The drama depicts a jury forced to consider a homicide trial. At the beginning, they have a nearly unanimous decision of guilty, with a single dissenter of not-guilty, who throughout the play sows a seed of reasonable doubt. The story begins after closing arguments have been presented in the homicide case, as the judge is giving his instructions to the jury. As in most American criminal cases, the twelve men must unanimously decide on a verdict of "guilty" or "not guilty". (In the justice systems of nearly all American states, failure to reach a unanimous verdict, a so-called "hung jury", results in a mistrial.) The case at hand pertains to whether a young man murdered his own father. The jury is further instructed that a guilty verdict will be accompanied by a mandatory death sentence. These twelve then move to the jury room, where they begin to become acquainted with the personalities of their peers. Throughout their deliberation, not a single juror calls another by his name because the names are unknown by the jurors. Several of the jurors have different reasons for discriminating against the witness: his race, his background, and the troubled relationship between one juror and his own son.
一名少年被控謀殺父親。法庭內，樓下老伯作供聲稱親耳聽到他大罵「我要殺死你」；對街女人作供聲稱親眼目睹他以刀刺進父親胸口；雜貨店老闆作供聲稱曾售賣兇器予少年。似乎，被判死刑將會是他的結局。
陪審團由十二位素未謀面的人組成，聽畢審訊退庭商議。無論陪審團作出任何裁決，必須一致。看似定局已成的判決由於其中一人的異議而爆發成激烈的爭論。十二名陪審員將如何決定少年的生死？

本片是由美国当代最伟大的音乐剧词曲作家史帝芬。桑坦(STEPHEN SONDHEIM)所创作的著名音乐剧。
【拜访森林】汇集了格林童话中“杰克与魔豆”、“灰姑娘”、“小红帽”、“长发姑娘”四个脍炙人口的故事与角色，并套上讽刺剧的面纱而组成一个“成人童话故事”，其中蕴涵的“教育”意味均以故事中的经验教训带出，且不时出现令人爆笑的对话。
原本互不相千的四剧主角们，在作者巧妙的串联下，涉入对方的生活。另外，桑坦更颠覆了童话故事中“从此幸福快乐”(Happily ever after)的典型结局，延伸探讨到在“很久很久以前...”之后，主角们又发生了什么样的事情？

本片是由美国当代最伟大的音乐剧词曲作家史帝芬。桑坦(STEPHEN SONDHEIM)所创作的著名音乐剧。
【拜访森林】汇集了格林童话中“杰克与魔豆”、“灰姑娘”、“小红帽”、“长发姑娘”四个脍炙人口的故事与角色，并套上讽刺剧的面纱而组成一个“成人童话故事”，其中蕴涵的“教育”意味均以故事中的经验教训带出，且不时出现令人爆笑的对话。
原本互不相千的四剧主角们，在作者巧妙的串联下，涉入对方的生活。另外，桑坦更颠覆了童话故事中“从此幸福快乐”(Happily ever after)的典型结局，延伸探讨到在“很久很久以前...”之后，主角们又发生了什么样的事情？

Act 1
Scene 1
May Norman and Ethel arrive at the summer house, finding it in need of repairs. There are hints that Norman is having problems with his memory.
Scene 2
June Norman makes a nominal effort to find a job in the classified ads, to Ethel's chagrin. The mailman, Charlie, stops by and reminisces about the Thayer's daughter, Chelsea, whom he used to date. A letter arrives from Chelsea saying that she is coming from California with her boyfriend Bill to celebrate Norman's 80th birthday. It becomes clearer that Norman is struggling with memory loss, as he continues to forget names and places that should be familiar.
Scene 3
July Chelsea arrives with Billy Ray and his 13-year-old son, Billy Ray Jr. Chelsea asks her parents if Billy Jr. can stay with them while she and Billy go to Europe. Norman (a bit reluctantly) and Ethel agree to keep Billy Jr.
Act 2
Scene 1
August Norman and Billy Jr. have become friends, and spend much of their time fishing. Chelsea returns, and reveals that she and Billy are now married. Ethel shows her impatience with Chelsea's habit of bitterly harping on the past. Chelsea confronts her father about their troubled relationship, and the two have a reconciliation.
Scene 2
September Norman and Ethel are packing to leave for the winter. Chelsea calls, and they agree to go visit her in California. Norman seems to suffer a heart attack, (whilst picking up a box of his mother-in-law's heavy china) but recovers, and the pair leave their home along Golden Pond.

