1993年恺撒奖最佳处女作、最佳新人男演员两项大奖

故事发生在法国北部一个以鹅卵石覆盖的海滩而出名的度假胜地，玛莉是在一家鹅卵石加工厂工作的工人，由于整个小镇在冬季就空无一人，只有在夏季才游人如织。因此，她的工作和生活全靠夏季时来此度假游玩的人在此消费的多少维持……

此为电视电影，改编自2014年同名舞台剧，同导演同主演，故事源自法国十八世纪喜剧大师马里沃的同名作品，此为现代改编版。

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Rachid, Laurence, et leur fils de 7 ans, Sami, décident de quitter Paris pour s’installer au Maroc. A leur arrivée, leurs relations familiales subissent toutes les tensions que peut susciter la confrontation ambiguë de deux cultures…
哈须德、劳伦斯和他们7岁的儿子萨米，决定离开巴黎在摩洛哥定居。他们抵达后，家庭成员之间经受的各种压力，激起了两种文化之间的冲突，并由此引发了一系列故事。

After having been rescued from suicide, a young man is the object of a bet by his doctor that the doctor can help him recover his joy in life. Ironically, the doctor's life is not a very happy one either, and his boast has a hollow sound. For one thing, although he seemingly has a "happy divorce," in which he, his ex-wife and her new husband are all great pals, it's not true. He wants his wife back. All sorts of complications arise out of these lies and distortions.

Before Le Pont du Nord Rivette films Paris s'en va, a short film of approximately 25 minutes. He works with the same actors and the same technical team on both films. Henry Chapier who produced the short: "At the beginning of the '80s nobody was interested in Rivette's highly imaginative project Le Pont du Nord. Therefore Rivette came up with a kind of 'transposition' of the themes of Le Pont du Nord in the shape of Paris s'en va. Just like a painter in the Renaissance who does a sketch for a future project."

Originally produced as Out 1, noli me tangere (1971) with a running time of 13 hours. Later edited to 4 1/2 hours and retitled for general release.

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.

Benoit has his life all planned out before him. Unfortunately, he had totally forgotten to include his military service. Inevitably called into duty, he tries everything he can to avoid it, eventually launching into a hedonistic lifestyle—out of control with drugs, alcohol, and nightclubs.

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

A mediocre musician goes on the road in search of the world's greatest guitar maker.

Anna, Joyce, Claude, and Cécile are four young actresses sharing a Paris apartment while attending intense acting workshops led by their demanding teacher Constance. As they rehearse scenes and navigate the tensions of living together, their personal lives begin to grow complicated when Joyce becomes involved with a mysterious older man whose presence slowly pulls the others into a web of secrets and suspicions, blurring the boundary between the roles they perform and the lives they're actually living.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

2015 saw the the digital restoration of Jacques Rivette’s magnum opus OUT 1 (1971) and its revival both in theaters and on Blu-ray and DVD. To coincide with this event, filmmakers Robert Fischer and Wilfried Reichart interviewed cast and crew members and revisited some of the film’s most significant locations. THE MYSTERIES OF PARIS: JACQUES RIVETTE’S »OUT 1« REVISITED features first-hand accounts from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews. Original title: LES MYSTÈRES DE PARIS: OUT 1 DE JACQUES RIVETTE REVISITÉ. Language: French with English subtitles.

2006 film by Manoel de Oliveira

At a Spanish cloister, a celebrated French general of the Napoleonic Wars recognizes the voice of one of the nuns and recalls how, five years ago, she was the Duchess of Langeais, and he her most persistent suitor.

This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.

1979 film

1971年柏林电影节新导演论坛艺术贡献奖
一幅艺术家气质、性格沉静的两名男子同时拜倒在一个果敢、热爱空想的打工少女罗丝蒙裙下，原来他们俩正在拍一部电视剧，讲的是一件微不足道却离奇古怪的事情：罗丝蒙的叔叔擦枪走火误伤自己，或者是罗丝蒙枪杀了叔叔。自由作家皮埃尔受雇编写剧本， 由于时间不足，他邀来一位波希米亚诗人朋友保罗帮忙。两人的意见相左：皮埃尔希望获得事实并由此对罗丝蒙进行采访追踪，挖掘其他素材；而保罗则只要一个名字就能幻想出一个罗丝蒙。但是他确实见过罗丝蒙，而她也就缠上他了。是罗丝蒙引起枪击的吗？她究竟是恶意还是无辜的呢？