阿涅斯·瓦尔达 — Director (64)
Agnès Varda - Pier Paolo Pasolini - New York - 1967 (2022) [Movie] TMDB IMDb Douban
Agnès Varda - Pier Paolo Pasolini - New York - 1967
other title: 瓦尔达镜头下的帕索里尼——摄于1967年纽约 / Pier Paolo Pasolini - Agnès Varda - New York - 1967
Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. To get lost with her in the lights, bodies, faces, and chaos of New York, overcrowded and multi-ethnic, there was Pier Paolo Pasolini.
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2005年的达盖尔街 (2005) [Movie] Douban
Rue Daguerre en 2005
director: Agnès Varda
other title: Rue Daguerre en 2005
In 2005, filmmaker Agnès Varda revisited the Rue Daguerre where she used to live 30 years earlier and had interviewed the shopkeepers for her film Daguerreotypes, to see how things might have changed. The same grocer was still there, and the accordion shop had been repainted a different color.
阿涅斯的三重生命 (2012) [Movie] Douban
Les trois vies d‘Agnès
other title: Les trois vies d‘Agnès
这部纪录片由三个部分组成,其中《摄影师阿涅斯》包含了布拉萨依人物照、50年代:人物照和镜头的构成、阿维尼翁庆典日和国家人民大剧院、近期完成的人物照。
《电影人阿涅斯》通过碎片式的电影海报内容还原一个最真实的阿涅斯。
《艺术家阿涅斯》包括2003年的威尼斯双年展,《来自努瓦穆捷的三折画》、《努瓦穆捷的寡妇们》、卡地亚基金会展览:岛和她、7台艺术装置、5台全新购置、保罗·瓦莱里博物馆、《大海的心》、旅途在南特、电视机商店(节选自影视片段《城市中的小黑屋》)、多米尼克·桑达与米歇尔·皮寇里、《非法占地者》(《被侵占的房屋》)、《我们如此相爱》。装置节目由阿涅斯瓦尔达及埃洛迪·弗拉德拍摄完成,还有中国CAFA艺术博物馆展出的《阿涅斯在中国》。
致敬法兰西那些平凡的伟人。
In Chris Marker's Studio (2011) [Movie] Douban
Dans l'atelier de Chris Marker
director: 阿涅斯·瓦尔达 actor: 阿涅斯·瓦尔达 / 克里斯·马克
other title: 在克里斯·马克的工作室 / Dans l'atelier de Chris Marker
A rare and beautiful moment in cinema where two friends — who happen to be pioneering, legendary filmmakers from the French New Wave — meet in real life and in a virtual world. In the film, which was shot at two points between 2009-2011, Agnès Varda visits Chris Marker in his studio, a few years before his passing. She admires his magnificent mess, snooping around for details that reveal “the hidden side of Marker’s work”: a labyrinth of wires and computer equipment, a collection of images, magazines, and books, and — of course — cats. The film takes on a wonderful surrealist turn when Varda creates an avatar to meet Marker’s avatar in the online virtual world of Second Life.
Mur Murs (1981) [Movie] Douban IMDb TMDB WikiData
Mur murs
7.8 (18 ratings) director: 阿涅斯·瓦尔达 actor: 朱丽叶·贝尔托 / Judy Baca
other title: 墙的呢喃 / Mur murs
Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.
Cléo from 5 to 7: Remembrances and Anecdotes (2005) [Movie] Douban IMDb TMDB
Cléo de 5 à 7: souvenirs et anecdotes
8.7 (12 ratings) director: 阿涅斯·瓦尔达 actor: Éric Berlouin / 多萝泰·布兰克
other title: 五至七时的克莱奥:回忆与逸事 / Cléo de 5 à 7: souvenirs et anecdotes
More than 40 years after making "Cléo de 5 à 7," Agnès Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking. Scenes from "Cléo" are included throughout the documentary.
阿涅斯·瓦尔达定格 (2004) [Movie] Douban TMDB IMDb
Cinévardaphoto
other title: Cinévardaphoto / 艾丽丝华妲光影定格
阿涅斯·瓦尔达04年的纪录片《艾丽丝华妲光影定格》,这是香港的译名,影片的原名是Cinévardaphoto ,其实是瓦尔达2004、1982、1963年,三个不同年代拍摄的三部纪录短片:《伊迪莎、泰迪熊及其它》(2004)、《尤利西斯》(1982)、《你好,古巴》(1983)。贯穿这三部纪录片的主题则是照片。这三部纪录短片在顺序上呼应了影片的片名“Cinevardaphoto”。 《伊迪莎、泰迪熊及其它》代表着传统电影技法(Cine),瓦达本人的姓被用来象征个人化与诗意的《尤里西斯》,至于《古巴,你好》,自然是Photo了。
瓦尔达不仅是法国电影“新浪潮”中的重要一员,导演了大量的剧情电影和纪录片,也是一个卓有成就的摄影师,拍摄出版了不少的摄影集。我看过她镜头中的法国电影人,工作状态的生活状态的,抓拍得十分生动。也许这个原因,瓦尔达有很深的“图片情结”,这一点在她的纪录片中表现得尤为突出。在《我和拾穗者》中,从米勒的名画到瓦尔达各地收藏的明信片,都体现了她的这种情怀。04年的这部《艾丽丝华妲光影定格》更是将这种“图片情结”发挥到极致。影片中的三个短片都与照片有关,第一部《伊迪莎、泰迪熊及其它》记录一个用数十年时间收集含有泰迪熊的照片的女子在慕尼黑做的展览,第二部《尤里西斯》则以瓦尔达30年前拍摄的一张照片为线索,由照片、旁白、以及动态摄影构成,而《古巴,你好》则完全放弃使用摄影机,完全由呆照组成,运动感则依靠剪辑创造,类似于克里斯·马克的《堤》。瓦尔达将三部纪录短片串联在一起,体现了瓦达对于影像及电影本质的思考。其实,电影依靠的无非是人生理上的似动现象,每秒钟24个画格本来就是静止的影像。因此,不用摄影机未必不能拍电影。
Nausicaa (1970) [Movie] Douban IMDb TMDB
Nausicaa
director: 阿涅斯·瓦尔达 actor: 热拉尔·德帕迪约 / 伊丽莎白·德帕迪约
other title: 瑙西卡 / 瑙西卡娅
描述一位法国女学生与一位希腊知识分子之间的爱情故事,其中穿插了一些对希腊流亡法国之异议人士的访问,谈及他们对希腊的政治和独裁政权的看法。是因为政治上的考量,这部影片并没有在电视上播映过,仅于1970年布鲁塞尔的一个影展上,以尚未完成剪辑的状况下放映过。
Some Widows of Noirmoutier (2006) [Movie] Douban TMDB IMDb WikiData
Quelques veuves de Noirmoutier
other title: 努瓦穆捷的寡妇们 / Quelques veuves de Noirmoutier
A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.