A glowing brain-like creature arrives on a beach near a rocket test site via a teleportation beam. The alien communicates telepathically with the children of scientists. The kids start doing the alien's bidding as the adults try to find out what's happening to their unruly offspring.

The son of a sorceress, armed with weapons, armour and six magically summoned knights, goes on a quest to save a princess from a vengeful wizard.

Ex-con turned private investigator Bradford Galt suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Kathleen Stewart, he dives deep into a mystery in search of answers.

A sultry night club singer, a man who has also traveled to many exotic ports and a salesman meet aboard ship on the 45-mile trip from Hong Kong to Macao. The singer is quickly hired by an American expatriate who runs the biggest casino in Macao and has a thriving business in converting hot jewels into cash. Her new boss thinks one of her traveling companions is a cop. One is -- but not the one the boss suspects.

Douglas Sirk takes the gloves off in this searing view of family life of 50's America. Unlike his famous melodramas, "There's Always Tomorrow" is completely devoid of any beguiling glitz and glamour to sweeten the pill. For its time it’s a bold and unusual work focusing on the husband as the deeply unhappy victim of what outwardly appears to be an ideal family.
Barbara Stanwyck and Fred MacMurray share a wonderful chemistry; very different from their famous partnership in "Double Indemnity". Stanwyck, as always, is riveting and MacMurray in his understated way turns in a particularly moving and powerful performance.
Like the best of Sirk's work the film is superbly crafted with the lighting and camera work as meticulous as ever. Perhaps owing to its lack of glamour, "There's Always Tomorrow" has been grossly neglected, being overshadowed by the great melodramas that would follow.
For Sirk admirers this is of course compulsory viewing, but it’s a film well worth taking a close look at for all.
In the bonus segment, director Alison Anders speaks of her love for Sirk calling "There's Always Tomorrow "a perfect movie".