《单身男子》的作者、英国当代文学大师克里斯托弗·艾什伍德在二战后开始定居美国。48岁的他在洛杉矶遇见了18岁绘画男孩唐·贝查迪，尽管同性恋在那个年代不被认可，但他们勇敢的相爱，并且坚持公开了这份感情。30岁的年龄差距不能冷却爱情，但它却带来额外的困扰。唐时常感受到来自克里斯托弗名人朋友们的怀疑和轻视的目光。作为名不见经传的画师，他曾经考虑离开克里斯托弗、独立追求自己的事业。然而最终对克里斯托弗的爱压倒了一切。他们平静走过近三十年，共同从事艺术创作，逐渐通过图文并茂的形式将爱情寄托在众多文学作品中。1981年克里斯托弗被诊断出晚期癌症，在生命的最后6个月，唐放弃一切手头工作，全心全意的照顾克里斯托弗，直到他溘然而逝......《克里斯和唐：一个爱情故事》是记录这份厚重爱情的一页情书，入围2008年哥谭奖最佳纪录片。

维多里奥史托拉卢（《末代皇帝溥仪》）、凯撒沙隆（《无 主之城》）、般奴戴邦尼（《天使爱美丽》）、哥顿韦利斯 （《教父》）、罗渣戴健士（《2 百万夺命奇案》）、菲腊罗 素洛（《大鱼奇缘》）、尊西尔（《末日先锋：战甲飞车》）， 都是赫赫有名的摄影师，位位佳作如云，在过去半世纪 成就了不少影史经典。摄影师总是站在镜头后面，这部 纪录片就让他们在镜头前侃侃而谈，由小时候如何爱上 电影与摄影，如何当上摄影师，谈到各自的摄影理念， 如何在拍摄过程中得以实践。影迷必看！

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

The life of cinematographer Vilmos Zsigmond. From the streets of Budapest to Hollywood he describes his out of the ordinary journey. Many performers, including John Travolta and Nancy Allen, and famous cinematographers talk, question him and we discover a complete artist.