An ubiquitous folk singer narrates the tale of a young boy, who apparently becomes immune to gunfire after his mother arranges for him to have an amulet bearing Ogum's blessings. As time goes by, he becomes a valuable member of a mobster's hit-team, but ends up joining a group of people who resist his original employers.

阿马多的名作。
This Brazilian satire is by one of the founders of the Cinema Novo filmmaking movement, Nelson Pereira dos Santos. The film chronicles the chaos that results when a prominent American Nobel Prize winner arrives in Bahía, with nothing but praise on his lips for a long-forgotten local writer-scientist named Pedro Archanjo. When the media finally discover who Archanjo was and what he espoused, they are completely horrified to discover that he was a man who believed that the way to improve the lot of humanity was for people of various races to marry and have children by one another in mixed-race marriages. Further, Archanjo clearly acted on his beliefs. The rampant racism of Brazilians, which is almost never discussed, is completely exposed. Flashbacks show Brazilians listening with approving interest to talks by Nazi race-theoreticians in the 1930s. In the present, the American is seen to be applying Archanjo's theories, by having an affair with a local mestizo woman.

During the Carnival, in Niterói (city next to Rio de Janeiro, Brazil), the son of a Lira do Delírio (Lyre of Delirium) nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

The theme deplores the conditions of the slum quarters of Rio (and ghettos everywhere) and finds a young girl from the provinces who comes to Rio de Janiero in search of her fiance and finds he is a feared and hunted criminal. The scenes between the idealistic-but-trapped young lovers is depicted in soft images of tenderness and sensitivity that leads to a climax of shocking violence in the Rio slums.

In colonial Brazil, boy is sent to live with some parents in a sugarcane plantation, after losing his mother. His adaptation will be difficult and painful. A young boy goes to live with his grandfather on a Brazilian plantation after his mother dies. Haunted by the memories of her violent death, the boy slowly adapts to his new surroundings until death, marriage, and the passage of time breaks up the family. Only when the boy is old enough to experience his first love does he leave to attend a city school.