A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.