All her life, an overweight girl has been ignored by her rich and attractive mother. But when the ugly duckling becomes a swan, she turns into a world-class tease, exacting her revenge by seducing her mother's boyfriend...

Episode one: The Happy child :
The fourth child of a poor couple, whom live in Halabiabad (a dispossessed place in Tehran), is born. In the maternity they tell them that if the child does not have good nutrition he would become paralyzed as well. The couple, who have 3 retarded and handicapped children- as a result of family marriage-know that because of poverty they cannot take care of their newborn child and they are worried that he would encounter the same fate as the other three children. They decide to make their child prosperous and they take him to a sanitarium for handicapped and retarded children but very soon the bitter future of the child comes into the mother’s mind. Then they decide to put the child in the way so that a good person takes the child with him and makes him prosperous but no one would take the child, but poor people and for making money. Eventually they leave the child by the swimming pool of an aristocratic house and leave, unaware of the fact that the child ends up in the sanitarium of handicapped and retarded children once again.
Episode two: Birth of an old woman :
A young boy, who has psychic signs in his behavior and words, nurses his old and handicapped mother, who does not even have the ability to talk, with patience and comprehension in an humble house. One day when he leaves the house towards the bank to get his monthly pension, he has an accident with a vehicle and the passersby steal his money. The young boy, who is worried about his mother’s conditions escapes from the hospital with a bandaged head, while the old woman has died in his absence. But in the house he still treats her mother as if she is alive.
Episode three: The peddler :
A group of smugglers who have unlawful activities under the cover of selling second hand clothes, take a peddler, who was their accomplice and witness of their crime, with themselves by force to kill him. The young peddler, who has arguments with the leader of the group over his life all the time, is thinking of escaping from this predicament, but all these escapes are only in his mind…

已届中年的哲学教师马丁（Charles Berling 饰）婚姻突变，与妻子苏菲长期分居。他内心倍感空虚，似乎与周围的一切都格格不入。某夜马丁流连夜店，出手帮助了一位因忘带酒钱而被保镖刁难的潦倒画家梅斯（Robert Kramer 饰）。梅斯将自己的契约留给马丁，答应过几天偿还酒钱。三天后马丁登门拜访，却发现画家已于头天下午跟一名女孩做爱过程中死亡。
总是对一切都充满怀疑的马丁出于好奇，走进了那名单纯且神秘的女孩西西莉娅（Sophie Guillemin 饰）的生活。每日里等待西西莉娅的到来，给他阔别已久的肉体欢愉……

A man's enthusiastic penis starts talking to him, getting him into awkward situations and convincing everyone he tells that he's completely insane.

On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs into an old acting acquaintance (Toto), who is helping a professional pickpocket (Ben Gazzara) steal from people during the hustle-bustle of New Year's Eve festivities. During the course of the evening, they have numerous crazy, humorous adventures all over Rome at different parties, restaurants, and even the Trevi fountain. Magnani's character (Tortorella) falls for Gazzara's character (Lello) without knowing what he's up to, while Toto tries to placate them both. Written by Miriam Kramer

The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.

