Philippe Schuler — Actor (4)
The Undertaker (入殓师) (2013) [TV] Douban
Der Bestatter part of TV Series: The Undertaker
director: Hartmut Block actor: Reto Stalder / Samuel Streiff
A detective leaves the force to take over the family business as an undertaker at the same time as he is being investigated for murder. His close encounters with corpses and his earlier police training lead him to see things some of his ex-colleagues miss and he investigates the crimes he encounters in an unofficial capacity often to the dismay of he official police.
Olga (2021) [Movie] Douban TMDB WikiData IMDb
Olga
6.3 (6 ratings) director: 埃利·格哈普 actor: Anastasia Budiashkina / Sabrina Rubtsova
other title: 奥嘉 / 她的落地瞬间(台)
2013. Exiled in Switzerland, Olga, a talented and passionate 15-year-old Ukrainian gymnast, is trying to secure a place in the National Sports Centre. But the Euromaidan revolt erupts in Kyiv, and suddenly her loved ones are involved. While the girl is adapting to her new country and preparing for the European Championships, the Ukrainian revolution makes its way into her life, and nothing will ever be the same again.
The Girl and the Spider (2021) [Movie] Douban IMDb TMDB WikiData
Das Mädchen und die Spinne
7.4 (56 ratings) director: 拉蒙·佐尔彻 / 西尔万·佐尔彻 actor: 亨丽埃特·肯夫里乌斯 / Liliane Amuat
other title: 女孩和蜘蛛 / Das Mädchen und die Spinne
An intricate psychological ode to simmering emotion amid unfettered separation anxiety, which took home a FIPRESCI Prize and Best Director award from the Berlinale’s Encounters competition.
Lisa is moving into a new apartment, leaving former flatmates Mara and Markus adrift. Mara, in particular, struggles with the change. While everyone else pitches in to help Lisa set up her new home, Mara moons about, mostly just getting in the way. At one point, she even makes a joke about being a ghost – and, as she continues to haunt Lisa’s life, her yearning for things to remain the same becomes infectious.
The second film in Ramon and Silvan Zürcher’s loose trilogy about human togetherness follows their award-winning feature debut, The Strange Little Cat, in building a lingering claustrophobic tension hemmed in by four walls. As extended family members, neighbours, handymen and hangers-on pass in and out of the two flats, a palpable undercurrent of sexual desire and jealously fills the frame, and an increasingly chaotic whirl of ambiguity – underscored by Eugen Doga’s Gramofon waltz – threatens to tear it all apart. As a cinematic madrigal on the nature of impermanence, The Girl and the Spider is a unique work of taut, existential distinction.
“A powerfully choreographed exploration of alienation … told through an uncompromisingly original, tantalizing and opaque narrative that curiously moves like a dancer.” – High on Films