A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

Un documentaire retraçant toute la filmographie de Claude Lelouch. Pour les 50 ans des Films 13, le cinéaste y dresse un bilan de sa carrière, assumant échecs et succès, et y montre des images inédites...

In an airport, six destinies, during a short moment, will change, separate and meet. And if these characters were going through, without knowing it, the most important moment of their lives? Olivier and Lila ... Will he miss his love or will she miss the plane? Julia and Marcel ... Will she avoid death or will he mess up his life? Fanny and Max ... Will she lack of courage or will he be out of luck?

《公園長椅》的故事以不同的地方作背景：包括寫字樓、一間自助商店和公園。影片透過八十六位法國知名演員演繹一連串的插曲來描寫凡爾賽區平常的一天。一眾法國明星如眾星拱月般為波達里斯的這部喜劇增添活力。情節佈局輕鬆巧妙，並且極之惹笑，本片以詩般的幽默手法探討各種形式的城市孤寂。
With Park Benches, the director closes a trilogy that began with A Night in Versailles (Best Short Film César 1993) and continued with Only God Sees Me (Best Debut Feature César 1999).
Set in various locations – including an office, a DIY store and a park – the film pictures an ordinary day in Versailles and comprises a series of short episodes featuring 86 famous French actors. This stellar French cast brings Podalydès’ sparkling comedy to vibrant life. Beautifully crafted, endlessly playful and very, very funny, this ensemble film has been lauded by the press for its poetic humor which borders on the absurd and explores themes of urban solitude.

Vermeer, Beyond Time explores the life and work of one of the most loved, influential, and well-known artists, Johannes Vermeer. Images from his paintings have become part of our collective imagination and are instantly recognizable.
In this new feature documentary, French filmmaker Jean-Pierre Cottet adopts an imaginative and sensitive approach to his subject, focusing on not only his work, but also his family life; including his conversion to Catholicism, his artistic contemporaries, and the wider world of the short lived Dutch Golden Age of the 17th Century.
In 1675, overwhelmed by poverty, physically weakened, and humiliated, Vermeer dies at the age of 45. Soon afterwards, his paintings are sold to cover his debts, and Vermeer disappears from memory. His rediscovery some 200 years later has seen his popularity soar, claiming both our hearts and our admiration.

皮埃尔（朗贝尔·维尔森 Lambert Wilson 饰）被发现死在了参议院亨利（皮埃尔·阿迪提 Pierre Arditi 饰）的度假小屋里，死因是谋杀。皮埃尔的妻子克莱尔（安妮·康斯金尼 Anne Consigny 饰）成为了案件最大嫌疑人，因为皮埃尔背叛了两人的婚姻，这让克莱尔一直怀恨在心。
警官格朗（莫里斯·本尼丘 Maurice Bénichou 饰）负责此案的调查，随着侦查的渐渐深入，刚开始确凿无误的杀人证据被一件一件的推翻了，克莱尔身上的嫌疑渐渐被洗清。与此同时，越来越多的人被卷入了案件之中，其中包括皮埃尔的情人伊斯特（瓦莱丽亚·布诺妮-泰特琪 Valeria Bruni Tedeschi 饰）和一位名叫菲利普（马修·德米 Mathieu Demy 饰）的男子。一波未平一波又起，就在这宗案件悬而未决的节骨眼上，另一起谋杀案发生了。

