Albert Renaud, a young French Canadian dreams of becoming a movie star and take the train to Hollywood. His trip is filled with adventures.

4-year-old malnourished Adam is admitted to hospital off the back of a court ruling. Head paediatric nurse Lucy allows Adam’s mum Rebecca to stay by her son’s side, despite the strictly limited visiting times set by the judge. When Rebecca digs her heels in and refuses to leave Adam, things become complicated. In the interest of the child, Lucy does everything she can to help this mother in distress.

A moving world of spirits and ghosts, condemned to brush against one another without really meeting since they have all emerged from a single perpetual dream: that of a young man who no longer wants to wake up, immersed as he is in this world of fascinating spectres.

Albert Schweitzer (1875-1965), the mission doctor, theologian and philosopher who founded a hospital in the rainforests of Gabon, achieved sainthood in his lifetime, at least in the popular imagination. The critical assessment of his life and works in recent years, however, has been slightly more ambivalent. Ba Kobhio Bassek is the first director to examine this medical missionary from a purely African point-of-view.

A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.

Alphonse Brown, who firmly believes he is the bastard son of James Brown, meets up with his best friend Scotch after Brown gets out of jail. On their way to Paris to begin careers as recording artists, the pair stumbles across a potent type of marijuana that was engineered by the Nazis. Their decision to begin selling the stuff leads to a variety of people chasing after them.

柳鲍芙是一位疯疯癫癫、令人捉摸不透的女人，她在巴黎游荡多年后回到了故乡，而他们家族世代传承的樱桃园即将被拍卖抵债。庄园奴隶的儿子罗巴辛提议砍树盖房出租地皮，却遭到了柳鲍芙一家的反对——对他们而言，樱桃园不但是家族资产，还是美好旧日生活的象征。阶级的兴衰和时代的变迁浓缩在这一桩交易上，而人物的命运也随之改变。

法国著名演员伊莎贝尔·于佩尔（Isabelle Huppert）在本剧中饰演柳鲍芙这一悲剧女性角色，她也是《樱桃园》这部介于悲剧与喜剧之间作品的主人公。与家人团聚的同时，她感受到深深的不安。这种不安来自于樱桃园悬而未决的未来，也来自于那个自己曾抛弃在身后的整个世界。

现代社会日新月异，变革纷涌而至。每当狄亚哥·罗德里格兹（Tiago Rodrigues）想起《樱桃园》的故事时，心中总会浮现出一段活泼的快板。在他看来，这位俄罗斯剧作家在最后一部作品中以一种“势不可挡”的巨大能量拉动着每个角色从一幕进入到下一幕。在阿维尼翁这个版本的舞台上，罗德里格兹和他的团队不但试图表达当下社会的不安与焦虑，也为观众展示了新世界带来的希望——即使剧中角色还无法真正理解。

在契诃夫的文字中，导演找到了一种惊人的戏剧燃料。这种燃料不但点燃了他的创作，也打破了第四堵墙，将观众聚集在“当下”我们所面临的巨大挑战周围。

Newlyweds Shane and June arrive in Paris for their honeymoon. In the process of trying to find a cure for his strange, bloodthirsty disease, Shane stumbles upon the story of a doctor and his flesh eating wife.

American television miniseries

As the Ottoman Empire comes to an end, an old servant spins a tale to keep the women in the Sultan's harem distracted. The story is about Safiye, who first becomes the Sultan's favorite concubine, and later the official wife. As she gains power and influence, she engages in a tryst with Nadir, the black eunuch. When the Empire falls, the Sultan escapes to Europe, leaving all the concubines behind. Safiye fights for their rights under the new order

Newlyweds Shane and June arrive in Paris for their honeymoon. In the process of trying to find a cure for his strange, bloodthirsty disease, Shane stumbles upon the story of a doctor and his flesh eating wife.