英国
Black Mirror Season 1 (2011) Eggplant.place Douban 书影音游数据库 Bangumi TMDB
Black Mirror Season 1 part of TV Series: Black MirrorDoctor Who Season 2 (2006) Douban
Doctor Who Season 2 part of TV Series: Doctor Who
As Rose Tyler embarks upon her first big TARDIS adventure with the newly-regenerated Doctor, they discover a sinister hospital run by strange cat people and run in to two old acquaintances, The Face of Boe and Cassandra.
Doctor Who Season 1 (2005) Bangumi IMDb Eggplant.place Douban TMDB Bangumi Bangumi Bangumi Bangumi Bangumi Bangumi
Doctor Who Season 1 part of TV Series: Doctor Who
The Eleventh Doctor is portrayed by Matt Smith. Steven Moffat took over as head writer and executive producer after Russell T Davies stepped down. Julie Gardner also stepped down as executive producer and was replaced by Piers Wenger and Beth Willis.
Is This The Life We Really Want? Douban
release date 2017-06-02
publisher:
Columbia
◎入列「摇滚名人殿堂」和英国「音乐名人堂」伟大前卫摇滚乐团Pink Floyd灵魂传奇最新大碟
◎继《Amused to Death》之后睽违近25年推出回归摇滚的概念大碟,探讨下一代的孩童安危问题,也触及现今社会乱象、充斥暴力恐惧的氛围
◎耗时七年之久的筹备录音,再度力邀曾与Paul McCartney、U2、Radiohead合作的天王製作人Nigel Godrich掌舵,同时招揽Atoms For Peace的Joey Waronker等独立乐团好手助阵
Roger Waters, the creative power and songwriting force behind Pink Floyd, presents Is This The Life We Really Want ?, his first rock al bum in 25 years. The album is produced and mixed by Nigel Godrich (Radiohead, Paul McCartney, Beck, U2, "From the Basement"), and includes 12 new Roger Waters musical compositions and studio performances.
Roger Waters' last studio album, 1992's Amused To Death, was a prescient study of popular culture, exploring the power of television in the era of the First Gulf War. This long-awaited follow-up, Is This The Life We Really Want ?, is an unflinching commentary on the modern world and uncertain times, and a natural successor to such classic Pink Floyd albums as Animals and The Wall.
Tracks on Is This The Life We Really Want ? include: "When We Were Young," "Déjà vu," "The Last Refugee," "Picture That," "Broken Bones," "The Life We Really Want," "A Bird In A Gale," "The Most Beautiful Girl in the World," "Smell the Roses," "Wait For Her," "Oceans Apart," and "Part of Me Died." The lyrics for Wait for Her were written by Roger Waters and inspired by an English translation by an unknown author of "Lesson from the Kama Sutra (Wait for Her)," by Mahmoud Darwish.
The musicians on Is This The Life We Really Want? are: Roger Waters (vocals, acoustic, bass), Nigel Godrich (arrangement, sound collages, keyboards, guitar), Gus Seyffert (bass, guitar, keyboards), Jonathan Wilson (guitar, keyboards), Joey Waronker (drums), Roger Mannning (keyboards), Lee Pardini (keyboards) and Lucius (vocals) with Jessica Wolfe and Holly Proctor.
◎继《Amused to Death》之后睽违近25年推出回归摇滚的概念大碟,探讨下一代的孩童安危问题,也触及现今社会乱象、充斥暴力恐惧的氛围
◎耗时七年之久的筹备录音,再度力邀曾与Paul McCartney、U2、Radiohead合作的天王製作人Nigel Godrich掌舵,同时招揽Atoms For Peace的Joey Waronker等独立乐团好手助阵
Roger Waters, the creative power and songwriting force behind Pink Floyd, presents Is This The Life We Really Want ?, his first rock al bum in 25 years. The album is produced and mixed by Nigel Godrich (Radiohead, Paul McCartney, Beck, U2, "From the Basement"), and includes 12 new Roger Waters musical compositions and studio performances.
Roger Waters' last studio album, 1992's Amused To Death, was a prescient study of popular culture, exploring the power of television in the era of the First Gulf War. This long-awaited follow-up, Is This The Life We Really Want ?, is an unflinching commentary on the modern world and uncertain times, and a natural successor to such classic Pink Floyd albums as Animals and The Wall.
Tracks on Is This The Life We Really Want ? include: "When We Were Young," "Déjà vu," "The Last Refugee," "Picture That," "Broken Bones," "The Life We Really Want," "A Bird In A Gale," "The Most Beautiful Girl in the World," "Smell the Roses," "Wait For Her," "Oceans Apart," and "Part of Me Died." The lyrics for Wait for Her were written by Roger Waters and inspired by an English translation by an unknown author of "Lesson from the Kama Sutra (Wait for Her)," by Mahmoud Darwish.
The musicians on Is This The Life We Really Want? are: Roger Waters (vocals, acoustic, bass), Nigel Godrich (arrangement, sound collages, keyboards, guitar), Gus Seyffert (bass, guitar, keyboards), Jonathan Wilson (guitar, keyboards), Joey Waronker (drums), Roger Mannning (keyboards), Lee Pardini (keyboards) and Lucius (vocals) with Jessica Wolfe and Holly Proctor.
Slowdive Douban
8.7 (155 ratings)
Slowdive
genre:
Rock
release date 2017-05-05
publisher:
Dead Oceans
"It felt like we were in a movie that had a totally implausible ending..."
