Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

A timid, nearsighted chemistry teacher discovers a magical potion that can transform him into a suave and handsome Romeo. The Jekyll and Hyde game works well enough until the concoction starts to wear off at the most embarrassing times.

1963 film by Stanley Kramer

In this sequel film, all the characters remain the same; Al is still unemployed, Jane still has show-biz aspirations for boyfriend Steve; Steve and Seymour are still partners, and Irma is still Irma, which isn't all that easy. Al gets Steve a singing job on television, which is seen by a Hollywood producer. He signs Steve to a long term movie contract, and all hands depart for Hollywood. But, alas, the producer turns out to be an escaped lunatic, and they end up in Las Vegas, where Irma manages to get kidnapped by gangsters, who are very unhappy with Irma.

The Simpsons' fifteenth season began on Sunday, November 2, 2003, with "Treehouse of Horror XIV". The season contains five hold-over episodes from the season 14 (EABF) production line. The most watched episode had 16.2 million viewers and the least watched had 6.2 million viewers.

1982 film by Martin Scorsese

An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's gofer. He's happy there, but a messenger arrives to bring him to Arizona for his uncle's wedding. It's a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles