A demented art dealer and antique shop owner performs nightly rituals in honour of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers human sacrifice.

When master monster make-up man Pete Dumond is fired by the new bosses of American International studios, he uses his creations to exact revenge.

A crazed teacher at a respectable girls' school draws power from a medallion she has obtained from the Carpathian Mountains, and uses it to experiment telepathically on the school's newest young pupil.

Professor Frankenstein creates a teenager from an accident victim, who gets angry when he learns he is going to be taken apart.

Anthropologist Dr. Brockton (Joan Crawford) unearths a troglodyte (an Ice Age 'missing link" half-caveman, half-ape) and manages to domesticate him - until he's let loose by an irate land developer (Michael Gough) to go on a rampage and kidnap a little girl. Crawford's last feature film.

A lady ringmaster milks the publicity from a string of murders.

When Watson reads from the newspaper there have been two similar murders near Whitechapel in a few days, Sherlock Holmes' sharp deductive is immediately stimulated to start its merciless method of elimination after observation of every apparently meaningless detail. He guesses right the victims must be street whores, and doesn't need long to work his way trough a pawn shop, an aristocratic family's stately home, a hospital and of course the potential suspects and (even unknowing) witnesses who are the cast of the gradually unraveled story of the murderer and his motive.

Kathy is a smart and tough 1950's advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office - it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950's homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is "moving up in the world". She personally takes upon herself the task of pushing Bill's career along, even if it comes down to murder.@