A.P. Chekhov, in collaboration with writer Alexander Tsypkin.
11 stories united by a common ending. An ending that changes absolutely everything. An ending known from the very first minutes. Funny and sad, thrilling and painfully understandable and close to any person. Because they are about every one of us, everyone who has ever faced a choice in this life: whether to believe or not to believe in love, in friendship, in fate, in happiness, in God.

In the mid-90s, when the death penalty was still allowed, a new employee appeared in the special purpose prison. Like his colleagues, Kostya will have to carry out death sentences. But he has a special view of justice. After meeting with the father of one of the victims, Kostya realizes that it is close people who have the right to carry out punishment. Besides, you can make good money on it. For example, they never dreamed of the kind of money that a mother offered for the murder of her daughter's rapist.

Industrial city of Norilsk: factories, cold, chemical air. The only desire of young people living here is to leave, against all odds. A docu-style, emotionally-driven drama about a young girl desperately fighting for an escape which is so blurry, and for love which is so insecure.
Due to its vast industrial areas and enormous industrial output, the Russian city of Norilsk has become one of the most polluted places in the world. However, despite the persistent ecological crisis, the severe northern climate and harsh living conditions, life goes on there in its own extreme, as well as routine, way. But the will to live that such an existence fosters is actually the will, or rather the dream, to escape, especially for a young generation. A desperate, hardly possible dream that moves and traps its adherents, turning against them.
Norilsk, with its arctic landscapes, huge factories, anonymous soviet architecture and post-soviet capitalism, is the gripping backdrop and important protagonist of The Hope Factory, the first feature by Natalia Meschaninova, a young filmmaker with an extensive background in documentaries. A dramatic coming-of-age story about two girls - two rivals who pursue the same goal of leaving their homeland but who take different steps to reach it, testing the blurring boundaries of morality and transgression.
Restlessly shot on a hand-held camera and genuinely performed by mostly first-time actors, this kinetic docudrama nearly gets under the skin of its characters and raises universal issues about the 'age of blooming'.

Young Oksana put Denis in a baby box when he was an infant. Sixteen years later she steals him away from a children’s home, intent on making amends for her neglect. Denis, however, has no idea of the heavy price to be paid for his mother’s favour: the fragile boy has one unusual quality which Oksana has no qualms about exploiting.