Dr. Eric Vornoff, with the help of his mute assistant Lobo, captures twelve men for a grisly experiment; His goal to turn them into supermen using atomic energy. Reporter Janet Lawton, fiancée of the local lieutenant, vows to investigate Vornoff's supposedly haunted house.

A woman is married to the son of a doctor, the proprietor of a private sanatorium, where she is under unwilling treatment. Both the son and the doctor indicate they want the marriage dissolved. Arriving at the scene is a mysterious personage identified as the doctor's cousin who formerly was a stage magician in Europe. He is accompanied by a threatening dwarf.

An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.

Edinburgh, 1831. Among those who undertake the illegal trade of grave robbery is Gray, ostensibly a cab driver. Formerly a medical student convicted of grave robbery, Gray holds a grudge against Dr. MacFarlane who had escaped detection and punishment.

There are some movies that are so bad they're good. And there are some movies that are so bad- that they're just bad...

1931 film directed by Tod Browning

Five tales by Edgar Allan Poe come to life thanks to a pictorical style animation, five tales that exude madness, pestilence, murder and torture.

1939 film by Ernst Lubitsch

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.