2005 film by Neil Marshall

1979 film directed by Franc Roddam

This film came out shortly after Who drummer Keith Moon's death and as such, is a hybrid between a tribute to his work with the band and what it was probably originally intended to be, a collection of performances and material showcasing their development through their first quarter-century.
There are some great live performances here: including a smashing live version of the extended ‘Won't Get Fooled Again', stuff from the sixties' German pop show Beat Club, and many more. There are interviews (including the famous one with Russell Harty from the mid-seventies), and other bits and pieces put together. This was always the definitive line-up of the band, when their songs had spirit and their performances were technically accomplished with a touch of humour.

迈克尔·凯恩任制作人和旁白的纪录片《我这一代》(My Generation)被英国狮门购得，计划于明年初上映。该片由David Batty执导，在今年威尼斯电影节首映，获得观众8分钟起立鼓掌。讲述1960年代的英国的文化变革，犹以伦敦为背景，凯恩采访多名在那个年代崛起的名人，如保罗·麦卡特尼、玛芮安妮·菲丝弗、Twiggy、The Who的Roger Daltrey、玛丽·官等。

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.

《一仆二主》由理查德·比恩（Richard Bean）改编自意大利即兴喜剧创始人、剧作家卡罗·哥尔多尼（Carlo Goldoni）创作于1743年的名著《一仆二主（Servant of Two Masters）》（意大利语：Il servitore di due padroni）的英文版本，故事背景设置在1960年代的英国布里顿，由英国国家剧院前艺术总监尼古拉斯·希特纳执导。詹姆斯·科登在里面饰演一个同时为两个雇主工作、又不敢让他们发现真相的贪食胖仆人。

近年擅长将《樱桃园》、《第十二夜》等经典进行当代改编的导演西蒙·古德温与NT Live《凡人与超人》的老搭档拉尔夫·费因斯再度携手创作了当代版《安东尼与克莉奥佩特拉》，因《卢旺达饭店》而获得奥斯卡提名的苏菲·奥克尼多（Sophie Okonedo）加盟出演美貌而善变的埃及艳后。

《安东尼与克莉奥佩特拉》的时空跨度超过了莎士比亚此前的任何一部作品，剧中的两个世界：罗马和埃及，分别被屋大维和克莉奥佩特拉掌控，而安东尼则周旋于两者之间。从《裘力斯·恺撒》葬礼上慷慨陈词的挚友，到克莉奥佩特拉石榴裙下的战神，安东尼独特的魅力深深地吸引着人们。他和克莉奥佩特拉的爱情中掺杂着依附关系和权力追求，最终改变了两个人和两个帝国的命运。

Will is looking for an escape from his family when he encounters Lee, the school bully. Armed with a video camera and a copy of Rambo, Lee plans to make his own action-packed video epic.

在看过大卫·田纳特版的《理查二世》和本·卫肖出演的BBC剧集《空王冠》版本之后，你还能否想象另一番模样的《理查二世》？
以NT Live版《李尔王》为中国观众所熟知的两度奥利弗奖得主西蒙·拉塞尔·比尔，此次在以犀利的当代改编而闻名的阿尔梅达剧院挑战这部莎翁经典，演绎理查二世在权力倾轧下扭曲的心理。导演乔·希尔-吉宾斯对这部剧进行了大刀阔斧的改编，甚至删去了原作中的不少段落，集中于危险的权力运作及其心理学研究：王宫大臣们如同秃鹰一样围着理查二世的王冠，而理查时而刚愎自用，时而手足无措。舞美设计所采用的半封闭式极简舞台，如冰冷的金属盒子，将历史上硝烟四起的内战化为政治惊悚片一样的殊死搏斗。

深夜，邻家小狗威灵顿死在草坪上。我心疼地抱着它，却被主人误以为是凶手。我决定侦破这起谋杀案，并把探案的过程写成一本书……

Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce.

Richard Armitage stars in Yael Farber's powerful production of Arthur Miller's timeless witch hunt parable.

Cash-strapped Alison and Mike think their dreams have come true when they inherit a grand country house, unaware that it's falling apart and teeming with the ghosts of former inhabitants...

滚石乐队吉他手、建队元老基思•理查兹自传
《纽约时报》畅销书榜No. 1；《星期日泰晤士报》畅销书榜No. 1
荣获诺曼梅勒奖“最佳传记”
仅凭10页书稿获730万美元预付版税
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大伙儿说你为什么锲而不舍？我想他们没太明白。我这么做不仅是为了钱，或者为了你们。我这么做是为了我自己。 ——基思·理查兹
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摇滚界大腕基思•理查兹的自传，毫无保留地讲述自己的童年、创作、恋情等，重现他由无名小卒到呼风唤雨的风云人生。
基思•理查兹自小受外祖父加斯耳濡目染爱上音乐；在母亲影响下听摇滚乐；在斯图牵头下创立滚石乐队；为做音乐、为生存而偷酒瓶；遇上心爱的女子；像偷窥狂那样为写歌找灵 感；一连九天不睡觉录歌；在美国巡演，和警察过招；逃离英国；成家；结识圈内各色人士；遭遇亲朋故去；遭到队友米克的背叛……
正如他所言：这就是我的摇滚人生。信不信由你，我没有忘记这之中的一丝一毫。谢谢夸奖。

2018 documentary film directed by Peter Jackson