1920. Jean Rezeau and his elder brother were living happily in their family estate in Brittany, until the death of their grandmother. The return of their mother, a worthy descendant of fairytales' witches, brings an all new atmosphere to their home.

Elsa Valentin is in the middle of a brutal divorce and custody battle when she is struck by the appearance of a pretty young girl named Lola (Héloïse Cunin). Her interest in the child grows to an obsession, and she finds any possible excuse to be near her. When Lola's mother, Claire, grows unnerved by all this, Elsa admits she believes Lola is her daughter.

普鲁登斯[即塔蓬丝]在追踪尸体下落时失踪，当他老公贝利塞尔[即汤米]找到她时，她已经成了“恶狼谷”的厨师，在那个地方住着一个有钱而吝啬的鳏夫，他专横地控制子女们，那里居然还藏着一口口诡异的棺材！
Mon petit doigt m'a dit和l'heure zéro的导演Pascal Thomas的第三部侦探片，名为Le Crime est notre affaire,也就是partner in crime，犯罪团伙。
这三部影片都是阿加莎的作品改编作。第一部是改自《煦阳岭的疑云By the Pricking of My Thumbs》，主角是汤米&塔蓬丝(fr:Bélisaire&Prudence)，Catherine Frot和André Dussollier主演。第二部改自《走向决定性的时刻 Towards Zero》，主角是巴陀督探长(fr: Martin Bataille)。
这一部还是汤米&塔蓬丝系列，依旧是Catherine Frot和André Dussollier来演这对侦探夫妻。

A hired labourer, Joseph, works on a farm inhabited by Monique, a war widow, and Jeanne, her captivating daughter who longs to escape to the big city.

With gun-toting rivals on his tail, a daring bank robber takes refuge in the quiet residential street here he grew up and where his mother, Maniette, still lives. An unscrupulous property developer, Korazy, is buying up the neighborhood to turn it into a gleaming new banking district, but to her son's disgust Maniette leads the inhabitants resistance. Her ingenious methods provoke her boy's admiration, but he fights back with sneaky traps and underhand tricks when Maniette tries to force him to do the right thing just once in his life.

2001 French film directed by Coline Serreau

Comédie en quatre actes d'Anton Tchekhov, créée en 1904, mise en scène par Peter Brook et enregistrée au théâtre des Bouffes du Nord.

Christine’s life has not been easy lately. Her lonely routine is divided between free food banks distributions and wandering the streets. On a cold winter night she founds Suli, an 8-year-old Eritrean boy, sobbing in front of her shelter. Christine understands that he is lost and has been separated from his mother. Bounded by their marginal condition, they embark together on an emotional journey to find Suli’s mother in the underground world of Paris...

只有法国人才能拍出这样的电影,就像<天使爱米莉>一样...
This is a beautiful French Surrealist film about what makes us human and what makes life worth living. The two main characters are a boy and girl of about 10 who, due to some indeterminate immune deficiency, have lived their entire lives in plastic bubbles, isolated from the natural world and their own natural developmental influences. Nevertheless, their humanity blossoms even without nurturance, within themselves and toward each other -- yearning, stretching, reaching until it can no longer be contained by even the most constricting and ugly environment. The children are intentionally semi-allegorical: naked, their hairless bodies and shaven heads hide nothing. They are elemental, undecorated and unadulterated human beings, and when they touch each other the contact is so primal that we all shiver. This film is a masterpiece of direction (Bertrand Arthuys) and cinematography (Francois Catonne), and the children were superb. I was sad to see that neither of them continued to act in film. As for the twists and turns of the plot, and a rather unexpected (to me) ending, I shall say no more, except that you will find nothing disappointing here, from the first scene to the last.

Burgundy, France. Solange's 60th birthday celebrations are violently interrupted by her estranged brother, Bernard. His outburst will reawaken painful memories and reveal untold stories of the Algerian War.

