《断头谷》的电影原声音乐，128KBPS。在18世纪的纽约市里有一位叫做Ichabod Crane （Johnny Depp饰）的治安警察，他提出了一个革命性的想法---用科学去帮助警察调查罪案。由于他的方法对已经建立的警察体制形成很大的潜在威胁，所以他被派往了一个名叫“SLEEPY HOLLOW”（沉睡谷）的北部的偏僻小镇上去调查一宗连环谋杀案。在小镇郊外阴森险恶的黑丛林里，发觉了几具被砍掉了头颅的尸体，当地许多人相信是被一个手持斧头、骑着一匹黑马、没有了头的午夜骑士式的幽灵的“杰作”，当地的居民都认为这个没头的骑士是一个邪恶的魔鬼。Crane虽然有些害怕，但有头脑和坚信科学的他却无法接受这一个谣传。当他展开调查的同时，他也爱上了当地一名女子---Katrina Van Tassel（Christina Ricci饰），一个行动不便的年轻漂亮女子，为了能娶到她，为了证明他要比镇上其他人要优秀，他立定决心要掀开这个系列谋杀的真相。但可能这个传说流传得太久，仿佛是件真事一样。而且很快，他发觉他不用再去寻找这位传说中的无头骑士，因为这个骑士已经找上门来了……

Music & Lyrics by Danny Elfman
Produced by Danny Elfman
Recorded and co-produced by Noah Snyder
Mixed by Zakk Cervini
Mix Assistant: Nik Trekov
Mastered by Joe LaPorta at Sterling Sound
Vocals, Guitars & Synths by Danny Elfman
Drums - Josh Freese
Guitars - Robin Finck & Nili Brosh
Bass - Stu Brooks
Percussion and Additional Drums – Sidney Hopson
Orchestration by Steve Bartek and Mikel Hurwitz
Choir orchestration by Marc Mann
Midi Prep – Orlando Perez Rosso
Copyist – Scott McRae
Executive Produced by Laura Engel
Project Produced by Melisa McGregor
Danny Elfman’s Representation - Kraft-Engel Management

MUSIC BY Danny Elfman. Sony.

The Terminator franchise, whose first three films have grossed more than $1 billion at the box office worldwide, has been reinvented and reinvigorated on screen and on album with its fourth installment. Featuring an original score by four-time Oscar® nominee Danny Elfman (Milk, Big Fish, Good Will Hunting, Men In Black) and a flashback from Alice In Chains, Terminator Salvation – Original Soundtrack honors the past but begins again. Capturing what director McG calls “the delicate nature of humanity and the unrelenting brutality of the machines,” Elfman’s synthesizer/orchestral score for Terminator Salvation elevates and expands the sweeping soundscape of one of the most successful series of films in history.

It is not the easiest task to combine compassion and creepiness into one musical piece, but Danny Elfman has demonstrated, quite elegantly, just how to do it. Edward Scissorhands is quite considerably his masterpiece, instantly recognizable and hauntingly memorable.
The concept of a man-made creation, a recluse who has been left with scissors for hands because his inventor died just before attaching natural ones, is certainly strange and possibly laughable. The film may indeed have played as pure farce if not for Elfman's artistry.
While many films use soundtrack as the "glue" of the story, or as border, Elfman saturates every bit of Scissorhands so that it is as much his art as it is the director's (Tim Burton). The opening title is fantastic, emitting the wonder of childhood dreams and classic storybooks. But it is only the starting point on a journey of music that concludes with the "grand finale," which is not merely grand, but all encompassing.
There are minor detours along the way, like "Edwardo the Barber," which is fun and reminiscent of Pee Wee's Big Adventure, but even in its lighter moments, Edward Scissorhands is classic.

Three-time Oscar-nominated Danny Elfman, one of Hollywood's most in-demand composers, continues his long-standing collaboration with innovative director Tim Burton for the soundtrack to the stop-motion animated feature Tim Burton's Corpse Bride.