Slowdive's second act as a live blockbuster has already been rapturously received around the world. Highlights thus far include a festival-conquering, sea-of-devotees Primavera Sound performance, of which Pitchfork noted: "The beauty of their crystalline sound is almost hard to believe, every note in its perfect place."
"It was just nice to realise that there was a decent amount of interest in it," says principal songwriter Neil Halstead. The UK shoegaze pioneers have now channelled such seemingly impossible belief into a fourth studio opus which belies his characteristic modesty. Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.
Deftly swerving what co-vocalist/guitarist Rachel Goswell terms "a trip down memory lane", these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date. Birthed at the band's talismanic Oxfordshire haunt The Courtyard - "It felt like home," enthuses guitarist Christian Savill - their diamantine melodies were mixed to a suitably hypnotic sheen at Los Angeles' famed Sunset Sound facility by Chris Coady (perhaps best known for his work with Beach House, one of countless contemporary acts to have followed in Slowdive's wake).
"It's poppier than I thought it was going to be," notes Halstead, who was the primary architect of 1995's previous full-length transmission Pygmalion. This time out the group dynamic was all-important. "When you're in a band and you do three records, there's a continuous flow and a development. For us, that flow re-started with us playing live again and that has continued into the record."
Drummer and loop conductor Simon Scott enhanced the likes of 'Slomo' and 'Falling Ashes' with abstract textures conjured via his laptop's signal processing software. A fecund period of experimentation with "40-minute iPhone jams" allowed the unit to then amplify the core of their chemistry. "Neil is such a gifted songwriter, so the songs won. He has these sparks of melodies, like 'Sugar For The Pill' and 'Star Roving', which are really special. But the new record still has a toe in that Pygmalion sound. In the future, things could get very interesting indeed."
This open-channel approach to creativity is reflected by Slowdive's impressively wide field of influence, from indie-rock avatars to ambient voyagers - see the tribute album of cover versions released by Berlin electronic label Morr Music. As befits such evocative visionaries, you can also hear Slowdive through the silver screen: New Queer Cinema trailblazer Gregg Araki has featured them on the soundtracks to no less than four of his films.
"When I moved to America in 2008 I was working in an organic grocery store," recalls Christian. "Kids started coming in and asking if it was true I had played in Slowdive. That's when I started thinking, 'OK, this is weird!'"
Neil Halstead: "We were always ambitious. Not in terms of trying to sell records, but in terms of making interesting records. Maybe, if you try and make interesting records, they're still interesting in a few years time. I don't know where we'd have gone if we had carried straight on. Now we've picked up a different momentum. It's intriguing to see where it goes next."
The world has finally caught up with Slowdive. This movie could run and run...
Slowdive's second act as a live blockbuster has already been rapturously received around the world. Highlights thus far include a festival-conquering, sea-of-devotees Primavera Sound performance, of which Pitchfork noted: "The beauty of their crystalline sound is almost hard to believe, every note in its perfect place."
"It was just nice to realise that there was a decent amount of interest in it," says principal songwriter Neil Halstead. The UK shoegaze pioneers have now channelled such seemingly impossible belief into a fourth studio opus which belies his characteristic modesty. Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.
Deftly swerving what co-vocalist/guitarist Rachel Goswell terms "a trip down memory lane", these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date. Birthed at the band's talismanic Oxfordshire haunt The Courtyard - "It felt like home," enthuses guitarist Christian Savill - their diamantine melodies were mixed to a suitably hypnotic sheen at Los Angeles' famed Sunset Sound facility by Chris Coady (perhaps best known for his work with Beach House, one of countless contemporary acts to have followed in Slowdive's wake).
"It's poppier than I thought it was going to be," notes Halstead, who was the primary architect of 1995's previous full-length transmission Pygmalion. This time out the group dynamic was all-important. "When you're in a band and you do three records, there's a continuous flow and a development. For us, that flow re-started with us playing live again and that has continued into the record."
Drummer and loop conductor Simon Scott enhanced the likes of 'Slomo' and 'Falling Ashes' with abstract textures conjured via his laptop's signal processing software. A fecund period of experimentation with "40-minute iPhone jams" allowed the unit to then amplify the core of their chemistry. "Neil is such a gifted songwriter, so the songs won. He has these sparks of melodies, like 'Sugar For The Pill' and 'Star Roving', which are really special. But the new record still has a toe in that Pygmalion sound. In the future, things could get very interesting indeed."
This open-channel approach to creativity is reflected by Slowdive's impressively wide field of influence, from indie-rock avatars to ambient voyagers - see the tribute album of cover versions released by Berlin electronic label Morr Music. As befits such evocative visionaries, you can also hear Slowdive through the silver screen: New Queer Cinema trailblazer Gregg Araki has featured them on the soundtracks to no less than four of his films.
"When I moved to America in 2008 I was working in an organic grocery store," recalls Christian. "Kids started coming in and asking if it was true I had played in Slowdive. That's when I started thinking, 'OK, this is weird!'"
Neil Halstead: "We were always ambitious. Not in terms of trying to sell records, but in terms of making interesting records. Maybe, if you try and make interesting records, they're still interesting in a few years time. I don't know where we'd have gone if we had carried straight on. Now we've picked up a different momentum. It's intriguing to see where it goes next."
The world has finally caught up with Slowdive. This movie could run and run...