REMEMBRANCE OF THINGS TO COME, the latest "cine-essay" of Chris Marker, is dense and demanding, a splendid reminder that his nimble, capacious mind has lost none of its agility, poetry, and power. Ostensibly a portrait of photographer Denise Bellon, focusing on the two decades between 1935 and 1955, the film leaps and backtracks, Marker-style, from subject to subject, from a family portrait of Bellon and her two daughters, Loleh and Yannick (the latter co-authored the film), to a wide-ranging history of surrealism, of the city of Paris, of French cinema and the birth of the cin (C)mathque, of Europe, the National Front, the Second World War and Spanish Civil War, and postwar politics and culture.Full of Marker jokes (a great one about artists and cats), word play (Citroen/citron), filmic homages (Musidora makes a memorable appearance), peculiar art history, a consideration of the 1952 Olympics, and astounding segues from French colonialism in Africa to women in the Maghreb, to a Jewish wedding and gypsy culture in Europe, to Mein Kampf and the Nazi death camps (Birkenau, Auschwitz), the film opens with Dali and ends with Mompou, traversing in its short time a world of thought, feeling, and history.A small masterpiece of montage, REMEMBRANCE OF THINGS TO COME is from moment to moment reminiscent of Resnais, Ivens, even Kubrick, but in its deployment of still photographs (as in La Jet (C)e), its theme of history and memory, its subject-skipping montage and rapid shuttle of wit and philosophy, REMEMBRANCE is pure, marvelous Marker. -- © First Run/Icarus Films

Virgil Ioan, 一个年轻的罗马尼亚电视台记者, 来到法国探访Constantin Dolinescu（60年代与罗马尼亚社会主义当局政见不合的著名作家，曾被齐奥塞斯库－罗领导人，东欧剧变中被秘密枪决，判刑入狱，后经民主人士的活动，释放，随即离开令他心碎的非自由祖国，前往法国过着半流放的生活。1987年之后，这位曾经被西方民主人士奉为上宾，法国媒体也曾大肆报道的人物消失在公众的视线中。他还在法国吗？他去了哪里？他是否停止了文学创作？他曾经希望投入电影导演的行当，那两部成品为何永不见天日？他与法国文艺界的关系又是怎样？他会有着何种神秘的感情生活...？？？怀着这种种疑问，前文提到的充满热情和坚持的记者希望找到合适的线索拍摄一部记录片将一个真实的Constantin Dolinescu呈现在今天自由化的罗马尼亚人眼前，最终的结局是有点悬念与荒谬的...大家慢慢欣赏吧
注：罗马尼亚从人种学上与法国同源，皆属拉丁人种，语言与文化上与法国亲近，加上法国自由的气息，片中的反叛作家选择了这个从地理位置上并不相近的国家避难。

皮埃尔·阿尔迪迪是法国的一位老演员，出演过《基督山伯爵》、《周末》等许多知名电影，1987年、1994年先后因为出演《情景剧》、《吸烟/禁止吸烟》被法国国内最高电影大奖恺撒奖评为最佳男主角和最佳男配角。《两个人的法拉利》是他在2002年出演的一部喜剧，在剧中塑造了一个为生活所迫的小人物。
索尼耶原来是一家公司的高级职员，在一次公司重组中被新上任的人事部经理安德烈解雇。从此，索尼耶成了街头的推销员。为了不让女儿和妻子担忧，索尼耶一直对她们避而不见，只靠手机与她们联系。三年过去了，奥丽薇娅思念父亲心切，请索尼耶去里昂看她，这个简单的要求使索尼耶十分挠头。
恰逢此时，安德烈驾驶着公司董事长送给足球明星的法拉利前往戛纳，一对不期而遇的冤家坐在了一起。索尼耶不知道身边人的身份，对人事部经理大加抱怨。安德烈心怀愧疚，一心希望补偿索尼耶。然而，安德烈刚刚安排好索尼耶和女儿在戛纳的度假计划，意外的消息传来了——安德烈遭到了被公司的解雇……

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

本片由五条经纬线编织一个接一个的神秘故事。两条经线指的是两位到医院检查胃病的的病人，病重的是喜欢男扮女装的郁卒警察，另一个则是到处捻花惹草，家财万贯的富商痞子。三条纬线指的是火车上一见钟情的少男少女，各自用谎言欺骗对方编织梦想；还有专门在墓园里等待机会，拐骗丧妻的有钱罹夫的黑纱寡妇；以及街头拾荒有着天籁之音的流浪汉，等着有朝一日可以成为巨星……

