Michael Palin attempts to copy the exploits of fictional character Phileas Fogg, by trying to travel around the world (without flying) in 80 days.

The story of one of cinema's true professionals, "little person" Mike Edmonds, from his early life in Essex to the Star Wars franchise, Time Bandits, The R.S.C. and beyond.

He was part of the most famous rock-'n'-roll quartet in history. But George Harrison was much more than just a member of The Beatles.

A 2009 television documentary series in six parts that covers 40 years of the surreal comedy group Monty Python, from Flying Circus to present day projects such as the musical Spamalot. The series highlights their childhood, schooling and university life, and pre-Python work. The series featured new interviews with surviving members John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, alongside archive interview footage of Graham Chapman and interviews with several associates of the Pythons, including Carol Cleveland, Neil Innes and Chapman's partner David Sherlock, along with commentary from modern comedians.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

1985 film by John Landis

British sketch comedy television series (1969–1974)

Songs you’ll never forget, the film you’ve never seen, and a story that’s never been heard. In 1967, in the wake of the extraordinary impact of Sgt. Pepper, The Beatles made a film – a dreamlike story of a coach daytrip, a magical mystery tour. It was seen by a third of the nation, at 8.35pm on BBC One on Boxing Day - an expectant public, hoping for some light entertainment for a family audience.
Magical Mystery Tour was greeted with outrage and derision by middle England and the establishment media. “How dare they?”, they cried – “They’re not film directors, who do they think they are?” they howled. Where were the four lovable moptops of Help! and A Hard Day’s Night?
What propelled The Beatles to make this surreal, startling and – at the time – utterly misunderstood film? Contributors include Paul McCartney, Ringo Starr, Peter Fonda, Martin Scorsese, Terry Gilliam, Paul Merton and Neil Innes.

记载了Twelve Monkeys幕后制作全过程的纪录片，Terry Gilliam大方地让两年轻电影人跟剧组随看随拍，促就了这部making of史上的经典之作；
多年后，二位导演见证了一场大得多的灾难，遂有了Lost in La Mancha

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe.
This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years.
The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas.
The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976).
Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title.
(from wikipedia)

Wayne Ewing's documentary only offers so much of a glimpse of Thompson, at a crucial point during the 96-97 period where Fear & Loathing in Las Vegas- perhaps the pinnacle of his career, if at least his most well-regarded and notorious masterwork- was having it's 25th anniversary, and amid the celebrations and reverence there was still work to be done, and some trouble on the horizon. Ewing sets up a quasi structure then around two things: the pre-production on the film adaptation of Fear & Loathing, and the DUI charge he got brought against him by a not totally honest police officer (albeit Thompson WAS heavily drunk during the drive, but as he writes about it and is read on stage by John Cusack on the doc, the details behind it are gruesomely funny). Sometimes we get some random adulatory type scenes, of Hunter almost in the midst of all of the praise and celebration in either small rooms filled with joy and alcohol (at least one of those anyway) or on a book tour.

I suppose that Terry Gilliam's sense of humour doesn't quite align with mine. To date, I've found two masterpieces in 'Brazil (1985)' and 'Twelve Monkeys (1995),' but have never quite understood the near-universal appeal of the Monty Python clan. I don't want to get into an argument about the merits of the Python series and movies (since there are millions of intense fans out there who would order my assassination), but Gilliam's short film 'Storytime (1968)' displays a similar brand of random, offbeat humour. This nine-minute film is divided into three segments, each of which is similar in that they contain crude drawings, goofy story lines and anti-climactic endings. I can sort of see what the director's doing here, but I'm just not getting very many laughs out of it. After all, deliberately-dodgy animation that deliberately avoids a comedic punchline is still dodgy animation without a comedic punch-line. Watching the film, at the end of the day, felt more like a chore that it should have been.
The first story-time segment is about a cheerful cockroach named Don, who scurries throughout his mansion home, walks beneath the floorboards and does unspeakable things in the darkness of the cupboard, before being splatted by somebody's foot. Yep, that's the whole story, though this cockroach apparently has connections in high places. The second segment is about an ordinary man named Albert Einstein ("the only Albert Einstein not to have discovered the Theory of Relativity") whose hands have a life of their own, staying out late at night, misbehaving and committing adultery with feet. The third segment – and the most creative, I thought – hasn't much story to it at all, and instead concerns the inhabitants of the moving pictures on an over-sized Christmas card, who interact with each other in all sorts of bizarre ways. The funniest example were the Three Wise Men on camels, who are led on a wild-goose chase by the Star of Bethlehem. 'Storytime' is must-see viewing for Gilliam and Python fans, but others should tread more carefully.

Little Britain算什么，Trigger Happy TV当道的时候LB还是未出世的娃娃。

Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.