About Time (2013) TMDB Douban IMDb Min reol Eggplant.place WikiData Skybridge
About Time
other title:
时空恋旅人
/
回到最爱的一天(港)
…
The night after another unsatisfactory New Year's party, Tim's father tells his son that the men in his family have always had the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
观看之道 Douban
7.8 (61 ratings)
author:
[英]约翰·伯格
translator:
戴行钺
publishing house:
广西师范大学出版社
2015
- 7
编辑推荐
1.艺术入门经典,改变西方几代人的观看方式。1972年,由约翰•伯格主导的电视系列片《观看之道》在英国BBC播出,这个节目改变了西方一整个时代的观看方式,本书即是与之相配套的同名图文书。《观看之道》所普及的观念,是普通读者了解和观看西方艺术的重要手段,本书既是艺术欣赏入门经典,同时,它论及机械复制时代的艺术品、女性作为被观看对象、油画传统、广告与资本主义等部分的内容,亦是相关领域研究者的必读文本。
2.收录艺术史经典名作两百余幅,当代最伟大的艺术评论家权威解读。约翰•伯格是英国艺术史家、小说家、公共知识分子、画家,从1952年起,就开始为New Statesman撰稿,并迅速成为英国当代最有影响力的艺术批评家,本书精选艺术经典名作两百余幅,由约翰•伯格权威解读,精装再版,值得收藏。
内容简介
观看先于言语。观看确立了我们在周围世界的地位。他人的视线与我们的相结合,使我们确信自己置身于这可观看的世界之中。而当图像终于取代文字,充斥于视线所及的一切空间,我们又该如何观看而不致再度迷失?
本书论及机械复制时代的艺术品、女性作为被观看对象、油画传统、广告与资本主义等方面,配以两百余幅经典图像,与BBC同名纪录片一起,改变了西方一整个世代的观看方式,也必将适用于如今大大小小的手机屏幕和街边广告牌。从对视觉文化的深入探索和普及的角度而言,本书亦可与贡布里希爵士最杰出的著作互为补充。
名人推荐
我尊崇并热爱约翰•伯格的作品。他为世间真正重要之事写作,而非随性所至。在当代英语作家中,我奉他为翘楚;自劳伦斯以来,再无人像伯格这般关注感觉世界,并赋之以良心的紧迫性。他是一位杰出的艺术家与思想者。论诗意,他或许稍逊劳伦斯;但他更机敏、更关注公共价值,风度气节亦胜一筹。他是一位杰出的艺术家与思想者。
——苏珊•桑塔格
他不倦的窥探并非仅仅指向摄影与绘画,而是“观看”的诡谲。在我们可能涉及的有关观看的文献中,很难找到如此引人入胜的文字,这些文字有效化解了古典绘画被专业史论设置的高贵藩篱,也使照片摆脱过多的影像理论,还原为亲切的视觉读物。阅读伯格,会随时触动读者内心极为相似的诧异与经验,并使我们的同情心提升为良知。
——陈丹青
撇开意识形态立场不谈,伯格目前在几个领域里都是不可不读的大家。例如艺术理论和艺术史,你能不看《观看之道》和《毕加索的成败》吗?假如你研究摄影,你能不读他的《另一种讲述的方式》吗?假如你喜欢当代英语文学,你一定会在主要的书评刊物读到其他人评介他的新小说。更妙的是,他随便写一篇谈动物的文章,也被人认为是新兴的文化研究领域“动物研究”的奠基文献之一。综合起来看,他就和苏珊•桑塔格一样,是那种最有原创力也最有影响力的公共知识分子;虽然不在学院,也不按学院的格式写作,却创造出了很多名牌大学教授一辈子也弄不出来的观念。而且他还要写得那么美,拥有那么多读者。反过来说,今天我们中国也很流行讲“公共知识分子”,但很惭愧,我们似乎还没有人及得上伯格这一流,还没有谁会有这样的知识上的创造力。
——梁文道
1.艺术入门经典,改变西方几代人的观看方式。1972年,由约翰•伯格主导的电视系列片《观看之道》在英国BBC播出,这个节目改变了西方一整个时代的观看方式,本书即是与之相配套的同名图文书。《观看之道》所普及的观念,是普通读者了解和观看西方艺术的重要手段,本书既是艺术欣赏入门经典,同时,它论及机械复制时代的艺术品、女性作为被观看对象、油画传统、广告与资本主义等部分的内容,亦是相关领域研究者的必读文本。
2.收录艺术史经典名作两百余幅,当代最伟大的艺术评论家权威解读。约翰•伯格是英国艺术史家、小说家、公共知识分子、画家,从1952年起,就开始为New Statesman撰稿,并迅速成为英国当代最有影响力的艺术批评家,本书精选艺术经典名作两百余幅,由约翰•伯格权威解读,精装再版,值得收藏。
内容简介
观看先于言语。观看确立了我们在周围世界的地位。他人的视线与我们的相结合,使我们确信自己置身于这可观看的世界之中。而当图像终于取代文字,充斥于视线所及的一切空间,我们又该如何观看而不致再度迷失?
