据上海商务印书馆股份有限公司1924年版译出

A magnificent new biography that revolutionizes our understanding of Stalin and his world
It has the quality of myth: a poor cobbler’s son, a seminarian from an oppressed outer province of the Russian empire, reinvents himself as a top leader in a band of revolutionary zealots. When the band seizes control of the country in the aftermath of total world war, the former seminarian ruthlessly dominates the new regime until he stands as absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. While still building his power base within the Bolshevik dictatorship, he embarks upon the greatest gamble of his political life and the largest program of social reengineering ever attempted: the collectivization of all agriculture and industry across one sixth of the earth. Millions will die, and many more millions will suffer, but the man will push through to the end against all resistance and doubts.
Where did such power come from? In Stalin, Stephen Kotkin offers a biography that, at long last, is equal to this shrewd, sociopathic, charismatic dictator in all his dimensions. The character of Stalin emerges as both astute and blinkered, cynical and true believing, people oriented and vicious, canny enough to see through people but prone to nonsensical beliefs. We see a man inclined to despotism who could be utterly charming, a pragmatic ideologue, a leader who obsessed over slights yet was a precocious geostrategic thinker—unique among Bolsheviks—and yet who made egregious strategic blunders. Through it all, we see Stalin’s unflinching persistence, his sheer force of will—perhaps the ultimate key to understanding his indelible mark on history.
Stalin gives an intimate view of the Bolshevik regime’s inner geography of power, bringing to the fore fresh materials from Soviet military intelligence and the secret police. Kotkin rejects the inherited wisdom about Stalin’s psychological makeup, showing us instead how Stalin’s near paranoia was fundamentally political, and closely tracks the Bolshevik revolution’s structural paranoia, the predicament of a Communist regime in an overwhelmingly capitalist world, surrounded and penetrated by enemies. At the same time, Kotkin demonstrates the impossibility of understanding Stalin’s momentous decisions outside of the context of the tragic history of imperial Russia.
The product of a decade of intrepid research, Stalin is a landmark achievement, a work that recasts the way we think about the Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself.

本书围绕中苏关系从结盟走向分裂、从对抗走向“正常化”所构建的历史叙事，大量使用了中国外交部、国防部、铁道部、中央党史研究室、中央党校和地方档案馆，以及台湾“国史馆”、香港中文大学中国资料中心所藏档案资料。作者还曾到美、俄、波、匈、德等收集资料，对当事者作了访谈。这在中外学术界是没有的。在书中作者提出了颠覆中外学者既有定论的精彩看法，令人拍案叫绝，是每一个对中苏关系感兴趣的读者的案头必备之书。
中苏关系是对20世纪中国历史进程最具影响的双边关系之一。中苏关系的演变，对解读中国历史是必不可少的。沈志华编著的《中苏关系史纲(1917-1991年中苏关系若干问题再探讨上下第3版)(精)》围绕中苏关系从结盟走向分裂、从对抗走向“正常化”所构建的历史叙事，极具可读性。书中大量使用了中国外交部、国防部、铁道部、国家计委、中央党史研究室、中央党校和地方档案馆，以及台湾“国史馆”、香港中文大学中国资料中心所藏档案资料；作者还曾到美国、俄罗斯、波兰、匈牙利、罗马尼亚、德国等国收集档案资料，并对当事者做了大量的访谈，这在中外学术界是绝无仅有的。正因为如此，本书的论述信实可靠。作者在一系列问题上提出了颠覆中外学者种种既有定论的精彩看法，令人读来拍案叫绝。正如国际著名冷战史专家陈兼所言：本书作者杨奎松、沈志华、李丹慧、牛军，是在这一课题上造诣最深、最具影响力的权威学者，这部著作是每一个对中苏关系感兴趣的读者的案头必备之书。

How does the excessive bureaucratization of central planning affect politics in communist countries? Mark Beissinger suggests an answer through this history of the Soviet Scientific Management movement and its contemporary descendants, raising at the same time broader questions about the political consequences of economic systems.
Beissinger traces the rise and decline of administrative strategies throughout Soviet history, focusing on the roles of managerial technique and disciplinary coercion. He argues that over-bureaucratization leads to a succession of national crises of effectiveness, which political leaders use to challenge the power of entrenched elites and to consolidate their rule. It also encourages leaders to resort to radical administrative strategies—technocratic utopias, mass mobilization, and discipline campaigns—and gives rise to a cycling syndrome, as similar problems and solutions reappear over time. Beissinger gives a new perspective and interpretation of Soviet history through the prism of organizational theory. He also provides a comprehensive history of the Soviet rationalization movement from Lenin to Gorbachev that describes the recurring attractions and tensions between politicians and management experts, as well as the reception accorded Western management techniques in the Soviet factory and management-training classroom.
Beissinger uses a number of unusual sources: the personal archive of Aleksei Gastev, the foremost Soviet Taylorist of the 1920s; published Soviet archival documents; unpublished Soviet government documents and dissertations on management science and executive training; interviews with Soviet management scientists; and the author’s personal observations of managers attending a three-month executive training program in the Soviet Union. Beissinger’s skillful handling of this singular material will attract the attention of political scientists, historians, and economists, especially those working in Soviet studies.