Shaw characterised Saint Joan as "A Chronicle Play in 6 Scenes and an Epilogue". Joan, a simple peasant girl, hears voices which she claims to be those of Saint Margaret, Saint Catherine, and the archangel Michael, sent by God to guide her conduct.
Scene 1 begins with Robert de Baudricourt complaining about the inability of the hens on his farm to produce eggs. Joan claims that her voices are telling her to raise a siege against Orléans, and to allow her several of his men for this purpose. Joan also says that she will eventually crown the Dauphin in Rheims cathedral. de Baudricourt ridicules Joan, but his servant feels inspired by her words. de Baudricourt eventually begins to feel the same sense of inspiration, and gives his consent to Joan. The servant enters at the end of the scene to exclaim that the hens have begun to lay eggs again. de Baudricourt interprets this as a sign from God of Joan's divine inspiration.
In Scene 2 (8 March 1429), Joan talks her way into being received at the court of the weak and vain Dauphin. There, she tells him that her voices have commanded her to help him become a true king by rallying his troops to drive out the English occupiers and restore France to greatness. Joan succeeds in doing this through her excellent powers of flattery, negotiation, leadership, and skill on the battlefield.
In Scene 3 (29 April 1429), Dunois and his page are waiting for the wind to turn so that he and his forces can lay siege to Orléans. Joan and Dunois commiserate, and Dunois attempts to explain to her more pragmatic realities of an attack, without the wind at their back. Her replies eventually inspire Dunois to rally the forces, and at the scene's end, the wind turns in their favour.
Ultimately she is betrayed, and captured by the English at the siege of Compiègne. Scene 6 (30 May 1431) deals with her trial. John de Stogumber is adamant that she be executed at once. The Inquisitor, the Bishop of Beauvais, and the Church officials on both sides of the trial have a long discussion on the nature of her heresy. Joan is brought to the court, and continues to assert that her voices speak to her directly from God and that she has no need of the Church's officials. This outrages de Stogumber. She acquiesces to the pressure of torture at the hands of her oppressors, and agrees to sign a confession relinquishing the truth behind her voices, so that she can live a life in permanent confinement without hope of parole. Upon hearing this, Joan changes her mind:
Joan: "You think that life is nothing but not being dead? It is not the bread and water I fear. I can live on bread. It is no hardship to drink water if the water be clean. But to shut me from the light of the sky and the sight of the fields and flowers; to chain my feet so that I can never again climb the hills. To make me breathe foul damp darkness, without these things I cannot live. And by your wanting to take them away from me, or from any human creature, I know that your council is of the devil."
Joan accepts the ultimate punishment of death at the stake as preferable to such an imprisoned existence. de Stogumber vehemently demands that Joan then be taken to the stake for immediate execution. The Inquisitor and the Bishop of Beauvais excommunicate her and deliver her into the hands of the English. The Inquisitor asserts that Joan was fundamentally innocent, in the sense that she was sincere and had no understanding of the church and the law. de Stogumber re-enters, screaming and severely shaken emotionally after seeing Joan die in the flames, the first time that he has witnessed such a death, and realising that he has not understood what it means to burn a person at the stake until he has actually seen it happen. A soldier had given Joan two sticks tied together in a cross before the moment of her death. Bishop Martin Ladvenu also reports that when he approached with a cross to let her see the cross before she died, and he approached too close to the flames, she had warned him of the danger from the stake, which convinced him that she could not have been under the inspiration of the devil.
In the Epilogue, 25 years after Joan's execution, a new trial has cleared her of heresy. Brother Martin brings the news to the now-King Charles. Charles then has a dream in which Joan appears to him. She begins conversing cheerfully not only with Charles, but with her old enemies, who also materialise in the King's bedroom. An emissary from the present day (at the time of the play, the 1920s) brings news that the Catholic Church is to canonise her, in the year 1920. Joan says that saints can work miracles, and asks if she can be resurrected. At this, all the characters desert her one by one, asserting that the world is not prepared to receive a saint such as her. The last to leave is the English soldier, who is about to engage in a conversation with Joan before he is summoned back to hell at the end of his 24-hour respite. The play ends with Joan ultimately despairing that mankind will never accept its saints:
O God that madest this beautiful earth, when will it be ready to accept thy saints? How long, O Lord, how long?

Academy Award�-winning actress Jessica Lange heads an extraordinary cast in this breathtaking adaptation of Willa Cather's epic saga of settlers carving a home and their dreams from the wilderness. Alexandra Bergson is a young woman when she inherits the family farm and struggles to establish a home and future on the prairie. Because of her responsibilities, she must give up her chance for love, though she never forgets the young man who won her affection. When he returns after 15 years, their love is rekindled, along with a long-buried dream in Alexandra's heart. Hallmark Hall of Fame presents this timeless masterpiece of life and love, tragedy and triumph.

In this classic story of love and devotion set against the backdrop of the American Civil War, a wounded Confederate soldier named W.P. Inman deserts his unit and travels across the South, aiming to return to his young wife, Ada, who he left behind to tend their farm. As Inman makes his perilous journey home, Ada struggles to keep their home intact with the assistance of Ruby, a mysterious drifter sent to help her by a kindly neighbor.