Au cimetière Montparnasse (14e), lors de l'installation sur la tombe d'Henri Langlois d'une stèle funéraire en verre composée de photos de cinéma, des comédiens et des metteurs en scène rendent un dernier hommage à ce passionné du septième art qu'était le cofondateur et secrétaire général de la Cinémathèque française.
Personnalités apparaissant dans ce document :
- Marcel Carné
- Henri Alekan
- Samuel Fuller
- Jacques Deray
- Jean Rouch
- Roland Lesaffre
- Michael Lonsdale

1974 film by Alain Resnais

1983 science fiction film directed by Piotr Kamler

While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.

这部纪录片追溯了《指环王》这部伟大作品的起源，同时，它也是一个重新发现作者惊人个性的机会。这个在牛津大学教授语言和古英语文学的文静博学的人是谁？这个庞大的项目是如何诞生的？在普通的现实与非物质的、丰富得令人难以置信的现实之间来回穿梭，这个故事揭示了托尔金生命的意义，这是一场心灵的奇妙冒险。

Synopsis:
Julien et son preneur de son, Michel, tournent à Bruges un documentaire de commande. Julien rêve au film qu'il pourrait tourner dans cette ville mystérieuse: une adaptation de Shakespeare ou de Musset. Le rejoint bientôt Sophie, sa femme, ancienne comédienne, qui souffre de la distance que Julien semble mettre dans leurs rapports. Bientôt, à une exposition de peinture, elle rencontre un artiste qu'elle voit sous les traits de Julien et qui l'invite à venir visiter Florence. Elle confie à Michel ses tourments. Julien, de son côté, vient d'accepter la proposition de son producteur: réaliser une "histoire" avec des "personnages" et, pourquoi pas, des "vedettes"... Alors qu'elle semblait décidée à suivre l'inconnu, Sophie se jette dans les bras de Julien. Le metteur en scène qui tourne un film intitulé "L'hiver" demande une nouvelle prise. Pour la seconde fois, Sophie se jette dans les bras de Julien. Le peintre inconnu s'en va...
© Fiches du Cinéma
“One could spend forever unraveling this endless net, so tightly woven with signs and echoes, which becomes richer with every viewing. Hanoun’s formal investigation of the fragment and the (almost subliminal) flash frame, of very slightly altered variations and repetitions, which he applies to situation as much as to dialogue (often repeated, either within the same shot or from a different angle) reveals something of the interiority of film, of its creator’s unconscious, which becomes that of his characters. This structural resemblance to a Russian nesting doll should not confuse; it’s rather the contrary of this detachment with which the film ends. The more Hanoun compresses his dreams of dreams within dreams (films), the closer he gets to intimacy.”
-Emeric de Lastens (Re:Voir)

1976 film by Marguerite Duras

After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.

A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey. Written by Rodrigo Amaro

Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.

This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.

1974 film by Alain Robbe-Grillet

In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.

Apocalyptic neo-western about two gangsters, a town full of crazy people and Jesus...

French drama based on the 1996 kidnapping and killing of seven monks in Algeria. A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

1968 film by François Truffaut

1993 film directed by James Ivory

1975 film by Marguerite Duras

1971 film by Jacques Rivette, Suzanne Schiffman

The famed French ideologue of the New Novel and author of Hiroshima Mon Amour creates a hypnotic film about five alienated people isolated in an unworldly hotel. Enmeshed in ritualistic power games, they continuously exchange personalities as each acts out his own ambigious charades. A highly stylized, non-logical dialogue creates enigmatic fear; long, uniterrupted takes and absence of close-ups evoke ennui and distance. At the end, there is a mysterious climax of revolutionary destruction.
---- Amos Vogel “Film as asubversive art”