本书论及机械复制时代的艺术品、女性作为被观看对象、油画传统、广告与资本主义等方面,配以两百余幅经典图像,与BBC同名纪录片一起,改变了西方一整个世代的观看方式,也必将适用于如今大大小小的手机屏幕和街边广告牌。从对视觉文化的深入探索和普及的角度而言,本书亦可与贡布里希爵士最杰出的著作互为补充。
名人推荐
我尊崇并热爱约翰•伯格的作品。他为世间真正重要之事写作,而非随性所至。在当代英语作家中,我奉他为翘楚;自劳伦斯以来,再无人像伯格这般关注感觉世界,并赋之以良心的紧迫性。他是一位杰出的艺术家与思想者。论诗意,他或许稍逊劳伦斯;但他更机敏、更关注公共价值,风度气节亦胜一筹。他是一位杰出的艺术家与思想者。
——苏珊•桑塔格
他不倦的窥探并非仅仅指向摄影与绘画,而是“观看”的诡谲。在我们可能涉及的有关观看的文献中,很难找到如此引人入胜的文字,这些文字有效化解了古典绘画被专业史论设置的高贵藩篱,也使照片摆脱过多的影像理论,还原为亲切的视觉读物。阅读伯格,会随时触动读者内心极为相似的诧异与经验,并使我们的同情心提升为良知。
——陈丹青
撇开意识形态立场不谈,伯格目前在几个领域里都是不可不读的大家。例如艺术理论和艺术史,你能不看《观看之道》和《毕加索的成败》吗?假如你研究摄影,你能不读他的《另一种讲述的方式》吗?假如你喜欢当代英语文学,你一定会在主要的书评刊物读到其他人评介他的新小说。更妙的是,他随便写一篇谈动物的文章,也被人认为是新兴的文化研究领域“动物研究”的奠基文献之一。综合起来看,他就和苏珊•桑塔格一样,是那种最有原创力也最有影响力的公共知识分子;虽然不在学院,也不按学院的格式写作,却创造出了很多名牌大学教授一辈子也弄不出来的观念。而且他还要写得那么美,拥有那么多读者。反过来说,今天我们中国也很流行讲“公共知识分子”,但很惭愧,我们似乎还没有人及得上伯格这一流,还没有谁会有这样的知识上的创造力。
——梁文道
Philip K. Dick's Electric Dreams (2017) Eggplant.place Douban TMDB
Philip K. Dick's Electric Dreams Season 1 part of TV Series: Philip K. Dick's Electric Dreams
一部英国科幻电视故事选系列剧,改编自菲利普·狄克的作品。本剧于2017年9月17日在英国第四台上首播。本剧由十个基于菲利普·狄克作品的独立集数所组成。在美国,于亚马逊影片上播放。
金色笔记 Douban
The Golden Notebook
8.0 (11 ratings)
author:
[英] 多丽丝·莱辛
translator:
陈才宇
/
刘新民
publishing house:
译林出版社
2013
这是一本“自由女性”安娜的成长纪录,由一个故事、五本笔记构成。
黑、红、黄、蓝四色笔记,一个不安灵魂的四道反光:黑色代表她的作家生活,红色代表政治生活,黄色代表爱情生活,蓝色代表精神生活。而金色笔记,则是一种哲理的表述,一个生活的总结。它的多彩反映着主人公迷乱失重的灵魂。
通过这部“跨国度的百科全书”,莱辛图解了整个表面平平淡淡,骨子里混乱无序的世界。每部分之间依次插入黑、红、黄、蓝四种笔记,涉及殖民主义、种族主义与男女间的爱情,兼具感性与知性。
诺贝尔文学奖颁奖词称《金色笔记》为“一部先锋作品,是二十世纪审视男女关系的巅峰之作”。
黑、红、黄、蓝四色笔记,一个不安灵魂的四道反光:黑色代表她的作家生活,红色代表政治生活,黄色代表爱情生活,蓝色代表精神生活。而金色笔记,则是一种哲理的表述,一个生活的总结。它的多彩反映着主人公迷乱失重的灵魂。
通过这部“跨国度的百科全书”,莱辛图解了整个表面平平淡淡,骨子里混乱无序的世界。每部分之间依次插入黑、红、黄、蓝四种笔记,涉及殖民主义、种族主义与男女间的爱情,兼具感性与知性。
诺贝尔文学奖颁奖词称《金色笔记》为“一部先锋作品,是二十世纪审视男女关系的巅峰之作”。
爱情笔记 Douban
Essays in Love
7.8 (13 ratings)
author:
[英] 阿兰·德波顿
translator:
孟丽
publishing house:
上海译文出版社
2009
- 4
这是一部融合理性与感性、细腻生动的恋爱过程全记录。
其间,才子德波顿细述一段情缘中的邂逅、迷恋、平凡中的幸福、熟悉后的倦怠、女友移情别恋、挽回无望、自杀、醒悟,以至一段情完全成为过去。他认真思辩自己的感觉,忠实记下与女友交往中的各个细节,特别是心理和哲学层面的思考,文字 生动、处处机锋,不仅有极大的阅读乐趣,阅毕更令人回味无穷。
来吧,想爱、正在爱、曾经爱过的读者诸君,来看看“我”谈的那场恋爱是怎么回事。
