On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

成濑在1955年的《浮云》之后便十分彻底的描绘容易受男性牵制的被动女性。他想要拍摄更坚强一些的女人。这部电影被认为是展示了完全僵化的家庭系统。

From June 1944, twelve Japanese seamen are stranded for seven years on an abandoned and forgotten island called Anatahan.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.