Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.

Richard is hideous. Born prematurely, he is a deformed, hobbling, hunchbacked cripple who, on the battlefields of the Wars of the Roses – which flared up after the death of Henry V – served his family and above all his brother, Edward, well. Now Edward is king, thanks to a number of murders carried out on his crippled brother’s own initiative. But the end of war brings Richard no peace. His hatred for the rest of the world, to which he will never belong, lies too deep. And so he does what he does best and kills some more, clearing away every obstacle that lies in his path to becoming king. If fate prevents him from being part of a society of those blessed by good fortune, he will at least lord over them. He plays off his rivals against each other with political cunning, unscrupulously exploits the ambitions of others for his own ends and strides spotless through an immense bloodbath until there is no one left above him and the crown is his. But even this triumph, purchased with the death of enemies, allies and relatives alike, still fails to heal the great insult nature has visited upon him. Alone at the apex of the English kingdom, deprived of all his adversaries, he now turns his rage on his true nemesis – himself.



»Richard III« is one of Shakespeare’s earliest works, first performed around 1593. But until this day the title character has lost none of his fascination. His allure lies first and foremost in his unbridled, single-minded, gleefully exhibited amorality. Richard is the first in a line of Shakespearean villains whose moral autonomy and virtuoso art of manipulation appear to be schooled by Machiavelli’s »The Prince«: Iago in »Othello«, Edmund in »King Lear« and the Lady in »Macbeth«. But the play does not just restrict itself to the demonization of a psychopathic spree-killer. It is also the portrait of a power elite torn asunder by internal strife, out of whose midst a perverse dictator emerges.

There was a time when Rocky could have it all. He played French chansons and the women just melted. This is long past, but now someone has awoken the spirit of seduction.

2023 film directed by Simon Verhoeven

When Dr. Thomas Stockmann discovers toxic contamination in the water used at the local baths, he expects to be hailed as a hero. But since the baths are the town's main source of revenue, the community fights to silence him — and Dr. Stockmann learns there are forces more powerful than truth.

Badearzt Dr. Stockmann entdeckt, dass das Heilwasser seines Heimatorts von krankheitserregenden Mikroorganismen durchsetzt ist. Der Grund: die Zuleitungsrohre führen durch ein abwasserverseuchtes Sumpfgebiet. Im Interesse der Allgemeinheit will Stockmann den Befund in der Zeitung veröffentlichen und fordert die Stadtverwaltung auf, die Wasserleitungen umzulegen. Sein Vorschlag stößt auf Zustimmung. Einflussreiche Bürger und Pressevertreter des Ortes sichern ihm Unterstützung zu. Sein Bruder Peter, der Stadtrat des Ortes, hält ihm jedoch schwere Bedenken entgegen: Das Verbreiten der Neuigkeit bedrohe die wirtschaftliche Prosperität des Kurortes, die Reparaturen hätten hohe Kosten für die Allgemeinheit zur Folge. Plötzlich beginnt Stockmanns Rückhalt unter den Entscheidungsträgern der Stadt zu schwinden. Man sät Zweifel an seinem Vorhaben und versucht, die Nachricht vom kontaminierten Wasser zu vertuschen. Stockmann besteht auf Aufklärung und will öffentlich sprechen. In einer alles entscheidenden Rede will er die Stadt auf seinen Kurs zwingen. Den endgültigen Bruch mit seinem Bruder und das Risiko der vollständigen persönlichen Ausgrenzung nimmt er in Kauf. Es geht ihm längst nicht mehr nur um das verschmutzte Heilbad: Seine Zielscheibe ist die Gesellschaft als Ganzes.
Ibsens Drama bewegt sich auf dem schmalen Grat zwischen Aufklärung und Fanatismus. Welche Chance hat die Wahrheit in einer durchökonomisierten Gesellschaft?

浴场的Stockmann医生发现浴场中存在病原微生物，原因是：供水管穿过被废水污染的沼泽地。为了公众的利益，Stockmann希望将调查结果发布在报纸上，并要求城市管理部门改动供水管道。他的建议获得了批准。有影响力的公民和当地新闻界代表向他保证。但是，他的弟弟彼得（镇议员）对他提出了严重的担忧：传播这一消息威胁到水疗中心的经济繁荣，维修工作将给公众带来高昂的成本。突然，斯托克曼在该市决策者中的支持开始减弱。一个人对他的计划表示怀疑，并试图掩盖被污染的水的消息。Stockmann坚持澄清，并希望公开发言。在一个非常重要的演讲中，他想迫使这座城市前进。他接受与哥哥的最后休息，并有遭受完全个人排斥的风险。这不再只是污染水疗中心的问题：他的目标是整个社会。
易卜生的戏剧在启蒙运动与狂热主义之间的界限上移动。在全面经济社会中，真相有什么机会？