英伦才子阿兰·德波顿,一位不乏米兰·昆德拉的批评深度,深具罗兰·巴特尔的解构气质;但,比昆德拉有更立体的爱情思维,比巴特尔更熨贴恋人的爱情神经,激活人们全新的阅读体验。 本书是一部融合理性与感性,细腻生动的恋爱过程的全记录。忠实记下与女友交往中的各个细节,特别是心理和哲学层面的思考 ,文字生动,处处机锋,不仅有极大的阅读乐趣,阅毕更令人回味无穷。
其间,才子德波顿细述一段情缘中的邂逅、迷恋、平凡中的幸福、熟悉后的倦怠、女友移情别恋、挽回无望、自杀、醒悟,以至一段情完全成为过去。他认真思辩自己的感觉,忠实记下与女友交往中的各个细节,特别是心理和哲学层面的思考,文字 生动、处处机锋,不仅有极大的阅读乐趣,阅毕更令人回味无穷。
来吧,想爱、正在爱、曾经爱过的读者诸君,来看看“我”谈的那场恋爱是怎么回事。
英伦才子阿兰·德波顿,一位不乏米兰·昆德拉的批评深度,深具罗兰·巴特尔的解构气质;但,比昆德拉有更立体的爱情思维,比巴特尔更熨贴恋人的爱情神经,激活人们全新的阅读体验。 本书是一部融合理性与感性,细腻生动的恋爱过程的全记录。忠实记下与女友交往中的各个细节,特别是心理和哲学层面的思考 ,文字生动,处处机锋,不仅有极大的阅读乐趣,阅毕更令人回味无穷。
愿上帝保佑法兰西厨子 Douban
French Lessons
author:
[英国] 彼得·梅尔
translator:
吴正
publishing house:
南海出版公司
2016
- 9
第一口咬在法国面包和法国黄油上,我那还在沉睡中的味蕾突然苏醒了,一阵痉挛……我失去了我的童贞,那种对美食一无所知的童贞。
·
世界上只有两件事能激起我们最强烈的反应,一是爱情,另一个是美食,在法兰西,二者皆有
与《普罗旺斯的一年》作者、英国图书奖得主彼得·梅尔一起吃透法兰西
这是一场假借写书名义进行的环法饕餮之旅,就算是最虔诚的素食者,也会因为这本书饥肠辘辘
眼前是细腻文字,鼻尖萦绕着美食香气,就像在米其林餐厅吃一顿大餐
·
在这本随笔集里,青蛙、鹅肝、蜗牛、干酪、松露、烧烤、红酒,一道道美食纷至沓来,法式大餐应有尽有,小心别流口水!
作者幽默有趣的文笔和个人风格,将法国人对吃的热爱表达到极致——
把法国人和其他国家的人区分开来的,不只是他们吃的东西,还有他们吃的方式。
去教堂礼拜,募捐善款,最终的目的是一盘撒着松露的煎蛋;千里迢迢驱车赶往法国北部,只为了几根在酒里腌过的小细青蛙腿;去疗养院修身养性,不过为了换种饮食口味。
更别说介绍蜗牛的科普读物中必有一章是菜谱;轮胎制造商也最终成为了全球闻名的美食评审机构。
愿上帝保佑法兰西厨子!
·
世界上只有两件事能激起我们最强烈的反应,一是爱情,另一个是美食,在法兰西,二者皆有
与《普罗旺斯的一年》作者、英国图书奖得主彼得·梅尔一起吃透法兰西
这是一场假借写书名义进行的环法饕餮之旅,就算是最虔诚的素食者,也会因为这本书饥肠辘辘
眼前是细腻文字,鼻尖萦绕着美食香气,就像在米其林餐厅吃一顿大餐
·
在这本随笔集里,青蛙、鹅肝、蜗牛、干酪、松露、烧烤、红酒,一道道美食纷至沓来,法式大餐应有尽有,小心别流口水!
作者幽默有趣的文笔和个人风格,将法国人对吃的热爱表达到极致——
把法国人和其他国家的人区分开来的,不只是他们吃的东西,还有他们吃的方式。
去教堂礼拜,募捐善款,最终的目的是一盘撒着松露的煎蛋;千里迢迢驱车赶往法国北部,只为了几根在酒里腌过的小细青蛙腿;去疗养院修身养性,不过为了换种饮食口味。
更别说介绍蜗牛的科普读物中必有一章是菜谱;轮胎制造商也最终成为了全球闻名的美食评审机构。
愿上帝保佑法兰西厨子!
我们在此相遇 Douban
Here Is Where We Meet
8.9 (23 ratings)
author:
[英]约翰·伯格
translator:
吴莉君
publishing house:
广西师范大学出版社
2015
- 7
编辑推荐
1.约翰•伯格最深情的告白之书。本书是当代最有影响力的作家、艺术评论家、公共知识分子约翰•伯格的自传式小说,一部记忆之书、死亡之书、爱之书、成长之书,一部深沉无悔的告解。这本书引领我们在生者与死者的相遇中穿越欧洲,从里斯本,到日内瓦,到克拉科夫、伊斯灵顿、马德里、波兰……
2.和卡尔维诺《看不见的城市》一样美丽的地志学书写。约翰•伯格以精彩绝伦的想象力,赋予现代城市以个人化印记和魔幻气息,最私密的写作和最彻底的虚构,却仿佛写出了每个人心中最真实的情感。
内容简介
当代最有影响力的作家、艺评家、公共知识分子约翰•伯格的自传性小说;一部记忆之书、死亡之书、爱之书、成长之书,一部深沉无悔的告解。
这不是一本传统的小说、回忆录、散文或传记,而是一种混杂了这些文体的崭新文类,即NewStatesman所谓的“未来的文类”:“是虚构,但非传统小说;是作者的第一人称,但非回忆录;是在时间与空间中自由穿梭的描述,但又始终是立足于当下;是一篇无悔的告解,也是对感知与情感的深刻挖掘。”
名人推荐
