An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

瀬々敬久に師事し、ピンク映画から監督としてのキャリアをスタートさせた最後の世代である坂本。8年ぶりとなる新作では、5年前に消えた娘を探し、喪失感を抱えたまま生きる夫妻の姿を描く。涼子は出版社に務める夫の雅之とともに、娘の手がかりを求めて街頭に立ち、道ゆく人に情報提供を呼びかけていた。そんなときチラシの配布を手伝ってくれる莉奈と出会った2人。涼子は子供のいなくなった心の空虚を埋めるかのように、出産を控えた莉奈との交流にのめり込んでいく。

早纪通过了面试，为了成为演员独自去了东京。开始的时候，一切都那么新鲜，每天就是取材、摄影，时间安排的十分紧张，这令早纪有些吃不消。一次电视剧拍摄中被导演点名批评后，早纪极其的失落，这时同时出演这出电视剧的丸山温柔的安慰她，叫她不要气馁。自打这次拍摄后，早纪就暗暗的喜欢上了丸山，可是丸山早已经成家……

Cult director Hisayasu Sato teamed up with actor-screenwriter Taketoshi Watari once again for this raunchy tale of a family driven completely mad by rock music. The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato’s usual themes of alienation and corrupted innocence than its brutal predecessor.

One of approximately two dozen films in the Chikan Densha series, this one from legendary "pink" director Hisayasu Sato (here working under the pseudonym Hisakazu Hata) is much tamer than his usual sadistic gorefests, perhaps thanks to female screenwriter Kyoko Godai. A suicidal woman (Yumika Hayashi) decides to blow herself to pieces with dynamite on her birthday, but falls in love with a young delinquent on the subway instead. While decidedly nihilistic in tone, Sato's fans may be disappointed that there is nary a rape, whipping, or bloody tooth extraction in sight. Koichi Imaizumi, Kiyomi Ito, and Yuri Ishihara co-star.

記念すべき商業映画デビュー作。卒業式を目前に控えた三人の不良高校生が、在日韓国人と彼と偽装結婚したジャパゆきとの出会いからヤクザとの争いに巻き込まれてゆく。様々な国籍の人間模様に浮かび上がる「日本」と「アジア」を力強く描き出した青春冒険劇。

日本AV女优与荷兰天王级老男人联袂出言一场现代性爱片.斋污浊,混沌的现实世界里,他们唯一依存的是性~~~~

Halcion days, 16 November 2000
Author: white pongo ([email protected]) from tokyo japan
Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.

因心理疾病的缘故，中年男子永野（佐野和宏 饰）从十几岁就住在福岛的精神病院，而今已经过去40年的岁月。2011年的东日本大地震，迫使永野随同众人四处避难。在此期间，他情知自己已经痊愈，于是获准重返社会。与外界近半个世纪的隔离，令永野有如突然回到凡间的浦岛太郎。
在他的心中，依然埋藏着对某个人的思念。而今那名叫幸子（伊藤清美 饰）的女性，为了避难和丈夫、孩子搬到东京居住。得知了对方的下落，永野骑上自行车前往东京……

ひとみは不倫相手の鈴木と共に地方都市へ駆け落ちした。彼女が働くことになったそば屋の常連客・大介は、寝たきりの妻・小夜子の若い頃によく似たひとみに一目惚れし、やがて妻への恋愛感情を取り戻していく。大介の息子夫婦・浩市と早苗の関係も最近ぎくしゃくし、ついに早苗は家を出てしまった。一方、ひとみは鈴木が妻子の写真を大事に持っているのを知り、ショックを受ける…。

Takeshi, an alienated young man spends his lonely days obsessively following total strangers. He is employed to observe the movements of a beautiful but disturbed doctor, whose behavior is causing concern. As Takeshi continues to track her, a bond begins to grow between them, a bond which can only end in tragedy...

A deranged woman gouges out the eyes of the strangers she has sex with. She was once filmed being brutally raped on the roof of her school and is still trying to cope with the trauma.

“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”

Ryuzaki, an editor of Muscle Magazine, which features photographs of men with sculpted bodies, becomes involved with a man named Kitami; their affair soon becomes dominated by sadomasochistic games, with a horrid result. Jump ahead one year, Ryuzaki is released from jail and goes in search of Kitami, perhaps to make amends.

映画監督・大島渚の素顔を、妻・小山明子さんの視点を通じ描く。
今年１月に死去した映画監督・大島渚。常に時代を挑発する作風と、過激な言動で知られた大島監督はその作品と同じく、波乱の人生を歩み続けた。そしてそのすぐ隣には、映画監督・大島渚の妻として、また女優として生きる、妻・小山明子さんの深い葛藤があった。社会への批判と挑戦を続ける夫を懸命に理解しようと努力した青春時代。さらに大島監督が脳出血で倒れて以降は、後遺症を負いながらも映画「御法度」に挑もうとする夫を支える重圧が小山さんにのしかかる。
自らもうつ病に苦しみ、夫の看護もままならず入退院を繰り返すこととなった小山さん。しかしその苦悩はやがて、「御法度」の完成、そしてカンヌ映画祭出品で報われる。それは二人が本当の夫婦になっていくまでの知られざるドラマでもあった。こわもてのイメージで知られた大島渚の素顔を、妻・小山明子さんの視点を通じ描く。

Keiko is the new owner of a local television station, and she’s determined to succeed, no matter what! But the rival TV station will stop at nothing to crush her, and one by one, Keiko’s new programs are humiliatingly sabotaged. When the weather woman falls victim to an underhanded trick, Keiko decides that she’s through being nice. While filling in for the stricken reporter, she flashes her underwear, making her weather forecast an instant hit! What follows is an outrageously sexy contest – which judges skimpy costumes and arm wrestling instead of beauty and talent – to determine who will be the reigning weather woman!

清纯、懵懂的少女阿丽莎（貴奈子 饰）和父亲在某个小岛上过着上流社会的富贵生活，但她就如同一只被圈养在笼中的金丝雀，始终得不到自由。在一个绝望的夜晚，阿丽莎从阳台投海自尽，却随着洋流来到了对岸。她起先被岸边的流浪汉们当作美人鱼，最终被一个衣着光鲜的皮条客搭救。皮条客将阿丽莎带到红灯区，要求她扮演一个手执链锯的女仆，阿丽莎却趁机席卷皮条客的钱财逃跑，逃跑期间她得到了晴美（吉行由美 饰）的帮助。
晴美的婆婆尖酸刻薄，丈夫又对她毫无兴趣，于是她选择离家出走。两个身份不同却有着相似命运的女人走到一起，她们相识相知，决定展开新的生活……