阿尔贝托·莫拉维亚（Alberto Moravia），二十世纪最伟大的意大利小说家，他不仅是一位优秀的现实主义作家，出版了包括《冷漠的人们》《罗马女人》《烦闷》等近三十部短篇和长篇小说，以及不少评论集和游记等等，而且还是一位出色的编剧，新现实主义导演德西卡的《两个女人》《昨天今天与明天》，戈达的《轻蔑》，贝托鲁奇的《同流者》等很多电影都是改编自他的剧本或小说。
但也有很多人不知道的是，莫拉维亚在一九五一年曾经自编自导过一部短片，而这部名叫《太阳的罪恶》的短片也成为他一生中唯一的电影作品，随着时间的流逝，这部拍摄于五十多年前的短片早已淡忘出人们的记忆，到现在几乎没人再提到它也很难找到相关的介绍了，然而当我重新打开这些尘封久远的影像时，依然不禁为莫拉维亚在片中对当时意大利上流社会人们内心的冷漠和堕落所作的描绘而感到震惊。
透过一扇普通的窗户我看到了两个世界，一边是和煦的阳光下的一场谋杀，另一边是精致的房间中穿着华贵的上流社会女人的冷眼旁观，内心的残忍与外在的残忍相比永远是最可怕的，那一刻仿佛阳光也显得异常冰冷。窗外的女人被枪杀时，她的脸上也曾掠过一丝惊讶，然而却很快归于平静，甚至当男人想出去救人时，她却阻止了他，“自然会有人来的，用不着我们管。”在某一瞬间我觉得她应该认识窗外的女人，甚至希望她死去，因为她希望自己身边的男人摆脱与那个女人的关系而和她在一起？抑或这一切都是她精心策划的棋局？
同时影片对女主人公细节的刻画也非常成功，一个高傲的意大利贵妇，有着强烈的占有欲，希望男人拜倒在自己的脚下，一切都追求奢华，甚至连点支烟都要选择自己精美的银制打火机而拒绝男人递过来的火，然而她的内心却如磐石一样冷漠甚至险恶。与多年的好友帕索里尼一样，莫拉维亚的作品也是以揭露人性黑暗的一面著名，而和帕氏电影中所常用的隐喻，寓言手法不同的是，莫拉维亚的影像却是一针见血的新现实主义，无论从摄影机的运动，镜头拍摄的角度还是音乐上来说都是典型的新现实主义风格，用血淋淋的事实直白地描绘出资产阶级的腐朽生活和冷漠心灵，虽然只有短短六分钟，但带给观看者的震撼却绝对不亚于一部长片。
阿尔贝托·莫拉维亚，意大利作家，1907年11月28日生于罗马，少年时因病卧床治疗多年，后又长期疗养，他以顽强的意志和强烈的求知欲刻苦自学，阅读了大量文学作品。他自称疾病和法西斯统治是决定他人生道路的两个重要因素。
1929年发表处女作《冷漠的人们》，这部使莫拉维亚一举成名的长篇小说采用心理分析手法，描绘置身于污秽现实的资产者被私利主宰道德，冷漠扼杀热情，暗喻资产阶级的伪善和冷漠是意大利法西斯主义滋长的土壤。小说问世不久即遭法西斯当局查禁。
在此后面世的《未曾实现的抱负》，《阿古斯蒂诺》，《违抗》，《随波逐流的人》，《鄙视》等作品中，莫拉维亚塑造了一系列具有民族和时代特征的典型形象 - 精神空虚，庸俗自私，意志薄弱的“随波逐流者”，他们偶尔也企图“违抗”现实，冲破环境的精神牢笼，但最终总是抛弃自己的“抱负”向现实妥协。艺术上它们侧重客观主义的描写和心理分析，也有些作品跳出这种题材框架。《假面舞会》含沙射影，抨击墨索里尼独裁统治，被墨索里尼下令查禁；短篇集《瘟疫》运用大胆的想象和夸张，嘲讽资本主义社会的畸形现象。
反法西斯抵抗运动和新现实主义文学的崛起，对莫拉维亚的创作产生了影响。长篇小说《罗马女人》，短篇集《罗马故事》，《罗马故事新编》等等，都是作家把目光投向下层社会的成果。它们描写小人物的辛酸境遇，以平民的眼光来审视和批评资产阶级社会。《乔恰里亚女人》剖示了墨索里尼政权崩溃和德国法西斯入侵期间错综复杂的情势。
从60年代起，异化成为贯串莫拉维亚创作的主题。长篇《愁闷》，《注意》，《我和它》以及《不由自主》，《天堂》等6部短篇集，致力于表现当代资产者无所适从，颓丧苦闷的精神危机。《内心生活》借采访形式，女主人公自叙对资产者家庭和社会的反叛经过，成为震动西方的1968年学生造反运动时期社会生活的折射。《1934》探讨人的双重性，而《注视者》和《罗马之行》则具有某种自传色彩。
莫拉维亚还写过剧本，如《琴姬》，《生活是游戏》等，还有文艺评论集《人就是目的》。他长期担任文艺刊物《新论证》的主编和欧洲议会议员。
影片中ROITRE是著名的意大利电视电影台的标志，可能是目前世界上播放艺术电影最强的一个台了，什么少见的好东西那里都能看到，意大利佬是幸福啊

"La giornata balorda" is the story of a 20-year-old youth's one-day search for a job that would spell security and decency for himself, the teenager he has not been able to marry and their three-week-old son... it was banned in Italy -- not because of sexual or anti-religious content, but because of its depiction of Italian society.

Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.

Leo (Rod Steiger) is an aristocrat whose family fortunes have plummeted in this downbeat melodrama. He seeks to reverse his money problems by courting the wealthy Mariagrazia (Paulette Goddard), throwing over his former lover Lisa (Shelley Winters) in his quest to continue his posh lifestyle. Mariagrazia is too caught up in the attention of the charming, conniving Leo to notice that he also makes a play for her daughter Carla (Claudia Cardinale). Mariagarzia continues to want Leo even after he gains control of family fortune and property. Meanwhile, Carla's brother Michele (Tomas Milian) takes up with the jilted Lisa. Finally, in a most poignant scene, the ailing matron finally realizes she has been used by Leo. Excellent performances all around.
~ Dan Pavlides, All Movie Guide

1963 film by Jean-Luc Godard

1970 film by Bernardo Bertolucci