Freshly released from a Russian POW camp, Italian soldier Raf Vallone tries to discover who betrayed his brother to the Nazis.

After many years of rambling across Europe the aging Giacomo Casanova is impoverished. He wants to return to the Republic of Venice but he doesn't dare going there directly because he was a fugitive when he left. While he tries to find a way to get a pardon he meets a young lady named Marcelina. The more he shows his affection, the more ostentatiously she rejects him. Even so he doesn't give up on her because her lover Lorenzo has grave gaming debts. In return for the required money Lorenzo tells Casanova about a looming secret rendezvous with Marcelina. Moreover he lets Casanova take his place. Undercover of the night Casanova finally seduces her. Lorenzo later feels his honor was besmirched and demands satisfaction. Casanova kills him in a duel and then goes home to Venice.

Quartetto Basileus is a 1983 Italian film. It stars actor Gabriele Ferzetti.

劇作家保羅克勞岱（Paul Claudel）在法語世界之外的知名度，或許不及他的藝術家姐姐卡蜜兒克勞岱，然而他是法國重要的象徵主義劇作家之一，也是一位詩人、記者與外交官。本片導演Alain Cuny是法國著名的劇場和電影演員（他就是費里尼《生活的甜蜜》中的教授），與劇作家保羅克勞岱是多年好友，還曾經參與演出電影《羅丹與卡蜜兒》。保羅克勞岱在1955年過世前曾邀請Cuny將他的劇本《給瑪麗報信》拍攝成電影，冒著可能受劇場形式侷限的危險，Cuny仍然是窮盡畢生精力，將影片拍成。Cuny於1994年過世，畢生只拍過這部影片，但是影片中以簡潔的元素傳遞出一種前所未有的奇特美感，讓各方影評驚歎不已，直呼是一部受到上帝恩賜的影片。
背景設定於十字軍東征的歐洲中世紀鄉間，這齣劇訴說關於愛情與悲傷的故事，交織著濃厚神秘主義的氛圍。男主角傑克與溫柔魅力的女子薇蘭訂有婚約，卻因女子發現患有痲瘋病而解除婚約，並改取薇蘭的姐姐為妻；女子從此過著離群索居、誠心祈禱奉主的孤獨生活。這部充滿如畫詩意的美麗影片，乍看不禁讓人腦海中浮現俄國詩人導演塔可夫斯基和帕拉贊諾夫充滿魔力的影像詩篇，以及林布蘭畫中盈滿神祕光線的房間。這齣劇以精確的寫實主義為基礎，再轉換成超自然的象徵主義表現。詩人讚頌的田園美景中，純真如孩童的男女面對著情愛糾纏與世俗壓力的煎熬，時而穿插核爆、招財貓等二十世紀景物的突兀鏡頭，那種將萬物的神祕美好與稍縱即滅的自然法則並置的戲劇張力，殘酷中竟帶有奇異的美感。驚人的視覺和寓意深遠的詩意為這部片贏得一致好評與獎項肯定。
受到華格納認為劇場應「沉浸在音樂魔泉之中」的理想化戲劇理念的啟發，象徵主義的作品著重傳達更高真理的直覺，擅用象徵隱喻，提昇觀眾的精神感受。象徵主義代表詩人之一，保羅克勞岱對宗教有相當熱情的信仰與專注，並常以這個主題創作。他也要求讀者以性靈的全然投入與專注來閱讀他的詩作。《給瑪麗報信》經過幾次的改寫才發展成後來本片的版本，片中將帶著痲瘋病的詛咒，虔誠受苦的薇拉，逐漸類比成處女生子的聖母瑪利亞的形象，被村民認為可以為未孕的婦女帶來祝福。保羅克勞岱簡潔地一句話道出這部作品的精髓：「這是人類激情緊緊附著於天主教寓意的再現」。
自1912年於羅浮宮劇院首演之後，這齣戲已由多位重要導演與劇場演出過，並曾以歌劇形式演出。這部電影傑作，不僅保留原作特有的宗教神祕主義氛圍，更難能可貴的以純淨且近乎聖潔的影像和歌聲，將這個悲傷的故事化成動人無比的詩篇，在觀者心中留下低迴不已的顫動與感觸。

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

最强烈的反战影片之一，是罗西根据作家埃米利奥·卢索的自传体小说《高原上的一年》改编拍摄的，描写1916年意大利、奥地利间的阿尔卑斯山战役的几个片段：由于恣意虐杀士兵而引起了意大利军队的哗变，总参谋部为了重整军纪颁布枪杀肇事者的命令。影片的主角是一个确信自己的作为绝对正确的将军、几个梦想无政府主义和社会主义乌托邦的军官和一个了解形势险恶后丧失信心而被枪杀的年轻少尉。

A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.

The film is set in the Soviet Union under Stalin, it has several story-lines, that are intertwined. Maestro Nikolai Masoudov (Tognazzi), a talented writer, and his assistant Margaret (Farmer), are working on a biblical story of Pontius Pilate (Tadic). The Satan - Woland (Cuny), and his lieutenants, are harassing Master by surveillance, by killing his friend, and sending another friend to Gulag prison in Siberia. Victimized by their harassment, Master becomes paranoid, and is locked up in a mental institution. Margaret is trying to save him regardless of the danger.

一部以悲剧作结的姐弟恋故事（男女主差了18岁）

In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.

This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left.

Piel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid and hurries across space toward Perdide.

Two men, part tramp, part pilgrim, are on their way to Santiago de Compostela in Spain. On their way they meet a whole assortment of people—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

1956 film by Jean Delannoy

A Milanese shop assistant becomes an overnight film sensation when fate lands her the leading role in a prominent producer's romantic drama.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.

27分钟
此篇的名称是引用安得雷马尔罗的著作《绝对的货币》。超越时代的声音，绝对的价值，绝对的货币。影片从记录20世纪萨拉热窝冲突的角度对19世纪的历史事件进行了批判。电影的产生是在摄影之后，那么摄影之父玛内是不是也就是电影之父呢？戈达尔带着我们搭上1942年的列车，去寻找永远不会消失的过去。意大利电影在战后谱写了精彩的篇章，《意大利旅行》，《罗马：不设防的都市》，《道路》，《山猫》……

Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.