When the end of the world is announced, Robinson Laborde is recovering from a failed love affair, for which he had decided to leave his wife. Despite the looming disaster, or perhaps because of it, he embarks on a romantic odyssey that takes him through France and Spain. With a cast including Catherine Frot, Karin Viard and Sergi Lopez, Les Derniers jours du monde revisits Arnaud and Jean-Marie Larrieu’s favoured themes of freedom, random encounters, and desire in the mode of a Hollywood disaster movie. The film flirts with science fiction, but also resonates with contemporary reality in its depiction of the dangers of a mystery virus. But the main story is age-old: the soul-searching of a man seeking love in a chaotic world.
2009 Toronto International Film Festival
2009 Locarno International Film Festival

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

一次偶然中，克里斯汀（杰拉尔·朱诺 Gérard Jugnot 饰）遇见了正打算跳河自杀的流浪汉布杜（杰拉尔·德帕迪约 Gérard Depardieu 饰），善良的克里斯汀救起了布杜，并将他带回自己家中休养。很快，布杜就恢复了活力，然而，他却并没有半点想要离开的意思，竟然就这样死皮赖脸的在这个家里住了下去。
克里斯汀的妻子伊索（凯瑟琳·弗洛 Catherine Frot 饰）是一名抑郁症患者，布杜大大咧咧不拘小节的性格和行为举止让她大卫抓狂。与此同时，伊索和克里斯汀的感情也走到了尽头，他们对待彼此非常的冷淡，并且双双在外面有别的情人。布杜的横插一脚改变了这个家庭糟糕的氛围，在和布杜的相处过程中，克里斯汀和伊索都开始对她们自己的所作所为进行反思。

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

二战后，一个特殊的群体，在德国纳粹旗帜下作战的数万俄国人，这些人大多是乌克兰人和哥萨克人，苏联官方把他们称为“弗拉索夫伪军”，但他们自认为是为了反抗斯大林暴政，复兴民族大业，而穿上了德军制服。其中一部分向盟军缴械，但根据苏联和盟国的协定，他们被移交给苏联，大部分作为叛徒处决。一部分人在哥萨克将军Smyslowosky的率领下，逃往中立国，再转移去美洲。
这部影片讲述的就是这个特殊人群，在特殊年代的经历。

伊芙曾是世界上最著名的玫瑰培育家之一。可现如今，她的公司濒临破产。最重要的是，她的秘书维拉雇用了三位完全没有园艺技能的流浪者。尽管他们没有共同点，但他们提出了最疯狂的计划，而这可能永远改变他们的生活......

女厨师霍腾瑟（凯瑟琳·弗洛 Catherine Frot 饰）在法国乡村里经营着一家小餐馆，因为使用的食材考究、制作精良，极具人格魅力的霍腾瑟在当地有着不小的名气。令霍腾瑟万万没有想到的是，自己的名气竟然吸引了法国总统的注意，就这样，她被共和国主席任命成为了总统的私人厨师。
从闲散的乡村小镇来到了充满着紧张气氛的爱丽舍宫，面对着一帮对她冷嘲热讽的尖刻同行们，霍腾瑟的压力可想而知，可即便如此，她还是很快凭借着自己的高超技术和良苦用心获得了同事们的尊重和总统的信任。之后，在后厨逐渐站稳脚跟的霍腾瑟亦和总统之间擦出了只可意会不可言传的暧昧火花。

故事发生在1921年，玛格丽特（凯瑟琳·弗洛 饰）是一位热爱音乐却唱歌走音的女人，她拥有着这一座邻近巴黎的大城堡，也有着一小群观众在城堡里听她歌唱，可这些伪善的观众却在玛格丽特背后偷偷嘲笑她。一位年轻的记者写了一篇关于她表演的文章，玛格丽特深信自己的音乐才能，想要做一次公共演出。根据美国女高音Florence Foster Jenkins的故事改编而成，她因为糟糕的歌唱技巧而在上世纪30-40年代走红。