During a wave of political violence in Italy, a policeman who's already survived an assassination is assigned to act as a bodyguard to a morally upright judge. He feels increasingly fearful as the links of the upper echelons of police and government to the violence become clear.

Franca and her husband Antonio decide to sell a yellow rug which was a gift of Franca's stepfather. One day, while Antonio is out, a strange man rings saying he wishes to buy the rug. But the man's visit begins a twisted a nightmare.

1986 film by Mai Zetterling

When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.

1992 film by Liv Ullmann

1988 film by István Szabó

Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden.

1973 television miniseries by Ingmar Bergman

1974 theatrical release version of film by Ingmar Bergman

A Swedish couple are trapped in their marriage and way of life. Locked up in their bourgeois inferno.

电影《萨拉邦德》的纪录片

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

Kristin is the daughter of a prominent landowner in medieval Norway. She grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. She accepts the fact that her father has arranged for her to marry the son of another landowner. Kristin's beauty and purity create violent emotions around her. There are envy and attempted rape, murder and revenge. She seeks refuge from the world in a convent, awaiting the time for her marriage. Here the passion of her life strikes, the knight Erlend Nikulaussonn. He, an accomplished seducer, also falls hopelessly in love. They have to cross not only convent walls to meet, but social boundaries as well. Their love cannot be kept secret, and suddenly the innocent Kristin is the centre of a scandal. Her fiance withdraws from their engagement, her father rages, and Erlend's former mistress tries to poison her. The affair grows into a political issue, and finally some of the country's most dignified leaders persuade Lavrans to give in. The lovers win each other, but it is in front of a charred altar in a burnt down church, and their happiness has a double edge. Written by The Norwegian Film Institute

著名摄影指导兹尼夫基斯特导演的处女作，根据真人真事改编。描写一八六零年的一个瑞典农民家庭，实在饿得没办法，遂偷了主人家的牛来充饥。东窗事发之后，一家之主被捉去坐牢，太太为了养育小孩，亦不得不跟人通奸，甚至怀孕生子。丈夫出狱回家看到这种情形，内心挣扎好久，终于还是接受了无奈的现实。

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.

Bergman's fourth production of Strindberg's play. Bergman presented Old Man Hummel as the mastermind in a web of crimes and lies. His hands covered in bloody rags, perhaps a reference to the murder he once committed and possibly also to Strindberg himself, who suffered from psoriasis while writing the play.
There were other biographical allusions in the production: an image of the house at Karlavägen 10, were Strindberg once lived (at the time it was also Bergman's Stockholm address) was projected on the black cloth that framed the stage, and the sparse décor included a statue whose features were somewhat reminiscent of the actress Harriet Andersson.
The production was staged without intermission on The Royal Dramatic Theatre's small Målarsalen. In the programme Bergman referred to The Ghost Sonata as 'a piece of fantasy', a term Strindberg had used in a letter to theatre director Victor Categren in 1908. Musically, the play has usually been associated with Beethoven's 'Gespenstersonal' but Bergman used Bela Bartok as musical accompaniment, though his fourth reading of Strindberg's play had the dark mood of Beethoven's piece.

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.

1981 film by Dušan Makavejev