我尊崇并热爱约翰•伯格的作品。他为世间真正重要之事写作,而非随性所至。在当代英语作家中,我奉他为翘楚;自劳伦斯以来,再无人像伯格这般关注感觉世界,并赋之以良心的紧迫性。他是一位杰出的艺术家与思想者。论诗意,他或许稍逊劳伦斯;但他更机敏、更关注公共价值,风度气节亦胜一筹。他是一位杰出的艺术家与思想者。
——苏珊•桑塔格
他不倦的窥探并非仅仅指向摄影与绘画,而是“观看”的诡谲。在我们可能涉及的有关观看的文献中,很难找到如此引人入胜的文字,这些文字有效化解了古典绘画被专业史论设置的高贵藩篱,也使照片摆脱过多的影像理论,还原为亲切的视觉读物。阅读伯格,会随时触动读者内心极为相似的诧异与经验,并使我们的同情心提升为良知。
——陈丹青
撇开意识形态立场不谈,伯格目前在几个领域里都是不可不读的大家。例如艺术理论和艺术史,你能不看《观看之道》和《毕加索的成败》吗?假如你研究摄影,你能不读他的《另一种讲述的方式》吗?假如你喜欢当代英语文学,你一定会在主要的书评刊物读到其他人评介他的新小说。更妙的是,他随便写一篇谈动物的文章,也被人认为是新兴的文化研究领域“动物研究”的奠基文献之一。综合起来看,他就和苏珊•桑塔格一样,是那种最有原创力也最有影响力的公共知识分子;虽然不在学院,也不按学院的格式写作,却创造出了很多名牌大学教授一辈子也弄不出来的观念。而且他还要写得那么美,拥有那么多读者。反过来说,今天我们中国也很流行讲“公共知识分子”,但很惭愧,我们似乎还没有人及得上伯格这一流,还没有谁会有这样的知识上的创造力。
——梁文道
1.约翰•伯格最深情的告白之书。本书是当代最有影响力的作家、艺术评论家、公共知识分子约翰•伯格的自传式小说,一部记忆之书、死亡之书、爱之书、成长之书,一部深沉无悔的告解。这本书引领我们在生者与死者的相遇中穿越欧洲,从里斯本,到日内瓦,到克拉科夫、伊斯灵顿、马德里、波兰……
2.和卡尔维诺《看不见的城市》一样美丽的地志学书写。约翰•伯格以精彩绝伦的想象力,赋予现代城市以个人化印记和魔幻气息,最私密的写作和最彻底的虚构,却仿佛写出了每个人心中最真实的情感。
内容简介
当代最有影响力的作家、艺评家、公共知识分子约翰•伯格的自传性小说;一部记忆之书、死亡之书、爱之书、成长之书,一部深沉无悔的告解。
这不是一本传统的小说、回忆录、散文或传记,而是一种混杂了这些文体的崭新文类,即NewStatesman所谓的“未来的文类”:“是虚构,但非传统小说;是作者的第一人称,但非回忆录;是在时间与空间中自由穿梭的描述,但又始终是立足于当下;是一篇无悔的告解,也是对感知与情感的深刻挖掘。”
名人推荐
我尊崇并热爱约翰•伯格的作品。他为世间真正重要之事写作,而非随性所至。在当代英语作家中,我奉他为翘楚;自劳伦斯以来,再无人像伯格这般关注感觉世界,并赋之以良心的紧迫性。他是一位杰出的艺术家与思想者。论诗意,他或许稍逊劳伦斯;但他更机敏、更关注公共价值,风度气节亦胜一筹。他是一位杰出的艺术家与思想者。
——苏珊•桑塔格
他不倦的窥探并非仅仅指向摄影与绘画,而是“观看”的诡谲。在我们可能涉及的有关观看的文献中,很难找到如此引人入胜的文字,这些文字有效化解了古典绘画被专业史论设置的高贵藩篱,也使照片摆脱过多的影像理论,还原为亲切的视觉读物。阅读伯格,会随时触动读者内心极为相似的诧异与经验,并使我们的同情心提升为良知。
——陈丹青
撇开意识形态立场不谈,伯格目前在几个领域里都是不可不读的大家。例如艺术理论和艺术史,你能不看《观看之道》和《毕加索的成败》吗?假如你研究摄影,你能不读他的《另一种讲述的方式》吗?假如你喜欢当代英语文学,你一定会在主要的书评刊物读到其他人评介他的新小说。更妙的是,他随便写一篇谈动物的文章,也被人认为是新兴的文化研究领域“动物研究”的奠基文献之一。综合起来看,他就和苏珊•桑塔格一样,是那种最有原创力也最有影响力的公共知识分子;虽然不在学院,也不按学院的格式写作,却创造出了很多名牌大学教授一辈子也弄不出来的观念。而且他还要写得那么美,拥有那么多读者。反过来说,今天我们中国也很流行讲“公共知识分子”,但很惭愧,我们似乎还没有人及得上伯格这一流,还没有谁会有这样的知识上的创造力。
——梁文道
杂草的故事 Douban
Weeds
理查德·梅比:当代不列颠最伟大的博物学作家
一部跨越园艺、文学、历史的典范之作!
杂草的传奇故事 野性从未走远……
杂草是某种类型的植物还是一种人类的思维?它们是生物品种还是文化的产物?它们为何存在?如果没有它们,世界将会怎样?英国博物学作家理查德•梅比讲述了在人类与自然的抗争过程中,四处流浪的杂草是如何被定义、被诠释、被限制和被不公平地对待,又是如何冲破文明的边界并影响人类对自然的看法。理查德•梅比一方面为自然界不被待见的植物辩护,一方面从历史、小说、诗歌、戏剧和民间故事中钩沉杂草与人类剪不断理还乱的关系。文明背后的野性从未走远,一部立足英国本土的杂草变迁史,却勾勒出全球化视野中一幅包罗万象的野生植物迁徙和狂欢的图景。
一部跨越园艺、文学、历史的典范之作!
