Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don't think twice before helping them, they are even ready to put their guests off, even to kill them if necessary...

从前有一个王国，在那里，舞蹈被长年禁止。尽管有父亲的禁令，然而，奥荷在弟弟赞许的目光和帮助下，却从未停止过舞蹈。她就是美丽和优雅的化身。为了拯救王国的衰落，国王不得不将女儿嫁给一个富有的王子，并举办三场盛大的舞会。得知国王的计划后，王后试图反对他的丈夫，以便女儿能够嫁给真正爱的男人：一位除了艺术外一无所有的画家。
奥荷要在王位和爱情之间做出选择，她铭记着妈妈的忠告：“别忘了跳舞，哪怕你很忧伤……”

1993 film by Patrice Leconte

一个落魄的少女，打开一个名利双收的律师的办公室两个天南地北的世界，就此撞击在一起。这两个世界步调不同、听的音乐不同、在不同的时间睡觉、做不同的梦但是对爱情的感觉，却毫无轩轾。　　他们第一次见面时，这个少女对他说：「这里有铜臭味，你根本不知道外面的情况。」对於来自街头、在街头长大的米榭来说，这句话非常震撼。他发现自己完全变了。已婚男人米榭，过着舒适的中产阶级生活，这一切却在遇见少女赛西儿後，完全被推翻。这个４６岁、事业正值巅峰状态的律师，遇见这个来自巴黎郊区的女孩，她和他１９岁的时候一模一样。就在这一瞬间，他一直在逃避他的过去，也一直没有成功到能将过去抛在脑後。米榭所赌的，不只是少女那双美丽的眼睛。米榭有一个漂亮的老婆，他身边并不缺乏美色。但是赛西儿闯进他的生命後，对於他所失去的一切，他突然有了顿悟，她就像遭双亲遗弃的小孩，不断与社会抗衡，却无法操纵社会，她只知道爱与折磨，赛西儿既是天使，也是魔鬼。於是他沈溺了，甘愿受折磨.

Paris, fall 2015. Every week, Philippe Dayan receives in his office a stone's throw from Place de la République, a surgeon in the throes of romantic disarray, a couple in crisis, a teenager with suicidal tendencies and a BRI agent traumatized by his intervention at the Bataclan. Listening to these upended lives, the emotional earthquake that unleashes within him is unprecedented. In an attempt to escape, he reconnects with his former analyst, Esther, with whom he had cut ties for nearly 12 years.

A car dealer, well-to-do and with a beautiful wife, finds himself attracted to his rather plain new temporary secretary. Despite her own commitments she feels the same and the two soon embark on an affair. Though it would seem it has happened before his wife finds this particular entanglement of her husband's very difficult to accept.

故事围绕着六对夫妻和情侣的亲密生活与性幻想展开，其中包括了角色扮演、暴露癖还有禁欲生活。

The children of a small European mountain village end up being its only residents, soon after the adults cannot take their behavior any longer.

In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.

With Tag der Idioten (1982), Schroeter perhaps draws upon his brief studies of psychology. The film centres around a passionate woman, Carole (played by the well-known French actor Carole Bouquet) who feels alienated and repressed by the highly institutionalised public and private spheres of Western society. Unable to extract any kind of emotional response from her reserved boyfriend, Carole seeks attention by falsely denouncing her neighbours as terrorists. With this detail Schroeter briefly touches upon the panic and paranoia that was brought about by the German government crackdown on terrorism at its height during 1977 and Carole's subsequent institutionalisation in a mental asylum can be seen as an allegory for a society wishing to suppress radical activity of any sort. In Tag der Idioten Schroeter returns to a less linear narrative structure, more reminiscent of the episodic films of his second phase. He employs numerous hallucinatory sequences in order to convey the protagonist's state of mind. Furthermore, much of the film's meaning is delivered through Carole's body, facial expressions and gestures rather than through dialogue, and the film's montage serves to create spatial and temporal disorientation. Schroeter again won the German Film Prize for best direction for this film.

After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.

1997 television film directed by Jean-Daniel Verhaeghe

Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.

A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.

1977 film by Luis Buñuel