In metahistorical New York city electrotechnician Lafayette deals with a megalomaniac director of a wax museum of ancient Rome, an italian lonely anarchist, a group of feminist actresses - including Angelica who falls in love with him - and a small adopted chimpanzee.

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

Piera is a young woman who grows up under the parentage of two extremely original overseers: both her mother and father have incestuous relations with her before they are committed to insane asylums.
A special connection, between a mother and her daughter, full of sensuality and complicity, has allowed to portray a family full of fears, rather unbalanced, but nevertheless searching infinite love.

本片是导演早期的剧情长片之一，以讽刺地展现生活的怪异、死亡和阴暗面而出名。在这部黑色喜剧中，一位与卑劣且冷漠的家人同住的老人喜爱跟一个坐在特制轮椅上的残疾人交往。当老人发现大多数的残疾人都拥有这样的“交通工具”后，突发奇想要为自己设计一辆特殊的单车。但当他向家人分享这个愿望时，遭受的却是冷眼与不无好意的响应……

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

本片是由《会饮篇》改编而成的电视电影（TV Movie）。
《会饮篇》（Symposium）是柏拉图对话录中的名篇。对话的背景是悲剧家阿伽松（Agathon）为庆祝自己的剧本获奖，邀请了几位朋友到家中饮酒、清谈。参与者有修辞学家斐德罗（Phaedrus）、喜剧家阿里斯托芬和苏格拉底等人。整篇对话主要由六篇对爱神厄洛斯（Eros）的颂辞组成，探讨的是爱的本质。

Italian comedy film in three segments

Four friends gather at a villa with the intention of eating themselves to death.