杂草的传奇故事 野性从未走远……
杂草是某种类型的植物还是一种人类的思维?它们是生物品种还是文化的产物?它们为何存在?如果没有它们,世界将会怎样?英国博物学作家理查德•梅比讲述了在人类与自然的抗争过程中,四处流浪的杂草是如何被定义、被诠释、被限制和被不公平地对待,又是如何冲破文明的边界并影响人类对自然的看法。理查德•梅比一方面为自然界不被待见的植物辩护,一方面从历史、小说、诗歌、戏剧和民间故事中钩沉杂草与人类剪不断理还乱的关系。文明背后的野性从未走远,一部立足英国本土的杂草变迁史,却勾勒出全球化视野中一幅包罗万象的野生植物迁徙和狂欢的图景。
25 Douban
release date 2015-11-20
publisher:
XL Recordings
「上一張專輯關於分手,如果要這張專輯下一個註解,我會說是它是一張和解/彌補的作品。」─ 愛黛兒
★關於與自己和解,關於彌補消逝的時光。葛萊美 / 全英音樂獎 / 奧斯卡金像獎 / 金球獎流行天后完美回歸
★全球3000萬銷量經典專輯《21》後,暌違近五年全新專輯
★首支單曲〈Hello〉橫掃102國iTunes冠軍,【親愛媽咪】【聽媽媽的話】加拿大天才導演Xavier Dolan操刀MV首日創下2770萬點播紀錄
★〈Rolling in the Deep〉葛萊美搭檔Paul Epworth再度攜手合作,力邀告示牌冠軍天王Bruno Mars、葛萊美得主Max Martin(Taylor Swift、Katy Perry)、Greg Kurstin(Ellie Goulding、Lana Del Rey、Sia)、嘻哈怪傑Danger Mouse,新生代英倫鋼琴才子Tobias Jesso Jr.聯手打造。
25 is the upcoming third studio album recorded by British singer and songwriter Adele. It is scheduled to be released on 20 November 2015, through XL Recordings. Following the release and international success of Adele's second studio album 21 (2011), she had planned to quit the music industry and go out on a positive note. However, Adele decided to take a hiatus instead and raise her son. During her sabbatical, she suffered with writer's block and rescheduled the album's studio sessions fearing she had lost her ability to write songs. In 2013, Adele had a breakthrough and the material that eventually became 25 manifested, with writing and recording continuing through to 2015. According to the singer, the album's title is a reflection of her when she was 25 and the frame of mind she was in during that age.
The lead single, "Hello", was a critical and commercial success, topping the charts in 26 countries including the United Kingdom and the United States, where "Hello" became the first single to sell one-million downloads in a release week.
★關於與自己和解,關於彌補消逝的時光。葛萊美 / 全英音樂獎 / 奧斯卡金像獎 / 金球獎流行天后完美回歸
★全球3000萬銷量經典專輯《21》後,暌違近五年全新專輯
★首支單曲〈Hello〉橫掃102國iTunes冠軍,【親愛媽咪】【聽媽媽的話】加拿大天才導演Xavier Dolan操刀MV首日創下2770萬點播紀錄
★〈Rolling in the Deep〉葛萊美搭檔Paul Epworth再度攜手合作,力邀告示牌冠軍天王Bruno Mars、葛萊美得主Max Martin(Taylor Swift、Katy Perry)、Greg Kurstin(Ellie Goulding、Lana Del Rey、Sia)、嘻哈怪傑Danger Mouse,新生代英倫鋼琴才子Tobias Jesso Jr.聯手打造。
25 is the upcoming third studio album recorded by British singer and songwriter Adele. It is scheduled to be released on 20 November 2015, through XL Recordings. Following the release and international success of Adele's second studio album 21 (2011), she had planned to quit the music industry and go out on a positive note. However, Adele decided to take a hiatus instead and raise her son. During her sabbatical, she suffered with writer's block and rescheduled the album's studio sessions fearing she had lost her ability to write songs. In 2013, Adele had a breakthrough and the material that eventually became 25 manifested, with writing and recording continuing through to 2015. According to the singer, the album's title is a reflection of her when she was 25 and the frame of mind she was in during that age.
The lead single, "Hello", was a critical and commercial success, topping the charts in 26 countries including the United Kingdom and the United States, where "Hello" became the first single to sell one-million downloads in a release week.
