The story, reminiscent in tone of a Twilight Zone allegory, involves a strange woman with an odd accent who loses her husband in a graphically depicted scene of auto-erotic asphyxiation. To cope with her loss, she seeks a virtual-reality substitute (a ‘man chip’ as she calls it). This pursuit leads her into the prurient world of tech addicts who rely on ‘chip pushers.'

Pips wants to see more of the outside world. Batty arrives in a panic, announcing that two human poachers are right behind him. Poachers show up with their dogs and promptly capture the three baby animals. Pips and the Beetle Boys volunteer to follow the humans to town and rescue the babies, convincing Batty to be their guide.

Monika Treut explores the worlds and thoughts of several female to male transgendered individuals. As with Treuts first film, Jungfrauenmaschine, Gendernauts, enters a minority sector of San Fransisco culture. The characters in this film have a lot to complain about, and they do. They are people whose physical appearance (female) does not match their inner sexual identity (male). The subject is pinpointed in the film independant of sexual orientation. Leave your conservative hats at the door, this is going to need your special attention.