A six-part French documentary about the Second World War composed exclusively of actual footage of the war as filmed by war correspondents, soldiers, resistance fighters and private citizens. The series is shown in color, with the black and white footage being fully colorized, save for some original color footage. The only exception to the treatment are most Holocaust scenes, which are presented in the original black and white.

Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.

Summer 1943: Hitler engages in a decisive battle in Kursk to win the war in the East. This is without counting on the pugnacity of the Red Army and the Allied intervention in the West. Month after month, the noose tightens on the Nazi tyrant who refuses to admit defeat and precipitates his country in its fall.

After the death of his mother, the evil mutant wizard Blackwolf discovers some long-lost military technologies. Full of ego and ambition, Blackwolf claims his mother's throne, assembles an army and sets out to brainwash and conquer Earth. Meanwhile, Blackwolf's gentle twin brother, the bearded and sage Avatar, calls upon his own magical abilities to foil Blackwolf's plans for world domination -- even if it means destroying his own flesh and blood.

On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.
Berlinale 2014