第二季是一档脱口秀竞技节目，59组热爱脱口秀的朋友们聚集在一起，同台比拼。他们用幽默段子化解现实难题，用笑声应对生活挑战，用自己的真实人生经历作为鲜活样本，让观众们找到生活参照，获得力量和启发大笑前行，传递“用脱口秀和生活轻轻交手”的精神内核。

对于年轻的小陈（陈熙）而言，一个计划完美的夜晚变成了一场噩梦。他的情人，关明（徐徐）因使用药物过量不省人事。惊恐的小陈独自徘徊在成都的街头。绝望中，他向好友费欧娜（文思睿）求救。而费欧娜的女友萝拉（余吟萌）则因小陈鲁莽轻率的行为而恼怒，不愿涉足这场危险游戏。最终他们寻求 到了什么方案去解决？
继获奖电影短片《逆境》后，成都青年导演徐小溪和西班牙导演罗伯托卡努图再度联手合作，以成都为题材，创作出的最新短片作品。《浮果》的电影海报由成都知名漫画人冷志文设计。原创音乐则由意大利著名作曲家安德烈琴塔佐先生创作完成。此片已入选包括第五十三届西班牙希洪电影节，第十九届荷兰阿姆斯特丹ROZE FILMDAGEN电影节，第十三届毕尔包 ZINEGOAK电影节等超过40个国际电影节的短片竞赛单元，并在2016年4月举行的西班牙阿斯图利亚斯电影节上，勇夺观众评选“最佳短片”和评委会“最佳摄影”两项重要奖项。

田远和大冰曾是多年相交的兄弟，他们逐渐疏远却同时喜欢上了一个喜欢舞蹈的夜店女孩英，在爱情兄弟情的纠葛中，青春在他们为了争夺所爱的一次群架中，结束。爱恨情仇 ,如烟、如丝、如缕，成为了过往......

本片由2010-2015年所拍摄的素材片段剪辑组成。
第一个片段: 2015年拍摄，大同友宰镇小学日常的学习与生活。
第二个片段: 2013年拍摄，太原市大兴土木改造的城市的状态。
第三个片段: 为2010-2013年拍摄，毕业前夕与一闪而过的最后的青春。
第四个片段: 为2010年拍摄，暑假在一个出租屋度过的时光。

As with everything in life, the same goes for East Lake, a threatened lake near the expanding mega city of Wuhan. You can get worked up about it and get involved - or you can think, it won’t affect me. Fortunately there’s the intriguing new film by Li Luo, which brings to an end these doubts. East Lake (Dong Hu) is a scenic area in the city of Wuhan, threatened by new amusement parks, high-rises and even an airport. ‘East Lake is getting smaller and smaller, but it's bigger and bigger in my memory,’ wrote a friend to the Canada-based Chinese filmmaker Li Luo as a result of the development. In a lucid way, the film investigates how the lake is linked to the people, leading to reflection on identity and survival in today’s China. The form is varied and free. Li uses documentary as well as fictional style elements, and often an ironic mixture of both. © iffr.com

影片2012年获温哥华国际电影节龙虎奖，2013年入选鹿特丹国际电影节“光明未来”单元和纽约“新作品／新导演”影展，2013年获得第十届中国独立影像展剧情片竞赛单元最高奖。
There are surprises every year in China’s embattled indie sector, but few as unexpected as this one. Li Luo has take n three chapters o f the Ming Dynasty novel Journey to the West (aka Monkey) and adapted the story of the short-term death of Emperor Li Shimin to the modern China of officials, bureaucrats and gangsters. The Dragon King perverts the course of nature and is punished with execution; the emperor tried to step in to prevent it happening, but he didn’t allow for the power of dreams. Now Li is lying on his deathbed, beset by stray ghosts. Can he be saved? The storytelling explores several layers of "reality," but coalesces into an image of China’s perennial absurdity: a new-old world where peace always breeds wealth. Brilliant, straight-faced political satire. The "ungrammatical" title, by the way, references a Chinese movie of 1927.