The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

Short, seven-minute film on the life of Poe (Herbert Yost) sees the author suffering as the woman he loves his slowly dying. Poe goes out to try and sale his stories but ends up getting rejected. You'll notice that the writers name is misspelled in the title and according to the notes on the DVD, historians believed this was the fault of Biograph who rushed this out to capture crowds on the celebration of Poe's centenary birthday. As for the film, it's pretty good as long as you know what not to expect. Those expecting a full bio will be disappointed but Griffith handles the seven-minutes pretty well and delivers a quick and by the numbers picture. Yost does a very good job as Poe and what's shocking is how much they look alike.

A pair of young ladies cause trouble at the cinema with their lavish hats.

On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.

A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
Summary written by James Meek {[email protected]}