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

In a remote village in Karelia, Sergeant Vaskov commands an anti-aircraft unit that protects a rail depot. While his men are transferred to the front line, he is reprimanded for their unruly behavior. He retorts that he wants replacements that aren't drunks or womanizers. In response, he is assigned a unit made up entirely of young women, fresh from training.

A touching story about a white Gordon Setter with black ear, who became homeless because of his master's illness. His master, Ivan Ivanovich, a man far from being young, fond of hunting and nature, took a puppy to live with him, despite the dog's black ear being a "shame of nature" to his breed. The man always took his dog, whom he called Bim or Bimka, to hunting in country. Later, however Ivan Ivanovich began to have problems with heart and when the disease became worse was taken to a hospital. His dog couldn't bear waiting for the only person that ever cared for him and set out to find his master. Thus began the story of a homeless dog and his many breathtaking and exciting adventures, encounters of many people, kind and evil, and leads to an unexpected and heart-rending end.

本书论述沙皇时代、俄国革命对科学的影响、科学同苏联社会的关系、知识科学各学科的强项与弱点等内容。

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

并非冷漠的大自然，ISBN：9787106011086，作者：（苏联）C·爱森斯坦著；富澜译

列宁著作单行本

伟大卫国战争期间斯大林与罗斯福和丘吉尔往来书信——文献研究Переписка Сталина с Рузвельтом и Черчиллем в годы Великой Отечественной войны.
Документальное исследование
2015年6月，俄文版在莫斯科出版。
2017年11月，中文版在北京出版。
现任俄罗斯联邦外交部部长C.B.拉夫罗夫、前俄联邦安全会议秘书、俄联邦国防部第一副部长A.A.科科申、前中共中央军委办公厅主任李际均中将为中文版作序。
本书是一部历史，史料研究和阅读价值极高。
作者历经五年，研究了俄罗斯、美国、英国档案馆中5000份最新解密文件，将800多封斯大林与罗斯福和丘吉尔第二次世界大战期间的往来书信收录书中，并保留了修改痕迹。作者对每个阶段的通信配以背景描述、专业解析和珍贵历史照片。内容之翔实，独树一帜。
本书引人入胜的是，通过三巨头原汁原味的书信，即伟人亲笔书写的历史，可见二战中为共同抵御法西斯侵略，苏联、美国、英国所结成的反法西斯联盟，在战争初中期被一致的目标掩盖了意识形态的对立和军事战略上的分歧，虽然书信中充斥着苏联要求英美严格履行租借法案和关于开辟第二战场的争论，但以苏联红军为主力消灭希特勒军队的不断胜利鼓舞着联盟同仇敌忾地战胜敌人。战争中后期，尤其是盟军1944年6月诺曼底登陆之后，争夺战后在欧洲的势力范围则成了各方极尽纵横捭阖之外交能事而欲盖弥彰的巧斗，暗流涌动的刀光剑影下是各自为本国利益的激烈博弈。透过字里行间话语、口吻、心理的微妙变化和故弄玄虚的外交辞令，斯大林的强硬多疑，罗斯福的冷漠大度，丘吉尔的热情狡黠跃然纸上。三巨头写信收信的内幕故事也颇为有趣。相信无论普通读者还是研究人员都会被本书所吸引，从而看到三巨头在战争年代，在广泛的外交联盟背景下所持的政治立场和复杂的行为动机，并使人们能够穿越历史，反观“冷战”，尝试拨开当今世界大国关系的层层迷雾，准确把握其来龙去脉。
中文版编者。

一部堪比米兰·昆德拉《笑忘书》的伟大作品。
──《纽约时报》
大时代、小人物的命运悲歌
横扫欧美各大书评人榜单的畅销书作家安东尼·马拉作品
用厚重而文艺的笔触控诉我们这个时代的罪恶
诺贝尔文学奖得主奥尔罕·帕慕克盛赞
《纽约时报》年度好书、《华盛顿邮报》年度好书、科克斯书评年度最佳小说、美国国家书评人年度最佳、美国艺术与文学学院文学奖、美国国家杂志年度小说奖
这是一部回忆之书，由多个故事串联而成。全书在列宁格勒的地底隧道揭开序幕，在太阳系的边境谱下终曲。
二十世纪三十年代，一位不成材的肖像画家受到苏联当局指派，删除官方照片和艺术作品之中的异议份子，而头一个对象就是他的弟弟。于是，他做出了“将自己弟弟的脸孔画入每一幅经他审查的图片中”的决定，其后的数十年，因为这一决定引出了无数串联的故事。
一幅名为“午后空旷的牧野”的油画和一位肖像画家，一位传奇芭蕾女伶和她的曾孙女，一位失明的文物修护师，一位金盆洗手的帮派份子，一位在因地雷爆炸痛失妻儿的鳏夫，还有一位在战争中葬身在画中同一片牧野上的士兵……
有多少人的生命，会因为一幅画而改变？在破碎而悲怆的生命最后一刻，要怎么说，我们曾经拥有过一切。