A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals.

1979 film by Andrei Tarkovsky

2009 film by Bartosz Konopka

1981 film by Dušan Makavejev

2006 film by Corneliu Porumboiu

2006 film by György Pálfi

2007 film by

Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.

2002 fictional historical film by Alexander Sokurov filmed in the Winter Palace in one take without stopping the camera

有趣的故事。随着开关一开一合，发生了奇怪的事。离奇。

An aspiring filmmaker visits his parents and begins to devise a movie. Amidst creating and casting for the film, he encounters with family & friends who struggle with their own problems, dreams and life.

A story in four parts is told from the perspective of two children, showing life in school, in nature, with family and at home. All of this unfolding along with the seasons. The Small Town depicts life in the village, while also portraying the relationships between members of a small-town family, in a long centerpiece scene around a campfire with family members talking about the past, life and its disappointments. Both brother and sister witness the complexities and darkness of the adult world, as well as the mysteries of nature and wildlife.

A fine day in the life of a fly presented completely from the fly's point of view. A fine day until something dreary happens, that is.

2002 film by Tomasz Bagiński

A static camera observes a room as it slowly fills with thirty-six characters from different stages of life, as they move in loops through an absurd dance of social disconnection.

Set during the opening days of World War II on the Eastern Front. Its main cast are a group of Soviet teenagers with extraordinary abilities; the teenagers have been drafted to form a special unit to fight the invading German army. They are opposed by a Schutzstaffel officer who is attempting to raise from the dead a supernatural army of crusaders from the 12th-century Order of the Sacred Cross.

两个女人打算偷运外国商品回到波兰，可面对异常严格的过境检查，她们能成功吗？
芭西亚与自己14岁的儿子彼德、17岁的侄女克里斯蒂刚从西欧旅游回国，随身携带了一些在国外购买的名牌烟酒和化妆品，想从波兰南部山区走私入境，那里只有一座偏僻的检查站和两个看上去一本正经的男人 - 中年站长与有点腼腆的青年检查员。女人们开始了自己的计划，先将烟酒和化妆品的包装拆下来堆在一起烧掉，然后将它们混进私人包裹中，开车来到检查站，成熟稳重的芭西亚负责和站长套近乎拉关系，而年轻貌美的克里斯蒂则在必要时用魅力迷惑小检查员。很快芭西亚和年龄相仿的站长说上了话，可无论你软磨硬泡还是送烟送酒，甚至自己的侄女都要对检查员投怀送抱了，人家该查的还是要查，无奈她只好拿出最后的杀手锏，打电话给自己“有地位”的老公来解决问题……只是似乎每个人都忘记了彼德的存在和他对这一切的反感。最后愤怒的彼德纵火烧毁了汽车。
《私人检查》是70年代波兰新浪潮电影（POLSKA NOWA FALA）中一部很耐人寻味的作品，在今年初美国纽约波兰文化中心举办的波兰新浪潮电影放映周上，此片是入选的八部长片之一，和它一起的还有Jerzy Skolimowski的《RYSOPIS》，Andrzej Zulawski的《银色星球》，Krzysztof Zanussi的《灵性之光》等比较知名的波兰新浪潮作品。相对而言这部《私人检查》倒不是很出名，它是由两位波兰电影人合作导演的，Andrzej Kostenko曾经与罗曼-波兰斯基一起拍过不少短片，属于写剧本非常厉害的人物，而Witold Leszczynski则是开创了后来波兰电影魔幻现实主义流派的前辈，不过在这部早年作品里还没体现出太多他后期的风格。
影片揭示出社会中人们因为生存环境的强烈差异而引发的消费欲望和不平衡心理，在当时严格的政治制度下波兰乃至整个东欧在高端生活品方面的缺乏，而资本主义国家里却尽是奢侈品的生产过剩和大量浪费，这种供求关系上的严重不平均必然会使一些别有用心的人抓住一切机会从海外私带物品回国，无论是做商业利益考量还是留给自己用，然而在费尽心机想达到个人目的的同时，却又正在失去一些人性中最基本的东西，比如真诚、真爱和对孩子的关怀。影片的特别之处在于整个故事完全就发生在一个边检站里，仅仅几个小时而已，所以片中的场景变化不多，看上去有点在小剧场里演话剧的感觉。
但往往是最不起眼的小地方却有着最典型的生活现象，这部影片让我想到了同为70年代风格的苏联电影《两个人的车站》和《个人问题采访记》，实际上我觉得影片创作者对几位主人公是抱有同情的，在芭西亚和站长的几次交谈中能看到普通的波兰人对过去始终被压抑的生活的追忆和思索，原来他们都有着许多似曾相识的记忆，而这些记忆的交流让这场本来很正常的过境检查变成了一次对私人内心世界和生活经历的探询。除此之外影片在表现手法上也有别于其他的波兰电影，在正常的剧情发展中不时地插入一些西方国家流行的商品广告片段，其实是借当时西方特有的消费主义电影的模式来讽刺社会主义意识形态下的反消费主义思想。(评介资料来源auess新浪博客)

本片是一部关于南斯拉夫乐队“无烟地带”的纪录片，由南斯拉夫著名导演埃米尔•库斯图里卡（Emir Kusturica）执导，他作为该乐队的贝斯手也出现在影片中。影片记录了“无烟地带”乐团2000年在欧洲巡演的经历，中间夹杂着乐手们关于成长历程的叙述，以及后台闲谈、排练的片段。影片结构也很有特色，乐队前台表演的画面使用彩色胶片拍摄，而表演后台的花絮以及乐队自述都采用粗糙的黑白影像来表现，形成强烈的对比。乐团一路欢唱，将巴尔干庞克的狂野与疯癫、欢乐与凄苦充分表现在他们的嬉笑欢腾与玩世不恭中。在巡演过程中，他们坚持追寻南斯拉夫的音乐根源，并希冀加入现代的摇滚元素重新构建自己的独特音乐风格。
本片获得2001年美国芝加哥国际影展最佳纪录片银盘奖。

2004 animated short film directed by Tomasz Bagiński

2002 film by Nuri Bilge Ceylan