奥威尔日记 Douban
Orwell Diaries
author:
[英] 乔治·奥威尔 著
/
[英] 戴维森 编
translator:
宋佥
publishing house:
上海译文出版社
2020
- 6
乔治•奥威尔(1903—1950),英国伟大的人道主义作家、新闻记者和社会评论家,传世之作《一九八四》、《动物农场》脍炙人口,历久弥新。作为“一代英国人的冷峻良心”,这位左倾激进、终其一生憎恶与鞭笞上层阶级的左翼文人,在日记中忠实记录了如下场景:与伦敦的流浪汉们一同乞讨、一同流浪、一同采摘啤酒花、一同住进收容所;深入矿井深处,像矿工一样从头到脚沾满煤灰;在远离城市的海岛上像纯粹的农民渔民一样播种收割、狩猎捕捞。这些日记可谓对其理想所做的最好诠释:平等、博爱,关心被侮辱被损害的社会底层,反对顽固的保守派,坚定地反法西斯,讴歌劳动者、热爱劳动……
本书由英国戏剧、传记学者,奥威尔研究专家彼得•戴维森(Peter Davison)选编,辅以详尽的编者注释,并配有20幅奥威尔亲笔绘就的示意图。所选日记从1931年8月至1949年9月,充满了引人入胜又令人唏嘘的细节描写,拳拳之忱、赤子之心纤毫毕现,具有不可取代的文学甚至文化价值,极富阅读性、研究性与收藏性。
本书由英国戏剧、传记学者,奥威尔研究专家彼得•戴维森(Peter Davison)选编,辅以详尽的编者注释,并配有20幅奥威尔亲笔绘就的示意图。所选日记从1931年8月至1949年9月,充满了引人入胜又令人唏嘘的细节描写,拳拳之忱、赤子之心纤毫毕现,具有不可取代的文学甚至文化价值,极富阅读性、研究性与收藏性。
身份的焦虑 Douban
Status Anxiety
7.5 (100 ratings)
author:
[英] 阿兰·德波顿
translator:
陈广兴
/
南治国
publishing house:
上海译文出版社
2007
- 3
在他人眼里,我是怎样一个人?我是个成功者还是失败者?每个人的内心,潜藏着对自身份的一种难言的“焦虑”。可有谁曾真正的审视过这种身份的焦虑呢?睿智的德波顿做到了,他首次引领我们直面这一人心深处的焦虑“情绪”。德波顿援引艺术家、思想家及作家的观点与作品,抽丝剥茧地剖析身份 焦点的根源,并从哲学、艺术、政治、宗教等各个角度探索舒缓和释放这种焦虑的途径。
这本书并非一本充满学术语言的“高深”著作。它用通俗、有趣的语言,为现代人解读了“身份”的前世今生,以及我们为什么会为“身份”而焦虑。“身份”这个词在这本书中更多的还是指一种社会地位,一种当代人追求的功名利禄。为什么我们渴望得到别人的认同?是什么让我们变得“势利”,对于金钱和时尚的欲望之壑为何总也填不满?我们到底怎样才能克服这种身份的焦虑呢?在阅读这些文本的时候,一方面,你会惊叹于德波顿广博的知识,那信手拈来的典故和风趣的点评,为你从多个视角展现了人类的“身份”观念;另一方面,你会渐渐审视自我,发现许多已经在你脑海里根深蒂固的东西,开始动摇和解体。
这本书并非一本充满学术语言的“高深”著作。它用通俗、有趣的语言,为现代人解读了“身份”的前世今生,以及我们为什么会为“身份”而焦虑。“身份”这个词在这本书中更多的还是指一种社会地位,一种当代人追求的功名利禄。为什么我们渴望得到别人的认同?是什么让我们变得“势利”,对于金钱和时尚的欲望之壑为何总也填不满?我们到底怎样才能克服这种身份的焦虑呢?在阅读这些文本的时候,一方面,你会惊叹于德波顿广博的知识,那信手拈来的典故和风趣的点评,为你从多个视角展现了人类的“身份”观念;另一方面,你会渐渐审视自我,发现许多已经在你脑海里根深蒂固的东西,开始动摇和解体。
一只狗的生活意见 Douban
A Dog's Life
5.6 (5 ratings)
author:
[英国] 彼得·梅尔
translator:
林红
publishing house:
南海出版公司
2014
- 4
★《普罗旺斯的一年》作者彼得•梅尔最幽默作品
★ 一只特立独行的狗,笑看世间百态
*****************************************
特立独行的小狗仔仔,自认为与文豪普鲁斯特有共同之处,同为法国籍,喜欢思考,喜爱饼干。对于人世间的似水年华,仔仔也有独到的见解。比如在它看来:
喝酒这件事,人类总要找个冠冕堂皇的借口;
只要求饶的技术足够高超,凡事都可协商,没有不可补赎的罪过;
思考神秘事件是有损健康的,大部分哲学家不都以疯狂收场,以酒买醉?
家猫不过是一群自恃清高、不善交际的毛球,手持家猫照片的女人,真是无可救药;
至于电视机,就是个装满矮小、吵闹的人群,散发着焦糊塑料味道的盒子,毫无乐趣可言。
……怎么样,想和仔仔一起散个步吗?
★ 一只特立独行的狗,笑看世间百态
*****************************************
特立独行的小狗仔仔,自认为与文豪普鲁斯特有共同之处,同为法国籍,喜欢思考,喜爱饼干。对于人世间的似水年华,仔仔也有独到的见解。比如在它看来:
喝酒这件事,人类总要找个冠冕堂皇的借口;
只要求饶的技术足够高超,凡事都可协商,没有不可补赎的罪过;
思考神秘事件是有损健康的,大部分哲学家不都以疯狂收场,以酒买醉?
家猫不过是一群自恃清高、不善交际的毛球,手持家猫照片的女人,真是无可救药;
至于电视机,就是个装满矮小、吵闹的人群,散发着焦糊塑料味道的盒子,毫无乐趣可言。
……怎么样,想和仔仔一起散个步吗?
Third Star (2010) Douban TMDB IMDb WikiData Skybridge
Third Star
other title:
第三颗星
/
巴拉方德湾
…
James and his three closest lifelong friends go on an ill-advised trip to the stunning coastal area of Barafundle Bay in West Wales. What follows is a touching and comical adventure dealing with friendship, heroism and love.