上世纪40年代，法国一对年轻的夫妇结合了，电影记录了他们数十年的婚姻生活。美容师玛卓琳是一个漂亮单纯的女孩，遇到丹尼尔后，两人陷入热恋，并很快举行了婚礼，一切看起来都很幸福美好，两人最初也确实过着如童话般的甜蜜生活。可是渐渐的，玛卓琳在物质上的要求越来越多，她喜欢高档家具、名牌服装，名贵跑车，高级化妆品，对这些东西的广告和宣传册无法抗拒，而且变得越来越不可收拾。
这和丹尼尔想象中的传统而平静的生活完全不同，因此两个人争吵不断。丹尼尔的家族世代经营玫瑰花的生意，本来可以生活得舒适富足，可是为了给妻子无止境的欲望埋单，丹尼尔夫妇背上了沉重的负债，这也将两人最初的浪漫生活破坏殆尽。导演通过一对普通夫妻的真实生活，赤裸裸地探讨了二战后法国中产阶级家庭中蔓延的物质欲望，对现实生活也起到了一定的警醒作用。

1986 film by Alain Resnais

1993 film by Alain Resnais

Odile is a business executive looking for a new, bigger apartment. Her younger sister Camille has just completed her doctoral thesis in history and is a Paris tour guide. Simon is a regular on Camille's tours because he's attracted to her. Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

丹尼尔（丹尼尔·奥图 Daniel Auteuil 饰）和阿兰（皮埃尔·阿迪提 Pierre Arditi 饰）做了大半辈子的朋友，两人对彼此可谓是熟的不能再熟，毫无秘密可言。两人都结了婚，并且和各自的妻子度过了漫长的婚姻生活，可是，上帝总喜欢开一些荒唐的玩笑，两个男人在他们年近五十岁之时，才遇到了真爱。
丹尼尔因为儿子的一场车祸结识了名为朱迪思（夏洛特·甘斯布 Charlotte Gainsbourg 饰）的女子，而阿兰则爱上了年纪比他小很多的非洲女子法丽达（阿伊萨·玛依卡 Aïssa Maïga 饰）。面对同样的道德困境，丹尼尔和阿兰做出了截然不同的选择，可是无论怎样，他们都要自己承受冲动带来的后果。

长久以来，梅里安（亚历桑德拉·马提尼斯 Alessandra Martines 饰）带着儿子赛吉（Arthur Cheysson 饰）过着平静但孤单的生活。在威尼斯，梅里安结识了画商皮耶（皮埃尔·阿迪提 Pierre Arditi 饰），后者靠着自己的善良的幽默赢得了梅里安的芳心。可是好景不长，在三人回到巴黎后没多久，皮耶和赛吉却在意外中丢掉了性命，同时失去了爱人和孩子的梅里安悲痛欲绝。
为了完成儿子生前的愿望，坚强的梅里安独自踏上了既定的旅程，一路上，她用相机代替了儿子的眼睛，记录下了一幕幕美妙的景致，不幸的是，厄运再次来临，寄托了梅里安所有感情的相机失窃了。几经辗转，相机来到了学者马克（Marc Hollogne 饰）的手上，被相机中的照片所打动，马克决定寻找相机的主人。

In Paris, six people all look for love, despite typically having their romantic aspirations dashed at every turn.

法国大导阿伦雷乃1983年作品。本片用三个故事阐述他的观点，同时向法国电影史上三位巨人致敬：梅里爱、莱皮埃、侯麦。第一个故事发生在1914年，一个贵族建立了“幸福殿堂”，邀请一帮朋友，给他们一剂特殊的药，然后把他们放进巨大的摇篮，让他们重新回到“孩提时代”；第二个故事发生在当代，依然是那个宫殿，一群专家正在召开研讨会，讨论“想像力教育”。穿插在两个故事之间是一个古代魔幻故事，讲一群森林里的孩子梦幻一场坏国王和好骑士的战争。