格兰·奥尔森是一名瑞典纪录片导演及制片人。在奥尔森的影片中，后殖民主义、种族问题以及暴力元素常常是他最为关注的话题。在近几年中，他以曾获第27届圣丹斯电影节——世界电影单元纪录片剪辑奖的《1967-1975黑权运动呐声集》和纪录片《暴力相关》为大家所熟知。《That Summer》是奥尔森第二次参选柏林电影节的影片，该片围绕摄影艺术家Peter Beard和Lee Radziwill展开，重新展现了一系列关于Beard和他的家人及好友在1972年之夏的珍贵画面。这一次，脱离了黑色元素的奥尔森或许能够在本次柏林影展中收获到不一样的关注。

"He was the most American of artists and the most artistic of Americans," one man later said – "so American in fact that he is almost invisible to us." ANDY WARHOL – a riveting and often deeply moving film portrait of the most famous and famously controversial artist of the second half of the twentieth century – is the first to explore the complete spectrum of Warhol's astonishing artistic output, stretching across five decades from the late 1940's to his untimely death in 1987. Combining powerful on-camera interviews and rare still and motion picture footage, it is also the first to put Warhol himself – his humble family background and formative experiences in Pittsburgh, and his crucial apprenticeship as a commercial artist in New York – back into the presentation of his life.

During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"